.:.impossible

Let me say again that your 9-16-03 10:21 post (quotes don't include graphics on this site) is really good. Just for the record...... Thanks Brandon. That one was my favorite too. I have a couple more ideas, but it was past my bedtime.

.:. good night.

.:.

One idea

I'd choose the new cover anyday, but I haven't yet heard the music... it does look like a Miles design. Definitely see a resemblance between this and the Delightfulee cover. I would have thought they'd have gone for something a little more "Mothership," but I won't complain. I think both are killer photographs of Larry. I've always been told that Jimmy Smith had an imaginary accordian that he would carry around and play for the photographers when the mood arose.

Context. Never having heard Archie Shepp and going straight to a performance like "Live in San Francisco" or "On This Night" may be a bit of a shock, whereas an album like "Four For Trane," to those familiar with the four John Coltrane compositions read here may be a much easier transition. Archie's approach, or method, if we are going with Lon's acting metaphor, can be recognized here as adaptation. The stage set that is Syeeda's Song Flute or Cousin Mary is presented here in a very respectful and personal manner. Heads remain intact and augmented by three additional horn, the chording is very effectively deleted, and the rhythm section strips down to an intense driving presence that continues to build all the way up until the only original composition on the album. Archie Shepp’s conception, when heard in a familiar setting, is better understood. I think this is what makes this disc such a classic and powerful recording. My favorite moment is during John Tchicai's solo during Cousin Mary. Reggie Workman pulls out some LARGE double stops as Charles Moffet progressively intensifies the alto's interjection. If the mood strikes you to listen to this disc again, definitely definitely definitely take note of this moment. In fact, Workman and Moffet are so incredibly constant on this album. They deserve as much credit as the four hornmen do for their creativity. I am a fan of Shepp's impulse! work, though most of the political message passes me by. His tone and sense of rhythm are his own. We can compare them to their predecessors and we can identify those influenced by him, but we cannot mistake the sound of Mr. Archie Shepp. On this album, I here a decent amount of Shepp influence in Tchicai's solos. A great, swinging, 'avant-garde' recording session. Also probably the best place to start listening to Archie Shepp in the 1960s.

Can you imagine?! A good friend just sent me the "Last Date" vhs. It had been a few years since the last time I had seen it. There are some great recollections recorded there.

Congratulations Jim! Great news! Do you plan on raising the baby on the b-3 like your dad raised you? Damn, that baby's grrreeeezay!

Nice! And I thank you for the recommendations. I have been looking around town for this album lately. No luck yet. May have to order off the internet... It never occurred to me that Lenny Pickett was in TOP. That's funny.

Apparently there's more going on than we thought!

Congratulations David! We just celebrated our second anniversary last night! My college roomate is getting married this weekend as well! I'll be celebratin' with ya!

Spank me daddy. I've been a bad girl!

Jes Grew...

Keep 'em comin' boys. I'm a BIG O fan without a doubt. I've also got the Atlantic Rhythm & Blues 1947-1974 box. Some great stuff in there worth searching for. What does Ike Turner sound like?

Count me in as a fan of both. I found Spring before I found Lifetime. I'll have a difficult time choosing my favorite of the two, but I'd imagine I've listened to Lifetime more often. Glad you found yourself a copy CJ! Now go find Spring!

Yeah, doesn't look like much going on at all... I did find this. At the Middle East on Fri 9/12 Ted Leo (Solo), Rebecca Gates, Rosa Chancewell 18+ $10 Ted Leo is great. I imagine his solo show is pretty interesting. Before forming Ted Leo and the Pharmacists, he was doing one man shows with sampling and drum machines, guitar loops, bass, you name it, and still rocking out! Have a good time. Let me know which shops you hit. I know its not the most "underground" shop, but I've found some incredible stuff at the Newbury Comics on Newbury.

Kurt Warner? Dropsy.

Pats are gettin' WHOOPED!

I'm looking for something that cooks and has a mighty horn section. Don't hesitate to state the obvious. Greasy organ a plus. Singer a must. I know I'm in the right place for this one! B)

Just purchased it. I've been reading about Jeanne Lee here and there for too long. I must know! Thanks for the link. Impulse shopping is a bitch.

I'm not voting because my vote isn't worth a shit anyway, but I like the third yes. The third yes is most representative of my answer to the question. Isn't Dmitry popular enough that he doesn't need this nudge?

Here is a comprehensive list: http://epguides.com/SaturdayNightLive/ Ornette appeared on April 14, 1979. I wasn't quite 2 years old, but I know my parents used to stay up and watch it with their friends at that age. I'd be willing to bet they saw this episode, but had no idea who Ornette is. 24 years later, Ornette Coleman is a Ralston household name!

It seems to me that a complete restructure may be on the horizon, regardless of price points. The value that a label like Pi brings to the table doesn't appeal to the larger segment that the giants are vying for. I'm having trouble completing my thought. I'll have to revisit this thread. I would love to hear more from you on this Chuck, if you have the time.

Tony, I look forward to hearing what you think of it! I am going to have to check out "Going To Church" next

$11 to $12 is definitely the sweet spot. Finally, the giant awakens.