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  2. It’s coming out today.
  3. I’ve smoked occasionally and never had any issues. Anything done to excess however is not always beneficial.
  4. So, how's the music?
  5. Today
  6. If someone is looking for a real medical study showing an actual link between THC and health risks, this one should do the trick: Cannabis Users Face Substantially Higher Risk of Heart Attack It certainly got me to re-think the use of THC gummies to help me sleep. I have several friends who swear by 5 mg gummies before bed but given this new study, it's not worth it for me.
  7. I don't know what you're missing. He also said: They were transferred by me, personally, at The Mastering Lab at 24/192, and those files remained UNPROCESSED and untweaked throughout the digital steps for LP production. Maybe you're unaware that 24/192 is a digital term? Even if you are, he clarified that when he talked about "digital steps" & then bluntly stated, "What you hear on the LP is those flat 24/192 files". He digitized the analog tapes to 24 bit/192 kHz digital, period. 24/192 is digital - it's not analog. Given this info, I don't see why anyone would buy the LP. Although at my age, I do appreciate the large LP artwork.
  8. It’s poor. As a devoted le Carre reader and Smiley fan of many years, it was a poor imitation of the books. Best to leave it with the creator.
  9. In this particular case, the performances were recorded on an Ampex 600, if I recall correctly, and yes, the recordings are mono. A set of tapes has been in Jim Wilke's collection for all these decades, and those two reels were physically shipped to me for mastering. (Blue Note now owns and archives these original tape reels.) As the production team and I started going through the contents of the tapes, we discovered a problem: One song was absent from the tapes I received, but a flat, existing, archival digital transfer existed for that track, and it sounded fine, so we included it -- and the album is better for it.
  10. Impex Records is a well-known and respected audiophile label. Their gold cd of "Ellington Indigos" is one of my very favorite discs. They have also done an INCREDIBLE SOUNDING SACD of "Getz/Gilberto." Their LP releases get great praise, I haven't bought any as I'm not buying recent reissue LPs.
  11. I haven’t spun this one in a while and it is a good one. Ku-Umba Frank Lacy with Mingus Big Band “Mingus Sings” Sunnyside cd
  12. Dan he clearly says it was mastered from digital files! Doesn't bother me--I'm not buying the LPs but his "there's digital and then there's digital" phrase is. . . wonky. I think he is trying to stress there is limited digital editing, but he should have tried again.
  13. A third rainy day seems ahead. Memphis not happy about it. Lots of falling leaves. Starting off with Dave Brubeck “Jackpot” Sony cd. Not essential perhaps due to a less than stellar piano and instrumental balance that could have beeb better, but tunes not usually played.
  14. He in no way says its a digital master. One track was somehow missing from the reels and a digital transfer was used. What would be nice is to know what tune was sourced from a digital transfer so that others could make their own judgements. What this really does is call into question is what else was lost on the misplaced reel because its pretty rare that a single tune is all that was recorded. It sounds like Mr. Wilkie did his own mix tapes from the recordings he preserved of these broadcasts.
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