sidewinder Posted March 6, 2010 Report Posted March 6, 2010 (edited) Looking forward to seeing and hearing Prof. Corey - one of my all time favorites. Last saw him nearly 30 years ago now as part of a double bill at Ronnie Scotts with Cedar Walton (the same venue where he tried out Miles' sunglasses ). Amazing that he's still actively performing - would be interested to hear how it goes. Edited March 6, 2010 by sidewinder Quote
paul secor Posted March 6, 2010 Report Posted March 6, 2010 Looking forward to seeing and hearing Prof. Corey - one of my all time favorites. Last saw him nearly 30 years ago now as part of a double bill at Ronnie Scotts with Cedar Walton (the same venue where he tried out Miles' sunglasses ). Amazing that he's still actively performing - would be interested to hear how it goes. I'll post a report. Prof. Corey is 95, so I'm hoping for the best. Quote
sidewinder Posted March 6, 2010 Report Posted March 6, 2010 (edited) Looking forward to seeing and hearing Prof. Corey - one of my all time favorites. Last saw him nearly 30 years ago now as part of a double bill at Ronnie Scotts with Cedar Walton (the same venue where he tried out Miles' sunglasses ). Amazing that he's still actively performing - would be interested to hear how it goes. I'll post a report. Prof. Corey is 95, so I'm hoping for the best. Wow - I figured he was well into his 60s when I saw him. Even though he was wearing baseball sneakers with his tux ! Edited March 6, 2010 by sidewinder Quote
Peter Johnson Posted March 7, 2010 Report Posted March 7, 2010 (edited) Wowowwwowwwowwwwwww....just got home after the Art Ensemble show in Philly, with Roscoe Mitchell fronting on soprano and alto sax. I don't even know what to say about this incredible show. The band hit a groove from the first note from William Parker from an African bass of some sort, and swung like hell for an hour and a half. I did not know until tonight that Roscoe was a master of circular breathing; at one point, he played what must have been a 15 minute solo without an "air break." The audience was completely into the show, other than a few walkout stragglers (their loss); loved hearing someone shout for "Jackson in the House" at the encore. My AACM knowledge is regrettably not as comprehensive as it should be, so I can't report as to the specific songs played--but the concert just kicked some serious, groovin' ass. Many thanks to Chuck for getting this music out there. Edited March 7, 2010 by Peter Johnson Quote
ejp626 Posted March 7, 2010 Report Posted March 7, 2010 Saw Jon Langford (former drummer of the Mekons and a bunch of other bands) playing a solo gig at Schubas. Interestingly, a while back he learned guitar, then he formed the Waco Brothers and started playing music that incorporated folk and country. To me his set seemed a bit more in the folk than country tradition. He even did a few brand new songs and then ended with three covers (including Save the Bones for Henry Jones by Danny Barker -- the closest he ever gets to jazz he told us) He played what I guess was an amplified acoustic guitar. I did like his banter between songs, often quite amusing. While it probably is just in my mind, it felt like maybe what it would be like to catch Paul Weller doing an acoustic set in a tiny, intimate venue. A lot of fun. Quote
Van Basten II Posted March 7, 2010 Report Posted March 7, 2010 Went out last night to see pianist Marianne Trudel in a quartet starring Tony Malaby, let's mention also the rhythm section since they did a terrific job on drums Robbie Kuster and bass Morgan Moore. Quote
Aggie87 Posted March 7, 2010 Report Posted March 7, 2010 Wowowwwowwwowwwwwww....just got home after the Art Ensemble show in Philly, with Roscoe Mitchell fronting on soprano and alto sax. I don't even know what to say about this incredible show. The band hit a groove from the first note from William Parker from an African bass of some sort, and swung like hell for an hour and a half. I did not know until tonight that Roscoe was a master of circular breathing; at one point, he played what must have been a 15 minute solo without an "air break." The audience was completely into the show, other than a few walkout stragglers (their loss); loved hearing someone shout for "Jackson in the House" at the encore. My AACM knowledge is regrettably not as comprehensive as it should be, so I can't report as to the specific songs played--but the concert just kicked some serious, groovin' ass. Many thanks to Chuck for getting this music out there. Sounds like it was a great show! I didn't know Parker was part of the Art Ensemble now. Quote
paul secor Posted March 7, 2010 Report Posted March 7, 2010 Looking forward to seeing and hearing Prof. Corey - one of my all time favorites. Last saw him nearly 30 years ago now as part of a double bill at Ronnie Scotts with Cedar Walton (the same venue where he tried out Miles' sunglasses ). Amazing that he's still actively performing - would be interested to hear how it goes. I'll post a report. Prof. Corey is 95, so I'm hoping for the best. Wow - I figured he was well into his 60s when I saw him. Even though he was wearing baseball sneakers with his tux ! The show was great - went with a friend & we both said we couldn't remember laughing so much. Professor Irwin Corey is well up there - his body has slowed down, but his mind is still all there. He can still rattle off those long series of non-sequitors, double talk, mixed in with pseudo-academic and pseudo-technical phrases. We were sitting next to a couple who drove Prof. Corey to the concert. The fellow said that when Prof. Corey walked out his door he said, "Man, I'm so old I went to the blood bank the other day and they'd cancelled my blood type." I caught up with him during intermission and he signed an LP from the 1970s that I brought to the concert. I don't usually do that but I figured this was an exception to be made. He still wears an old dirty tux with tails. I wonder if it's the same one all these years - looks like it could be. Dick Gregory was wonderful. He did a mix of socio-political commentary - much like what he did in the 60's/70's when I remember seeing him last, but obviously updated - with some regular comedy schtick thrown in. Gregory is 78 and he was the youngest performer on the bill. I wondered what to expect from Jerry Stiller. He did a series of reminiscences about his life and career that were funny and entertaining. His wife, Anne Meara, joined him on stage in the middle of his show. At one point she said, "I know I'm loud." Stiller replied, "Yeah, it's your second language." Glad my friend Doug talked me into going. Quote
Van Basten II Posted March 7, 2010 Report Posted March 7, 2010 Tonight - Fugimundi Trio - Eric Vloeimans/Anton Goudsmit/Harmen Fraanje They're in town tonight, how was the gig ? Quote
Chalupa Posted March 8, 2010 Report Posted March 8, 2010 Wowowwwowwwowwwwwww....just got home after the Art Ensemble show in Philly, with Roscoe Mitchell fronting on soprano and alto sax. I don't even know what to say about this incredible show. The band hit a groove from the first note from William Parker from an African bass of some sort, and swung like hell for an hour and a half. I did not know until tonight that Roscoe was a master of circular breathing; at one point, he played what must have been a 15 minute solo without an "air break." The audience was completely into the show, other than a few walkout stragglers (their loss); loved hearing someone shout for "Jackson in the House" at the encore. My AACM knowledge is regrettably not as comprehensive as it should be, so I can't report as to the specific songs played--but the concert just kicked some serious, groovin' ass. Many thanks to Chuck for getting this music out there. Sounds like it was a great show! I didn't know Parker was part of the Art Ensemble now. I think it was his first show. Chuck, can you confirm? Quote
Guest Bill Barton Posted March 8, 2010 Report Posted March 8, 2010 I'm looking forward to Butch Morris at Cornish College tomorrow night. Conduction No. 189, S & P This was a quite remarkable evening of music, very different than anything I'd ever heard (or seen) before. Quote
sidewinder Posted March 8, 2010 Report Posted March 8, 2010 (edited) He still wears an old dirty tux with tails. I wonder if it's the same one all these years - looks like it could be. Yeah, I'll bet that was the one from 30 years ago, looked well used even then. Topped off with levis, sneakers and a boot-lace tie. I was sat right at the front and got inadvertently dragged into the 'audience participation' so remember that gig very well. Not a place to sit with the Prof ! Still remember Ronnie Scott sat stage-left chuickling away to the Prof's act. Also that Corey asked if anyone in the audience had any requests and some wit said 'When's Cedar Walton coming back on?' Great to hear that he's still going strong. Edited March 8, 2010 by sidewinder Quote
Van Basten II Posted March 8, 2010 Report Posted March 8, 2010 Tonight - Fugimundi Trio - Eric Vloeimans/Anton Goudsmit/Harmen Fraanje They're in town tonight, how was the gig ? Will answer myself, they were very enjoyable, a bit silly at times, especially the trumpet with his pants and shoes. Nice melodies and fine playing. Quote
king ubu Posted March 11, 2010 Report Posted March 11, 2010 (edited) So who else will be there tomorrow night to catch Abdullah Ibrahim in Basel? Amazing concert, wow! Deeply impressed! They played two hours and twenty minutes with no break, Ibrahim starting solo for ten minutes or so, then a trio piece, and then the horns joined in. Wonderful, wonderful music! At first it started like a celebration thing, but as they went on it got livelier, and that dude on baritone sax was terrific! The line-up was: Abdullah Ibrahim - piano Belden Bullock - bass George Gray - drums Cleave Guyton - alto sax & flute (and musical director) Keith Loftis - tenor sax Jason Marshall - baritone sax Andrae Murchinson - trombone All four horns were marvellous, Guyton doing creamy lead playing in the big tradition (they did one very Ellingtonian piece and he almost sounded like Hodges...), Loftis was terrific, robust sound, Coltrane plus more rough edges, more volume, and plenty of ideas, Marshall as mentioned blew the roof a few times, and Murchinson was mighty fine, too - very vocal sound, soft and warm, building solos like a conversation. Ibrahim obviously enjoyed it a lot, often just leaning back and listening to his band and smiling. He also has an obvious connection to Bullock, who often sought eye contact while playing. Bullock/Grey turned into a fine, fine rhythm section over the years, and I think w/horns they're even better as in trio (where they played second or rather fifth fiddle to the master, when I saw them several years ago). Ibrahim too was pretty good, thanks to the horns carrying most of the melodic and "groovy" lines, he was pretty free to just add some colours and do some here and there, which was pretty cool. But he was very mellow mostly, and I'd have enjoyed one more trio piece where he'd dig into the groove a bit more... Anyway, great, great concert! Edited March 13, 2010 by king ubu Quote
Van Basten II Posted March 14, 2010 Report Posted March 14, 2010 Saw drummer Matt Wilson featured in a Joel Miller led quartet with reliable and solid Fraser Hollins and John Roney. We had a thread about jazz performers who offered a some showmanship on stage,you can add Matt Wilson to the list of guys who enjoyed themselves on stage. Quote
kh1958 Posted March 14, 2010 Report Posted March 14, 2010 Eddie "Devil Boy" Turner Trio, at Pearl on Commerce. A fantastic performance. Quote
sheldonm Posted March 18, 2010 Report Posted March 18, 2010 Us Five with Lovano/Esperanza Spalding on Friday.....Pat Martino Organ Trio on Sunday and I'm sure something in between. m~ Quote
Van Basten II Posted March 20, 2010 Report Posted March 20, 2010 Saw a quite enjoyable piano duo involving François Bourassa and Jean-Michel Pilc, it was recorded by the CBC and should be aired during the summer, so for those keeping score you might find it in some form on the web at some point. Quote
Van Basten II Posted March 21, 2010 Report Posted March 21, 2010 (edited) Attended last a fine doubleheader of music in two different venues for starters a Quartet led by sax player André Leroux involving pianist François Bourassa and bassist Fraser Hollins with guest Ari Hoenig and they played strong and hard ! Ended the night with alto Samuel Blais leading a trio with fine drummer Robbie Kuster and Larry Grenadier.For a band that has not played a lot together they looked quite tight. I knew mostly Grenadier as a sideman with Mehldau it was very interesting to see and har him in another context. Considering that prior to the Leroux there was a band of young musicians playing for a competition, it's almost 4 hours of libve music I heard last night, life can be good sometimes Edited March 21, 2010 by Van Basten II Quote
kh1958 Posted March 21, 2010 Report Posted March 21, 2010 (edited) Saw a quite enjoyable piano duo involving François Bourassa and Jean-Michel Pilc, it was recorded by the CBC and should be aired during the summer, so for those keeping score you might find it in some form on the web at some point. I stumbled upon Jean Michel Pilc at Smalls a couple of years back--a nice pianist. New Dreams and Live at the Iridium are quite good. Edited March 21, 2010 by kh1958 Quote
Van Basten II Posted March 21, 2010 Report Posted March 21, 2010 Pilc is also part of a fine quartet led by Lew Soloff, would love to this formation in action. He's quite versatile he did a great job backing Elizabeth Kontamonou a few years ago. Quote
ejp626 Posted March 27, 2010 Report Posted March 27, 2010 (edited) I saw the Greg Osby 5 at the Green Mill last night. I have to say that the smoking ban has really improved the experience there. There was something about the layout of that place that you would come home just reeking of cigarettes, even if you were not smoking. But they may have gone too far in the other direction of trying to make this a temple of jazz. This was advertised as a quiet show, where the bouncer did come around and hush people during the first set. Standards had slipped a bit by the second set, but Osby was playing a little louder, so it still wasn't a problem. But without the crowd's encouragement, the music felt a little spacey and etherial -- you couldn't really dig in. Applause was light and polite. It wasn't really until the middle of the second set that I recognized anything* -- they played East St. Louis Toodle-O -- that there was much energy from the crowd. Granted I was all the way in the back, but this seemed a lot more like a Keith Jarrett concert than a typical show at the Green Mill. I'm certainly glad I went, but it just seemed strange. * If pressed I would say the first set was mostly drawn from 9 Levels -- the tracks without vocals. I do have 9 Levels but I have not internalized it. Anyway, Osby did not say one word to the crowd (certainly no songs were introduced). It was the Green Mill manager that introduced him and the other band members. I think I remember previous Osby shows with a bit more interaction. Anyway, it just sort of added to the somewhat negative feelings of preciousness I was getting. I'd really hate to see Osby go further in this direction. Edited March 27, 2010 by ejp626 Quote
kh1958 Posted March 27, 2010 Report Posted March 27, 2010 That's odd--Greg Osby talked quite a bit the last time I saw his band, about the time when Nine Levels was released. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.