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Posted

So has anyone else heard of the World Wide label?

I recall, from reading Michel RUppli's Savoy discography about thirty years ago, that World Wide was also a budget label that LUbinsky used to reissue Russian classical records. But it was a long time ago I read it so I can't be certain. I didn't buy the book because the coverage of gospel music was crap.

MG

I've got the Savoy discography, and I can't find anything like that, or any explanation of what the label was. There's a listing of World Wide LP releases on page 427; it's an odd assortment. There's a few jazz albums, some Latin records, a couple by the Charleston Club Orchestra, but only one classical record - a Tchaikovsky Piano Concerto perform by Emil Krauss and the "Regent Symphony Orchestra."

I agree that the coverage of Savoy's massive gospel output is pretty poor.

Well, I'm certainly remembering it wrong. Thanks for keeping me in line, Jeff :D

MG

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Posted

ammons_gene_youtalkth_101b.jpg

Post-return Jug in full glory (good GOD, that sound!!!), Sonny Stitt playing quite well with "his electricity in tow" (as the liner notes put it), George Freeman, Leon Spencer, & Idris Muhammed, what a fine record this is. Vibrant, in fact. Freakin' vibrant.

Posted

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It's a trip reading John Litweiler's essay-turned liner notes here, written (it seems), just after the now-legendary exodus of so many Chicagoans to France.

As far as the music...AMG wants to warn you that the set

starts off so weird (with verbal sound explorations by Malachi Favors) that it might scare away some listeners.

http://www.allmusic.com/album/tutankhamun-mw0000172758

I want to warn you that if this is all it takes to scare you...well, hey. Go ahead and be scared.

Some people scare easily, I guess.

Posted (edited)

Interesting to see the young Malcolm Cecil there. Tom 1960 tells me he recently resurfaced playing bass at a gig in upstate New York!

Neat ! Diverted along the way by years working with Stevie Wonder (he was on TV on a Wonder documentary (BBC4?) not too long back talking about his old custom recording facility in NYC).

Edited by sidewinder
Posted

roach_maxro_soundsasa_101b.jpg

Max Roach - Sounds As A Roach (Lotus)

1968 Oslo concert with Abbey Lincoln, Red Mitchell, Steve Kuhn, and ... Steve Lacy. Half of it is given over to drum solos and an okay big band piece but the small group cuts that showcase Lacy and Abbey are stellar. Do you know this one, Jeff?

Posted

roach_maxro_soundsasa_101b.jpg

Max Roach - Sounds As A Roach (Lotus)

1968 Oslo concert with Abbey Lincoln, Red Mitchell, Steve Kuhn, and ... Steve Lacy. Half of it is given over to drum solos and an okay big band piece but the small group cuts that showcase Lacy and Abbey are stellar. Do you know this one, Jeff?

Yes - I've got that issue, and it also showed up on Joker in Japan. Only the big band piece is from Oslo - everything else was recorded in Rome, May 27, 1968. I don't know whether Kuhn and Mitchell are in the big band, but the actual personnel for the Rome show (taken from Lukas Lindenmaier's Lacy discography) is Lacy, Lincoln, Franco D'Andrea on piano, Giovanni Tommasso on bass, and Roach. Lacy was living in Rome at the time, so it looks like Roach and Lincoln were touring as a duo and hooking up with local rhythm sections. I think Steve sounds pretty good on the two pieces he plays on.

Posted

An IAJRC lp that reissues rare V-Disc sides. There's a great track by jack Tegaarden and Billy Strayhorn on here that I don't remember ever knowning about (Take the A Train).

various_artists-v_disc_stomp.jpg

Posted

roach_maxro_soundsasa_101b.jpg

Max Roach - Sounds As A Roach (Lotus)

1968 Oslo concert with Abbey Lincoln, Red Mitchell, Steve Kuhn, and ... Steve Lacy. Half of it is given over to drum solos and an okay big band piece but the small group cuts that showcase Lacy and Abbey are stellar. Do you know this one, Jeff?

Yes - I've got that issue, and it also showed up on Joker in Japan. Only the big band piece is from Oslo - everything else was recorded in Rome, May 27, 1968. I don't know whether Kuhn and Mitchell are in the big band, but the actual personnel for the Rome show (taken from Lukas Lindenmaier's Lacy discography) is Lacy, Lincoln, Franco D'Andrea on piano, Giovanni Tommasso on bass, and Roach. Lacy was living in Rome at the time, so it looks like Roach and Lincoln were touring as a duo and hooking up with local rhythm sections. I think Steve sounds pretty good on the two pieces he plays on.

Thanks-- makes so much more sense this way.

Posted

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Ok, I was casual with this one relative to the BYGs, Nessas, & Atlantics.

My bad.

Would love to find it with the original America cover, but...it's jsut a cover when you come right down to it. Cool, but let's have the music above all.

front1_m.jpg

Posted

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Michael Hurley: Back Home with Drifting Woods (Mississippi)

Recorded in 1965 by Fred Ramsey, Jr. Early Hurley, but still weird and wonderful.

None of those names are familiar to me, but "weird and wonderful" is always an attention-getter. What's we got here?

Posted

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Jim Hall - Concierto (CTI). Hadn't listened to this for awhile; now I remember why. It's half a good album - I zoned out on the side-long "Concierto de Aranjuez" long before it was over. Side one is good, though, and Chet Baker sounds great.

Something's wrong with Steve Gadd's straight-ahead drumming on side one, though. It feels vertical rather than horizontal - up-and-down rather than forward-moving. He's marking the beat instead of letting it flow. His playing sounds okay, but doesn't feel right.

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