Jack De Johnette RIP

[felser]

9 hours ago, Holy Ghost said:

Yep. Tremendous set for all the right reasons. 

Like Jack very much here too

 

One of my two or three favorite McLean albums, which is saying a lot.

[Daniel A]

I like Jack's groove on this one:

 

 

[Holy Ghost]

53 minutes ago, felser said:

One of my two or three favorite McLean albums, which is saying a lot.

Same for me. 

[ep1str0phy]

Yeah, Jacknife is the one I go to after the Moncur/Hutcherson groups. It's very early for DeJohnette, but his playing animates what might have otherwise been a routine session. 

I like the "Is" Sessions double CD, too. The music seems to occupy a midway point between the Lost Quintet and Circle. The energy is off the charts, even if the improvisations can feel a little incoherent at times. IMO the real knock on the recording is that the music lacks a guiding voice - there's no Miles to editorialize the rambling or a Cecil or Braxton to give the freedom explicit direction. It's a transitional moment for virtually everyone involved. 

[clifford_thornton]

Jack is also on Corea’s The Sun, which is a little more concise. Is feels more like a search down various tributaries, which is interesting even if not all of those tributaries bear obvious fruit.

[Niko]

I played Jackie McLean's Demon Dance these days, it's another McLean favorite with great DeJohnette...

[ep1str0phy]

That's also a really good one. I like the push-and-pull of Grossman nudging the music into Coltrane territory and the rhythm section vacillating between modalism and abstraction. 

There's something special about this period in the music. There's just so much crossover in the interval between roughly '65 and the early 1970s, where the boundaries between mainstream and fringe felt porous and mutable. And there were so many sub-factors influencing the development of the music, like the death of Coltrane, the exodus of American jazz musicians to Europe (and vice-versa), the cross-pollination of ideas from Europe, South Africa, Latin America, etc., monumental political upheaval throughout the world, and so on. 

Our reading of this music is (almost by necessity) informed by historical understanding, as so much of it went undocumented and what we do have in hand has been litigated in writing and discussion for over half a century. I know that some of the board members were there. As far as I know, however, so many of the inherited biases of 21st century jazz friction against the reality of what was happening at that time.

Edited 30 minutes ago by ep1str0phy