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I was positively surprised by the sound quality (but I only heard the first Antibes concert so far). Nice package, no regrets.
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How does that one sound? I am considering it for its combining a lot in a nice package.
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Bosox fire manager. https://www.bing.com//search?q=alex+cora&FORM=TSFLBL&qs=PN
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The beautiful Catherine Deneuve
- Yesterday
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Ready-made for a Christmas gift!
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So much color...
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What Classical Music Are You Listening To?
Peter Friedman replied to StarThrower's topic in Classical Discussion
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John Coltrane, Copenhagen 1962, disc 6
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“Dizzy’s Big 4” Pablo/OJC cd
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What Classical Music Are You Listening To?
Kevin Bresnahan replied to StarThrower's topic in Classical Discussion
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What vinyl are you spinning right now??
clifford_thornton replied to wolff's topic in The Vinyl Frontier
love that early cover design... -
Anthony Branker & Imagine “What Place Can Be for Us?–A Suite in Ten Movements” Origin cd This is a fascinating disc. Great sound too! Alison Crockett. Spoken Word, Vocals Anthony Branker. Arranger, Composer, Music Direction, Primary Artist, Producer Fabian Almazan Piano Linda May Han Oh. Bass (Electric), Double Bass Pete McCann. Guitar Philip Dizack. Trumpet. Remy Le Boeuf. Sax (Alto), Sax (Sopranino) Walter Smith III Sax (Tenor)
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A gorgeous album.
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Coleman Hawkins “The Hawk Returns” Savoy/Denon cd 1954 Sessions recorded in Chicago with Herman Blount aka Sun Ra on piano on the second session.
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I like the "warmer' sound with a bit of vibrato that is often missing from period instruments. There is also (at times) a whining quality I hear from period instruments. Though I must admit, that a number of the more recent recordings i have heard by period instrument groups strike me as much better sounding than some earlier recordings. My impression is that some more recent Period Instrument quartets have moderated their approach a bit and incorporated a modest bit of vibrato and sound less whiney. At the same time a number of string quartets who do not identify as Period Instrument groups have also modified their playing to become more sensitive to some period instrument performance concepts.
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