All Activity
- Past hour
-
-
"From Pittsburgh George's Collection..."
B. Clugston replied to rostasi's topic in The Vinyl Frontier
"Sealed Mint Blue Note" = UA blue/white b label, warped vinyl. -
I like both sides of Lou Donaldson. His bop soloing is fun and at times reaches greatness. His conception, ideas and technical ability to realize them. The soul jazz stuff is fun too, and even in his later stuff he still tends frequently to reach down inside and pull out some ferocious bop.
-
- Today
-
-
Disc 2.
-
Whenever I sell or buy a sealed record (from someone other than the manufacturer), the record is described as presumed mint. You can never know for sure obviously.
-
You can say that about anything, honky tonk, for example.
-
Bengt Berger (1942-2026)
-
-
-
What Classical Music Are You Listening To?
Peter Friedman replied to StarThrower's topic in Classical Discussion
-
By the mid-50s Dot had become a "cover" label in the pop field anyway. E.g. Pat Boone who'd cover anything from the R&B charts "that wasn't up the tree by the count of three" (to translate a German saying - I think you understand the core of its meaning. ) And there were other copycats and kittens on the label, e.g. Gale Storm. Which issue of "Cash Box" exactly did that ad appear in?
-
-
Catchy!!!
-
-
Thanks. I checked the first listing of the recording and none were available, didn't look at the others. I checked Cash Box from that time frame, and their "top 50" (from some sort of survey of retailers) shows this progression for Doggett's recording: August 18 - #46 August 25 - #19 September 1 - #10 September 8 - #7 The advertisement for the Dot recording (apparently a distributor of some sort, as the ad also promotes Honky Tonk and the Hot Doggett LP, plus Dot Records as "another great version" of Honky Tonk. So while the tune swept the nation in September, Dot had its finger on the pulse, or the song was "in the air" for them to get a cover version out so fast. Very interesting.
-
-
-
Couldn’t sleep. . . big day ahead that I am nervous about, so I’m just trying to chill with some Benny Goodman . . . “Today – Live In Stockholm” London/Decca (UK) 2 cd set, disc 1 Couldn’t sleep. . . big day ahead that I am nervous about, so I’m just trying to chill with some Benny Goodman . . . “Today – Live In Stockholm” London/Decca (UK) 2 cd set, disc 1 Couldn’t sleep. . . big day ahead that I am nervous about, so I’m just trying to chill with some Benny Goodman . . . “Today – Live In Stockholm” London/Decca (UK) 2 cd set, disc 1
-
-
This version of "Honky Tonk" (Part 2 - again) is most easily accessible on a CD that reissues all of Bryant's Dot singles and looks like one of those "reissue compilations for collectors" (I know, some would say "bootleg" ... ) with sometimes fancy label names and numbers (no guesses where the "Carolyn 101" release name came from ) that proliferated in the 90s. If you really want to have that version of "Honkly tonk", the CD is here: https://www.discogs.com/release/17677285-Rusty-Bryant-And-The-Carolyn-Club-Band-Americas-Greatest-Rock-N-Roll As you can see it reproduces the cover of Rusty Bryant's very first LP but its contents go well beyond the LP. The Bryant version of "Honky Tonk Part 2" does not stray far from the Doggett arrangement but overall sounds slightly "cleaned up". Probably it was the influence of the Dot A&R men at work. In fact, by their overall sound, most of the Bryant honking sax recordings from the Dot era (all very foot-tapping and danceable - musts for any honking sax collection ) might just as much have been the recordings of a competent white tenor saxist of those times (Sam Butera, Nino Tempo, et al.). Copies of the 45 are available via Discogs too: https://www.discogs.com/master/1356175-Rusty-Bryant-And-The-Carolyn-Club-Band-Honky-Tonk-Part-II-Lonely-Cryin-Heart
-
Ryan Porter, Lauded Jazz Trombonist & Kamasi Washington Collaborator, Dies At 46
-
Some of the earlier recordings on the Lou Donaldson Mosaic still sound pretty boppish. Lou Takes Off, for ex.
_forumlogo.png.a607ef20a6e0c299ab2aa6443aa1f32e.png)