HutchFan Posted July 12, 2019 Report Posted July 12, 2019 More from this quartet: These guys sound like a band -- not just four guys playing together. A distinctive, elliptical sound; it comes at you sideways. Quote
BillF Posted July 12, 2019 Report Posted July 12, 2019 2 hours ago, soulpope said: Earlier .... : Quote
Justin V Posted July 12, 2019 Report Posted July 12, 2019 Red Garland - Keystones!: It's odd that the Resonance release claims that it documents the only time Garland worked with Vinnegar and Philly Joe when this was recorded 7 months before the Resonance album. I know the Resonance album has great sound quality and the Xanadu date sounds quite rough, but the latter exists. Quote
HutchFan Posted July 12, 2019 Report Posted July 12, 2019 Billy Harper - Soran-Bushi, B.H. (Denon, 1978) Â Quote
soulpope Posted July 12, 2019 Report Posted July 12, 2019 Just now, HutchFan said: Billy Harper - Soran-Bushi, B.H. (Denon, 1978) Â !!! Quote
ghost of miles Posted July 12, 2019 Report Posted July 12, 2019 Frank Strozier fans would really dig this one:Â Â Quote
HutchFan Posted July 12, 2019 Report Posted July 12, 2019 (edited) John Scofield - Who's Who (Novus, 1979) Â and Duke Jordan Trio - Change a Pace (SteepleChase, 1979) Â Edited July 12, 2019 by HutchFan Quote
Justin V Posted July 13, 2019 Report Posted July 13, 2019 (edited) Lew Tabackin - Tenority: I wish Tabackin would tour around here, although I was fortunate to see most of a trio set at Smalls a few years ago. Having the bell of his horn pointed at me from a few feet away was intense. Edited July 13, 2019 by Justin V Quote
HutchFan Posted July 13, 2019 Report Posted July 13, 2019 (edited) Warne Marsh - All Music (Nessa, 1976) Ooooooooooooooohh yeah. Â Edited July 13, 2019 by HutchFan Quote
soulpope Posted July 13, 2019 Report Posted July 13, 2019 2 hours ago, HutchFan said: Warne Marsh - All Music (Nessa, 1976) Ooooooooooooooohh yeah. We should know this one 😎 .... Quote
JohnS Posted July 13, 2019 Report Posted July 13, 2019 Byrd's Eye View is particularly important to my listening.  Sixty odd years ago I had an Esquire EP with Hank's Other Tune on one side.  I was totally knocked out by Hank's composition, his playing and that of Byrd and the other participants. I'd never heard these players before and I knew this music was for me. So this was my introduction to Mobley and hard bop. Love it still. Quote
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