Pete C

Lon Chaney Dick Cheney Satan

He's fantastic, but his playing with Pelt is more conservative than with his own trio.

Loyal Sandusky wife/enabler besmirches victims: http://abcnews.go.com/US/sandusky-trial-hears-wife-defend-husband-criticize-victims/story?id=16601332#.T-Hfib_PZJh

John Q. Public Robert Q. Lewis P.D.Q. Bach

In that case I prefer Bartz, Barron, Williams and Riley to Sphere. IMO, Bartz is the far more compelling sax player of the two.

Do any of those compilations include his stuff with Basie?

Barnett Newman Charlie Barnet Bunny Berigan

Why do you say it's from Larry Goldings? The author is David Lowery.

Lawrence Block Ernst Bloch (philosopher) Ernst Bloch (composer)

Amon-Ra Gene Ammons Jughead

Mal Waldron is Tom's Niagara Falls.

Django Reinhardt Django Bates Norman Bates

Clarence Birdseye Clarence Beeks Eddie Jefferson

I preferred Sphere with Bartz to Rouse. I saw them at Parc Floral in Paris on a very rainy day.

Hush!

John Tower Jim Hightower Hy Averback

That outcome is probably for the best. Just think, that question could have led to another 7 books.

Josephine Baker John Butcher Paul Revere (the candlestick maker)

I'm also suspect of the romantic notion of authentic vs. inauthentic emotion in music. As far as I'm concerned, the "emotional dimension" is one of many techniques in music, part of the lexicon, and if it's successful, I don't care if it's coming from the "heart" or the brain. It's like acting: method acting is only one of many approaches.

Bill Bojangles Robinson Jerry Jeff Walker Walker Percy Damn you, Sngry. Robert Coover Herbert Hoover Bob Mover

And then he led a great big band. When I was a teenager I saw Buck with a small group at a midtown Manhattan creole restaurant called Crawdaddy.

Conan O'Brien Onan Master Bates

I'm in total disagreement on Lewis. Love his early bop playing, find everything after mid-50s rather prissy and soporific.

Fatboy Slim Baby Huey Huey P. Newton

I used to live around the corner from Figlia air conditioning on Avenue A.