Steve Reynolds

Thanks very much - I think Hamid knows you. He was speaking of looking forward to the trio show with WP & Pat Thomas fwiw I've had similar feelings regarding William but a few disappeared a few times during some of the 4 sets I saw with him. The best set for him might have been when he did not even play that red & black bass. There was a portion on that "silly" bass when his bow playing blew my head out late Friday night after 30-40 minutes of me struggling to *hear* him on that red/black thingy. yes Edwards is the greatest - me needs to see him live - one day - but you also did see the *great* Mark Sanders who in that format with a burning Roscoe Mitchell, it sure must be something to experience!!! I did get to see him once way back in May 2001 with Evan Parker (plus Tim Berne & Drew Gress) / it might have been the start of my mantra to "never leave before the second set" as that second set at The Knitting Factory remains one of those memories - as faded and as long ago as it was, it some respects, I'm still hearing it. as Mr. Evan Parker said to us before the first set, "We will know by the second set of we have a band" I sure think they had one but I can't think of when they would have ever played together again. I've not seen Berne that often since (I often feel about him as I feel about William!!), but that night he played toe to toe on alto with Evan Parker's tenor!! btw - your write-ups remain the highlights of this site/board, yet it reinforces how so many continue to miss out on what made and makes jazz/improvisation truly great / the live experience. Nothing compares. I LOVE my recordings that I can play any time I like, but nothing compares the ultimate true sound of surprise.

Didn't expect this loss to hit me so emotionally. over the last few years, I find I don't listen to that much jazz of the era in which Rudy Van Gelder made his enormous mark. BUT the memories of my discovery of that music and what has followed over the past few decades are priceless. Reading and absorbing the stories and the music - searching in the pre-Internet days for the tough to find OJCs & Blue Notes and looking for the RVG name and recording location - did they move to Englewood Cliffs yet? The discussions on all the jazz boards, the friends I've made and the music I've seen and heard since / all of that not possible without hearing those recordings first and thirsting to find the next one with that sound - oh that sound. peace and blessings RIP, sir

Stayed for Morris, Taborn, Parker & Cleaver huge win - as good as the first 45 minutes were, the last 20 were trance inducing magic miracle stuff with WP playing mystery bowing stuff that only he can play. Cleaver's groove is the narrowing tightly defined and the deepest yet most subtly intense groove that exists in this music when he gets to that spot. He got there Saturday at about 11:05 P.M. The whole night had both quartets pushing very hard against the boundaries of the acceptable with various levels of success. The breakthroughs and peaks were the highest I've heard probably in the last year. The struggles were real. Nothing easy with Tony Malaby. Lots of sweat and the ending of the set with Malaby, Morris, Parker & Drake with Hamid switching off the kit for the last 15 minutes or so surpassed in beauty and eventually in intensity to what happened in the first 50 minutes of intermittent struggle and ecstasy. Hamid & Tony pushed each other and the band very very hard. William didn't touch the contrabass and besides the shrill sounding shenai, his playing on the odd string instruments was stunning in their simplicity and sound. When Malaby (all tenor on this night) somehow found a way in to the quieter vibe at the end, him and the band found something that is now gone, lost but never forgotten. Mysterious, ingenious and complete and thoroughly surprising and breathtaking. Stunned to hear it. Shocked despite my huge expectations of what these guys do and what they play - all for the music - especially Joe Morris - all for the music - no ego to show what he can play. That is so very apparent but the results and experience is even greater than the sum of the immense parts.

Hamid in good spirits. Looks like Tony has just the tenor. Fired up

All about getting a parking spot as 1.8 miles a bit much to walk to 3rd in line!!!

First set: Joe Morris with Tony Malaby, William Parker & Hamid Drake options for second set: 1) stay at The Stone for Joe Morris with Craig Taborn, William Parker & Gerald Cleaver or 2) go to Cornelia Street Cafe for Sylvie Courvoisier, Mark Feldman, Ingrid Laubrock & Tom Rainey win either way, I'm sure

I've seen a bunch of those:)

Xybert-good to see u here!! my number one suggestion is Larry Och's Fictive Five its got a few/couple your guys on it - and it is spectacular!!

RIP i second all of the above - she is the wild card on otherwise somewhat rote recent Steve Swell release. She had a young vibrant spirit in her playing when I saw her live.

And of course The London Jazz Composer's Orchestra, Barry Guy New Orchestra and his new Blue Shroud Ensemble (I'm ordering soon)

The biggest of them all has a new one out: Fire! Orchestra - "Ritual" the first two, "Exit" and "Enter" from 2013 & 2014 are amazing, original recordings of the huge ensemble of seemingly disparate pieces. I especially love the singing which was initially shocking and overwhelming to me. I believe that an open mind to this band is thoroughly necessary to allow one to hear this music. One of the current bands I'd love to see live more than just about any other band - it would take a trip across the Atlantic to make that happen.

Look up on The Stone NYC website I be there 8/18, 8/20 & 8/21 I would love to add 8/17 or 8/20

All good but I always can dream that maybe, along with many other deserving lesser heard brilliant musicians who play improvised music, you or some others who might not be familiar with more than the well known wonderful mostly historical jazz of the 50's & 60's plus or minus a couple of decades, might go listen to Joe Maneri's incredibly original and striking music. Coming Down the Mountain, Let the Horse Go, Get Ready To Receive Yourself and,of course, the greatest of them all, Dahabenzapple really will never make any list, these recordings of his great quartet simply should be demanding a bit more attention. I realize they are not like anything on that list as they are all 100% improvised as I don't know of any Joe Maneri music made in his last only public performing period from 1993 to his retirement from performing in 2005 that wasn't, so there are never any of the guideposts that many believe they need to connect to the music. Samples don't work, first listens probably only offend, so I have no idea how I *heard* it so very clearly maybe the 3rd or 5th time I put one of the above recordings on my stereo back around 1997 or so.

ALL of my favorites are great NONE of them will be on any lists still..... Coming Down the Mountain fwiw - that recording is one of my favorites and without any question, it is certainly a great one and I'm even more sure it's on not on any list anywhere.

Brotzmann Parker Drake: Song Sentimentale recorded live @ Cafe Oto in January 2015

Horrible news was lucky to see him with Cecil Taylor back ~ 1997 or so with the quartet. I was still very new to that sort of thing and I recollect that he was strumming and bowing very seriously. I must have seen him again once or twice and I did have one conversation with him at the bar at The Knitting Factory back in the very late 90's. He was playing with Ivo Perelman upstairs or downstairs and a few of us from the old Jazz Central Station were getting ready for Dave Holland's band with Steve Nelson, Chris Potter and Billy Kilson. I might have mentioned seeing him with Cecil a couple of years before and I noted that Abdullah Ibrahim had played the first set with his trio - which to this day is one of the oddest combinations - and Dominic then said that Cecil referred to Ibrahim as "Half-Dollar"'as he wasn't a big fan!! Dominic came across as a passionate learned guy and he urged us to blow off the Holland band for the trio with him, Ivo and I think Michael Wimberly or Jay Rosen but we didn't - I believe Mr. Ducal had a bit of Internet correspondence at the time and he sent me a solo CD recording some time later. I havn't kept up - been meaning to pick up some Trio X stuff, etc. I didn't know he was sick. Brings back a flood of incredible memories. What experiences he must have had playing with those that he did - from Cecil to Ivo to Joe McPhee - and all the others RIP, sir

Fwiw, DP29 is an incredible 6 CD set of Betty Cantor-Jackson's 2 track recordings of the 5/19/77 & 5/21/77 shows. Silky smooth, beautifully executed and classic examples of prime Spring 77 Grateful Dead. Much different from earlier or later Dead. For some the sweetest of sweet spots is 1977 Grateful Dead. This period of the Dead has been my biggest revelation this year along with late 79 and early 80 Dead which I previously imagined that I'd never be interested in. My main period of GD interest is still centered in pre-hiatus (67-74) Dead as it was more exploratory and contained longer and more extreme and intense improvisations. The earlier shows (Primal Dead, if you will) at it's peak if you can locate it(!!!) still is the high-water mark when I find it!!! Two From the Vault (8/24/68), Fillmore West 69 (the 3 CD set), Dick's Picks 4 (2/13/70) & Dick's Picks 8 (5/2/70) are a few of the places where you can't miss it!!! The latter, despite the mono recording, might have the highest points of all. I listened to the second disc yesterday and I continue to be blown away by what these guys could do on a great night. And I didn't get to the closing sequence of Morning Dew, Viola Lee Blues (!!!!!!) and We Bid You Goodnight. Maybe the best place to find the combination of the both might be Ladies & Gentleman (4 CD from April 71 run @ Fillmore East) and Steppin' Out (4 CD set from English part of Europe 72 tour). Both very affordable and both are incredible sounding multi-track recordings including the whole gamut of what the boys could do.

Ordered Dave's Picks 19 will get a subscription for next year - I'm still on a huge Dead listening expedition now exceeding 6 months, maybe 9 months. Rediscovering the band on a deeper level almost like when I discovered Evan Parker, Joe Maneri, Gerry Hemingway and all the rest 20 to 25 years ago and going forward - all my modern day improv heroes - save that I can't go see Jerry live.

Excellent observation, Clifford competitive *and* blasé!!!!!! or falsely NYC cool?!?!?

Fwiw, wait staff was pleasant, room still skinny, music was astounding! nice to see and chat with Clifford and his friend - also again I'm very humbled to be sitting within a few feet of one of the greatest guitarists I've ever heard one more time. The experience continues to be priceless to me. I'm not denigrating the fine playing/muscianship of Rainey & Laubrock, but Mary Halvorson, for me, is creating music on some other alternate universe level. And the sound itself - continues to wow me. The whole organic approach of the single note runs, rhythm playing and the use of the pedals, a bit of slide playing in one of the three second set pieces, and the power chord inventions - all add up to the whole package. I left last night extremely refreshed and inspired. Not sure this trio is better each time - not sure different - I'm just sure it is wonderous and of it's own sound and space. Very nice when a band is unlike anything else. For those interested, Hotel Grief (Intakt) was recorded on 12/30/14 @ Cornelia Street - and this is one live recording that *does* give a decent approximation of what the band sounds like live.

Tom Rainey Trio with Ingrid Laubrock & Mary Halvorsen @ Cornelia Street Cafe (aka bowling alley room - thanks to Larry Kart for that!!) the room is skinny, wait staff attitude and competence varies. Music is usually great. Tom, Ingrid & Mary fit nicely on the little stage/bandstsnd(sic) and I wouldn't have it any other way?

Three pianists come to mind: Paul Bley, Don Pullen & Mal Waldron

On my short list as you know, I rate the two small formation of the Barry Guy New Orchestra box sets as the premier small group improvisations of recent years. Performances *and* Sound. It is quietly disconcerting and disappointing that so few music listeners are aware of this music, or if they are, are not interested enough to obtain these incredible documents of the some of the greatest musicians alive improvising at full power and inspiration.

Cannot wait to see the *great* Joe McPhee on the 21st I never take seeing these dudes live up close and personal for granted. Very grateful for when I can see a few of the Giants Who Walk This Earth McPhee is one of them - one of the great pure improvisors who has seemingly never run out of ideas

Ordered Dick's Picks 29 - 2 full shows from May 77 / 6 discs still on the bus.....