Chuck Nessa

I used to have a copy. Sold it for "big bucks".

Just like a McGriddle!

I don't think he asked for the easiest to find.

Hey Jim, just in case you do die - all existing contracts are binding - right?

No.

Sugar Bowl, the Bessie, and Mother E are fine recordings - but I'd give (something that looked like) my left nut for a tape of her and Gerald Donovan's nights at the Hungry Eye (Chicago, late '60s - near the Plugged Nickel). They ran an open set. Gene Dinwiddie was the normal sax player, but Roscoe Mitchell, Lester Bowie, Maurice McIntyre, etc used to sit in regularly. On top of everything, she's a very fine lady.

In true record producer tradition - I want the publishing.

Might be a misdeal. Send $10 and you can have an lp.

Better to buy more music.

The missing numbers are unissued dates. More later. Bob Sunenblick started the label and after a couple of years, took on Mark Feldman (MD, not the fiddler) as a partner. After a few years they "divorced" and Mark started Reservoir. Mark got the dates I mentioned, and unissued dates by Leitch (Red Zone), Joe Puma and Ralph Moore. Bob still has "in the can" unissued dates by Beryl Booker, Dave Schildkraut, Lennie Andrade and Freddie Redd. The Redd and Schildkraut dates are in my hands, and any delay can be laid at my feet

Thanks, I ordered 9.

Missing from the list: 27.06 JR Monterose/Tommy Flanagan And A Little Pleasure 27.16 Pepper Adams Live At Fat Tuesday's 27.21 Buddy Tate/Al Grey Just Jazz 27.24 Peter Leitch Exhilaration Some of the Uptown lp titles (27.06, 08, 16, 17, 21 and 24) belong to Reservoir now.

I have the JRVG of Demon's Dance, and it is much better than the domestic disc. I'd like to have Rudy remaster Compulsion.

Both now available for $31 plus 1.42 for Media Mail.

Rather than intrude on the other thread, I thought I'd start my own. Does this mean that we can get "deals" on Kobe beef?

After "All Music" by Warne Marsh, I'd like to see Roscoe Mitchell's "Nonaah" and Charles Tyler's "Saga of the Outlaws". Maybe after that, Wadada Leo Smith's "Spirit Catcher" an some Bobby Bradford/John Stevens collaborations. Unusual disclaimer: All kinds of commercial considerations.

I think it came from France. probably from the French capitol of Cleveland.

The Hill is the only one I don't have in some format.

The sound of the Clark is helped with a healthy treble boost. The Hawkins is a solid, but nonessential date. A good "snapshot" of Hawk at work.

I have/had all the Henze symphonies and he doesn't really move me. If there is something else I should know, please tell. I can't believe I forgot to mention a great, cheap Carter disc on the Arte Nova label. This disc combines his Concerto for Orchestra with the Piano Concerto, played by Ursula Oppens (Julius Hemphill's "partner").

Not easy music by any means, Elliott Carter is my favorite. You can ease into him via a couple Nonesuch discs, then move on to the string quartets and more recent stuff on DG.

Nothing more complicated than saying no. Money was not the issue.

Probably never been an issue on this board since it is your first posting here. After 5 years + selling to various people on various lists, I've never had a bad check. If you have had trouble, you must have sold a ton of stuff online.

Good for you and your wife Vajerzy. I admire your work and envy your emotions.

Hope Ashcroft isn't at work.