great thing about it is that he reiterates how basically simple the recording process, with this kind of music, is:
1) good room
2) good microphones
3) close miking
4) no heavy isolation - permit a natural sound space with a modicum of baffling
5) clean signal path -
the best recording I ever did was with myself, Roswell Rudd, and a quartet in Verna Gillis's storage room - we had good mikes and a nice analog 8 track and I set it up myself - Roswell told me it was the best anyone had ever captured his sound -and it was done on a budget