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.:.impossible

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Everything posted by .:.impossible

  1. I have a good amount of experience with tile. I would not recommend that manual tile cutter. With the amount of work that you have ahead of you Jim, it is going to make more sense to purchase a wet saw than to rent one. You may be able to find a used wet saw around town. Odds are someone in your neighborhood was in the same situation as you. They aren't terribley expensive either. I have a list of supplies that are necessary for a tile job somewhere, but I'd have to dig it up. I was always forgetting something. Multiple trips to the local improvement store became a pain in the ass. Once you have completed the demolition phase, start with a chalkline. Work out the grid you will be working on. Keep the width of your grout lines in mind. This way you will know approximately what kinds of cuts you will be making. Mark the tile that needs cuts with a pencil. Are you going to be using a border of any sort? Once this is done, do a dry run. Lay out the tile without the mastik. Make your cuts one by one. You are going to have to do some trimming here an there until you get it right. Just don't cut to much! Always cut conservatively! As far as laying tile vertically, you will need to first install backer board. This serves as insulation and the mastik really adheres well. My advice is to take your time. Especially when making cuts. It can get tricky. Not all of your cuts are going to be level, straight lines. This isn't a Saturday afternoon project. Be patient. The reward is a nice, stout floor.
  2. Absolutely. Piano makes up the majority of the disc. I can think of one tune in particular where he doubles the head on electric piano. Sometimes I find myself wishing there were more electric! Excellent disc!
  3. Makes ME want to listen to the album, that's for sure! More good PR. Definitely won't hurt! So when are you coming to Providence?
  4. Also featured very well against negative space on the cover of WILCO YANKEE HOTEL FOXTROT.
  5. Thank you, fellows, for highlighting the main point of my post. Wasn't it actually Missouri? Or Los Angeles? I always get the two confused. Either way... hillbilly.
  6. I feel like Charlie Haden is very spiritually connected to the music he is involved with. His roots go deeper than jazz, or hillbilly Arkansas, for that matter. Many of you realize that I am not as well-listened as most that post on this board, so it goes without saying that I haven't heard everything that Haden has done. I haven't even heard everything that is critically acclaimed that Haden has done. The music that I have heard, however, is that of a non-quantifiable degree. I, for one, appreciate his calm-natured approach to the bass. He isn't one to overplay his part. If anything, I find him in the details. He seems to fit into spaces that I otherwise wouldn't have noticed. In response to the notion that Haden has one solo that he always tends to revisit, I say "Listen to 'Ida Lupino' from the Montreal recording with Paul Bley and Paul Motian." This is one instance where he really creates his own space. Miles and miles of it.
  7. Excellent press fodder! Seriously... Congratulations guys. What a compliment!
  8. Jeff Tweedy Dannie Richmond Emperor Tomato Ketchup Dovetail
  9. The Mingus record has been reissued at least twice in the past few years and is currently available, as far as I know. With the disclaimer that I am known for having a tendency to use the surpurlative, it's one of the greatest records of all time. Thanks Larsen! I can identify with the disclaimer. "Charles Mingus Presents Charles Mingus" IS the HOLY GRAIL OF JAZZ.
  10. This is a beautiful world to wake up in. If you are interested in finding a transition between sleep and waking life, seek this album out. The first track, Sunrise, will ease you into your day. Absolutely beautiful.
  11. Hey, thanks! I had forgotten about SPRING. Funny, because I was thinking about Tony and SPRING in particular this afternoon! I am not familiar with the Mingus album... hard to find? Thanks Jim. The first half of LIFETIME is a good example for this thread also! I feel a long Tony Williams binge coming on.
  12. God how I hated/loved that one. Brings back a FLOOD of memories, for sure!!! / I've forgotten - did we ever dertermine why Chuck was such a jerk??? Any ideas???? Seems pretty obvious to me! F you Chuck.
  13. Sonny Rollins immediately comes to mind. Thanks for the heads up on that Johnny Griffin recording. That looks very interesting! Sonny Rollins .:. Live at the Village Vanguard (1957) Sonny Rollins, Donald Bailey or Wilbur Ware, Pete LaRoca or Elvin Jones This may be as obvious, if not moreso, than the Ornette groups! Sonny Rollins .:. The Freedom Suite (1958) Sonny Rollins, Oscar Pettiford, Max Roach A new trio in the same format. First side is the ambitious suite that speaks out against the mistreatment of African-America in the late 1950s. Things really came to a head in the coming decade. Second side contains a few individualistic takes on "standards." John Coltrane with Don Cherry .:. The Avant-Garde (1960) John Coltrane, Don Cherry, Charlie Haden or Percy Heath, Ed Blackwell This probably fits in under "Ornette and Don Cherry's contributions" but I thought I'd include it anyway, as it is a unique recording in Coltrane's discography. How about Rahsaan?! He would take three non-chordal instruments and create his own chordal instrument! That is a category in and of itself! :excited I would have loved to have heard something with Wayne Shorter or Eric Dolphy without a chordal instrument. I guess the Plugged Nickel box can substitue for the Wayne Shorter when played on the right stereo! :
  14. Is it possible that we add another "Pinned Item" to the Album of the Week forum listing the previous album of the weeks? I haven't participated in this fine tradition yet either, due mostly to the fact that I don't own most of the discs that have been featured. I'm starting to wonder what kind of "JAZZ FAN" I really am! Hey Ed, pick something in my collection!
  15. I don't know that he necessarily fits into the "hard bop" category, but I think we've kind of thrown that out the window by now. Nancarrow? Varese? Zappa? Hard Bop? Maybe they're trying to ween you off jazz ariceffron! I know you are a tenor player, so Von Freeman is probably not a mystery to you. If he is, we may be onto something. I would also suggest going back to whatever Ornette Coleman discs you own. Tapscott is a wonderful suggestion. Along with Tristano and Marsh, respectively, Tapscott is someone I've been meaning to check into for a long time. .:.
  16. I tried that album. Twice. I just couldn't get with it. Something really cheezy about it that I couldn't get over. Oh well. Different strokes. I'm trying to think of an album that applies to this category, but I'm having trouble at the moment. If I come across something, I'll be sure to post it. You guys have some funny games!
  17. Thanks for the heads up on this Big Wheel! There are some sound clips on the site. Sounds like a good one!
  18. The photo is kind of creepy. I hadn't seen it since reading the article the first time around. It is so good to hear that Mr. Grimes is now living a better life.
  19. I've never seen this site mentioned here or elsewhere... came across it today while doing some research... I haven't spent much time with it yet, but it seems to be a wealth of information. http://www.jerryjazzmusician.com/
  20. This is a cool session. I somehow missed the previous Elmo Hope thread. I received a CDR copy of this disc sometime last year through a trade. My initial interest was spurred by the fact that Walt Dickerson and Elmo Hope were leading a rhythm section with Gilmore on tenor. The fact that Dickerson never appeared as a sideman made this quite a discovery for me. I guess it is common knowledge that Dickerson is not a part of this band. Regardless, the band gets along pretty well. Two trio pieces, two pieces featuring two separate vocalists, and a three-horn lineup give this program a little added variety. Matter of fact, I believe there is one Gilmore feature. Too bad Walt didn't sit in for just one! There are many highlights on this recording, but it isn't a "tight" group. Three Silver Quarters is wonderful. What sort of connection, if any, do you think Elmo Hope had with Sun Ra? Employing two Arkestra members on this date (Gilmore and Boykins) along with a mutual friend in Walt Dickerson, I wonder if these two ever got together?
  21. Rahsaan is great. My favorite album, first and foremost, has to be Rip, Rig, & Panic. Please Don't You Cry Now, Beautiful Edith is also a very nice bonus to buying this CD. Elvin Jones, Richard Davis, and Jaki Byard. I Talk With The Spirits is also way up there. Rahsaan concentrates solely on flutes, playing with a very nice rhythm section of Horace Parlan, Michael Henning, and Walter Perkins! The Jaki Byard Experience is evidence of the relationship that Byard and Rahsaan had. Musically, they seem to have the ability to play in any style and the ability together to create bridges between styles. This is a very strong recording that shows a lot of personality from all involved. If I had heard this album before Rip, Rig, & Panic, this would probably be my favorite. Matter of fact, I would recommend this be the next RRK album you get!
  22. Thanks for the info ghost. doubleM, where do you find live Elliott Smith recordings? I've heard him covering "Yer Blues" and "Happiness is a Warm Gun" but never an entire show. That would be great!
  23. CONGRATULATIONS TONY AND MRS. JERANT!!! IT'S A BOY!!!
  24. I just got a new pair of speakers that I am really enjoying! I knew exactly what I wanted to hear first when I got home. I'll have these babies warm in no time! A few that I threw in right away. In my opinion, these are some of the best sounding discs that I own. Aside from that, I am very familiar with all of them. Toumani Diabate .:. Djelika (Hannibal) Walt Dickerson .:. Divine Gemini (SteepleChase) Thelonious Monk .:. Straight, No Chaser Limited Millenium Edition (Columbia) John Coltrane .:. A Love Supreme (impulse! Japan) Eric Dolphy .:. Out to Lunch! (Blue Note RVG America) The Sea and Cake .:. Oui (Thrill Jockey) Stereolab .:. Dots and Loops (Elektra) John Coltrane .:. Interstellar Space (impulse! America) Milford Graves .:. Grand Unification (Tzadik) Man, my whole collection is brand new again! I can't wait to listen to EVERYTHING!!! What do you guys reach for when demo'ing new equipment, or when breaking in new equipment? I am loving this!
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