Gheorghe

Interesting point of view. Horace Silver is on most pre-quintet recordings with Miles, especially important on "Walking". Tommy Flanagan as I think I remember is only on one strage session, when the quintet already existed (with Rollins, I think on Collectors Items) Ray Briant is very very nice on the Miles Davis - Milt Jackson album. Kenny Drew, I hear his very Bud Powell influenced piano on that supa allstar bop sessions at Birdland just at the beginning of the 50´s . Hampton Hawes, maybe he played with Bird and Miles in LA in the mid fourties. I don´t think there is recordings with Barry Harris or Sonny Clark or Hank Jones together with Miles....who knows....

This is great and those records together with Jackie McLeans´s "One Stop Beyond" and "Destination Out" are very similar. Same lineup alto, vibes, trombone.....

Incredible, Peterson here looks so similar to Bud Powell in the mid 60´s it´s astonishing. Look at the series of photos of Bud in that late stage of his career, fat, silly grinnin, the eternal cigarette, really like Peterson here, but another personality probably.....

That´s how I saw him at Jazz Spelunke. It was during his stint with Beaver Harris and I think they had a day off and Joony Booth came in, and he was in company of a middle aged lady from Viena, who kind of spoke for him and translated to him. The question was, if there is a place that night where he can jam with some musicians. I remember he smoked a cigarette that looked like those hand made cigarettes some people smoke (I never was able to roll a cigarette, when I tried they looked like a snake that had eaten a rat. Well I didn´t know anything about weed and as receptive I was for harmful stuff like beer and booze, and have been smoking for 50 years (or even 51,52 if I really started at 13 on school toalet) , but never had the urge to smoke other stuff than tobaco. But back to Joony Booth : He came to Spelunke with that austrian lady who translated and they were not allowed to have live music later than until 10:00 pm because it was a building where other people had their appartments, so it was live only from 07:30 pm until 10:00, otherwise I would have been glad to jam with him.

Is there some live recordings of Eastern Rebellion AFTER the 3 that was with Cliff Jordan, I mean with the saxophonists that played later ? Because it might not be bad to hear one time the stuff with George Coleman and with Bob Berg (I doubt I saw him live with the exception of his stint with Miles). But I mostly need live performances to enjoy music (on live recordings usually you hear the drums better and you must hear everything Billy Higgin´s is doing). Anyway I think the one I have at home with Cliff Jordan was back than when I was browsing thru some LPs and found that one and bought it, because I had known Cliff from "my" Mingus Album, and Higgins from my Ornette Coleman album as well as from my Sonny Rollins album. He was my favourite drummer then !!!!! (I went to see George Coleman Quartet because of Billy Higgins !!!!!)

Listen to the way he voices his chords. I have learned a lot from that. The "Steamin´ album was very much around here in Europe, but with another cover than the original !!! @Big Beat Steve knows more than me about Liner Notes or different album covers I am sure ! I think I remember that I have read that phrase that Mr. Goldberg is quoting. But I must admit, my English was even weaker when I was a kid...... but I remember that others had read the liner notes and while listening to a Garner solo (I think it was the one on "Well you Needn´t") one kid exclaimed "not bad for a guy who started as a cocktail piano player". I didn´t even know what a cocktail is !!!! I don´t remember that anybody as well as in Viena, as well as in Eastern Europe drank anything else than beer, wine and vodca or schnapps made from the usual garden fruits......😄

Miles heard exactly WHAT he wanted to hear. He saw Trane´s potential very early and made him grow and grow. And he loved Garland for his Ahmad Jamal thing and his block chords, and Philly J.J. was the best thing that happend to drums during his time, he was the father of them all, of Elvin, Tony, Al, all of ´em. And Chambers was also the best bassist of his time, he was the foundation of modern jazz bass. So I don´t know how dumb folks could be then, but Miles was right. Period. And for me he had the best bands in the 50´s , 60´s , 70´s and even in the EARLY 80´s.....

I think this was it. Friends of my parents had a son who was more interested in Hi-Fi than in music, but he had this LP. Cover nice.....well typical Peterson grin

though I definitly am NOT an OP fan, this one I have spinned sometimes, because it is not so overwhelming, like let´s say "Night Train". OI think "We Get Requests" and "Nighttrain" I had heard on some of those houses of upper class who heared classical but had "hidden" one Peterson or Garner LP. But let´s say, there is a few occasion where I have "bock" to hear some pieces like this, maybe if I am tired and lazy and don´t want to thing primarly about music. The third one I like most, and got from Serena is "In Tune" with the Singers Unlimited. That´s also cool because it does not have this Peterson banging the whole 88 keys.....

Oh yes I have some McCoy on Milestone, but it must be from some years later, so from 1977 on, when I began to be more interested in acoustic mainstream. But I must admit I have very very little acoustic jazz from the early 70´s, it was not so much around then. But what I read here from the personnel sounds very very great. Joony Booth is or was a helluway bassist, and I had heard Alphonse Mouzon with his great Electric Band, and maybe later even with acoustic artists, I think Chet Baker ....

I have only the Dimensions-Inventions, which was among my first jazz albums back then, but I never heard him play standards.

Well Stan Tracey I know well and he was on this forum I think. But about bass and drums I knew some great british drummers from that period, Tony Crombie on drums, and the legendary John Heart or so on bass, they was great. They had and have great musicians.

I remember two of the tunes here were presented by Austrian Radio Jazz DJ Herwig Wurzer (the Austrian "Symphony Sid") in the 70´s . I never saw the record but I like the voice. It´s strange, I´m crazy ´bout sharp lookin woman, but to hear jazz vocal I prefer male vocals, Billy Eckstine, and of course Earl Coleman, and the Johnny Hartman with Coltrane. I think the Earl Coleman with Rollins is beautiful, I would have liked to hear a whole album of it. Besides the Charlie Parker Dial album I also like the Fats Navarro album where Earl Coleman sings I think it´s 4 songs.

Rollins, right ? Who is the sidemen ?

I think I only have his name on Miles´ Dark Magus, but it seems I listened more to Dave Liebman on that record.

It´s a nice record, I think there is a little ballad dedicated to his baby daughter on it, which is very very nice. But I have not listened to it for decades. My only more touch to Johnny Coles seems to be on the Mingus recordings with Dolphy and Cliff Jordan.

Dear Jim ! You are right, this is missing. Well me myself I can´t put anything on my website, because my photograf/webdesigner is doing that job. She told me if we put soundcloud I wouldn´t get a cent for my compositions from the Austrian Asociation of Composers (AKM) but on Spotify I will. My bass player who has his website from the same designer has his tunes on spotify direct on his homepage and that´s what I intend to do as soon as the boss of the label get´s the okay from spotify Austria. Only he has the authority to do it, and usually we have to wait 14 days until Spotify Austria gives the ok . So very very soon it will be. I want people to hear the whole stuff , I couldn´t decide what to edit or how many seconds a short "taste" of the music might can need..... Finally , I´m just the "music maker", I play , I compose (write down with the help of others since my writing is only rudimentary), with very very little knowledge about anything else . As soon as I get news from Mr Guschelbauer from Alessa -Records (ALR) and from my webmaster/photograph/designer, I will let it know you ! Sincerly Gh.

Last year we had "Fire Waltz" in our repertory, it was Allan Praskin´s wish to play it and it sounded great !

I knew Leo Wright well but didn´t talk to him about Dolphy. So maybe I would have had more infos. The only thing I can say is that Dolphy was the FIRST alto I heard and my first love for that instrument. I heard Dolphy without even knowing who was Bird..... A lot of progressive guys around here they loved Dolphy.

I have listened closely to that special period and have seen Miles in Vienna with that Band. I was just 14 so this was maybe the first concert I went out to see. Though I had heard some acoustic Miles before that on record (Walkin´ done in the 60´s with his so called "2-nd Quintet", the transition to electric and funk rhythms was the most natural thing for people who lived then. So it´s natural I have a special interest in the music they played then. Anyway, we shouldn´t complain, this period is well documentated with 3 live double LPs. But from what I had heard on youtube the Sao Paolo Gig really was something special, it´s a wonderful intro into that tune in Bb-minor, which I think was called "Funk". Miles usually started with "Turnaround Phrase" (like on Panghea), but sometimes with "Funk" (like on Agharta). About sound quality I´m not the smartest guy, since my hearing is not so well after 50 years of playing music. I want it if it captures the sound of the live event, I don´t care for let´s say some distortions, because the live situation is so hip.....

Looks interesting, but the sale of that CD on Discog is blocked, and one other source didn´t seem to be serios because when I wanted to play the order, I got a mail from my card company tellin me that my card will be changed due to attempts of fraud...

As much as I know the tunes will be on Spotify, but this can be done only by the disc label, not by me since in Austria the rules for publishing on Spotify are strict and only the Boss of the record label has the right to publish it on Spotify. I was told that by my webmaster. So....... as soon as it will be digital also I let know you all on a separate topic......

I remember I have purchased "Descent into the Maelstrom" decades ago, it must have been in the 70´s and it was quite expensive. A very strange record: The title tune seems completely free like Cecil Taylor, but harder to understand than Cecil Taylor. Some tunes are with an obscure trio, where one is based on "You Stepped Out of a Dream" but what I often found annoying about Lennie whom I otherwise appreciate, is that he doesn´t find the time to play a theme properly, it also happens on the Paris 1965 tunes, beautiful ballads, but I would have liked to here the plain theme before the improvisations. And some pieces sound like of 3 Hands are playing. This kind of overdubbing I can´t stand. I think I liked the trio tunes when I was young, but know the drummer and bassist sound very weak..... it doesn´t seem to be together.....

Two of my favourite vintage bop recordings The Wardell Gray stuff is really all star. I never had heard before Shelly Manne on drums, or.......maybe on an early Ornette Coleman record. It´s a pleasure to hear his strong bop drumming here. And the Afro-Cubop is one of my favourite latin records. Howard McGhee and Brew Moore in top form......

Well, but there is also music, I was told that at least 6 tunes will be played. My everyday´s english is also weak because I don´t know all the words, I learnd it for the music. And if we spoke German together and it´s about the music you and me love, I am sure you would understand some of it . It´s not that way. I´m sure we won´t speak dialect/slang on that show. By the way, there are so many different dialects in Austria. Can you imagine that if I might go to the west-austrian districts I couldn´t understand what they say ? Mostly dialects spoken in Tirol, Vorarlberg, Stiria and Carintia I wouldn´t even understand what they say if the speak among themselfes.