I think it's easily the stronger of the two Limelight recordings. Unlike Baker's Holiday, I think the addition of the other horn soloists on Baby's Breeze really brings out the best in Chet. Frank Strozier in particular I think spurs Baker in the way he did Conte Candoli in the Shelly Manne quintet of the time. While Baker and Strozier share solo honors on the instrumental tracks, pianist Hal Galper leaves his mark by way of his pen, providing some catchy melodic frameworks for blowing. I do however find that drummer Charlie Rice is sometimes, especially at tempo, overly busy and distracting.