Listening now. Yes, dated it certainly is. Ouch! on some tracks
I think most of the trumpet still works in that post-Miles, Nordic cool way (although Henriksen has always been better and more original at that to my ears) and I like Aarset's guitar treatments It's the rhythm parts that really let it down in places especially when they pick the tempos up, when they "rock out" or use dance rhythms. In that way it is the crossovers that fail.
It's interesting to compare my reaction to this to recently listening to Miles's 'Live At Vienne' which didn't sound dated as much as of its time and I thought was mostly a very good listen. It was the template for a lot of what Molvaer is doing 6 years later.
And I do remember how fresh and interesting it all sounded last century, even without the dreads...thanks @Rabshakeh for taking me back to a great gig but also for making me feel old