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Final Appeal Through Indie Gogo Recording Project


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I'm very happy with this whole thing, btw, and will post something soon with Kalaparusha on tenor.

It's very difficult to write this much music; transcribe it for 9-10 musicians; drive 300 miles carrying three horns, a piano, 3 microphones, about 100 lead sheets, and a weeks's worth of clothing (this took 3 sessions); sleep on a floor; go into the studio; conduct the band; instruct the engineer; read the music; coordinate the 3-4 different combinations of players; and then try to play a creative solo. And we recorded 39 songs.

not one musician was late, and, believe me, no one got paid very much, so I am thankful.

but something tells me Esperanza Spalding doesn't have to go through all this.....

Edited by AllenLowe
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  • 4 weeks later...

just two recent mixes from the new project -

I'm an Old Regular Baptists features Kalaparusha and Ras Moshe -

http://soundcloud.co...regular-baptist

The Discreet Charm of the Underclass is our craven attempt to snare the trad crowd, as it's from 1850:

http://soundcloud.co...et-charm-of-the

just two recent mixes from the new project -

I'm an Old Regular Baptist features Kalaparusha and Ras Moshe -

http://soundcloud.co...regular-baptist

The Discreet Charm of the Underclass is our craven attempt to snare the trad crowd, as it's from 1850:

http://soundcloud.co...et-charm-of-the

Edited by AllenLowe
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1) thanks for the title suggestions - leaning toward Renovations because we are "renovating" the tradition, and I like the Kenton reference; I also like "the past refuses to be over" which is a line by Philip Larkin; though I am also considering I Hate Maine.

2) on Brickyard Blues it's Randy Sandke on trumpet, Ken Peplowski on clarinet; they are on a few other cuts as well. Good friends, great musicians.

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