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mjazzg

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Everything posted by mjazzg

  1. Yes, thanks. I've been hovering over the Discogs LPs for a while but many aren't in great nick and postage from US etc...it'll be the CD in the end If you don't get on with it let me know...
  2. mjazzg

    Hubert Laws

    that's tasty on many levels, not just the Laws solo. Thanks for posting
  3. I agree. Good time 'groove' music but then I'm a sucker for vibes most anywhere I've wanted that LP for a long time. Pockets have to be quite deep too, sadly
  4. Just read this, entertaining https://www.allaboutjazz.com/buell-neidlinger-from-taylor-to-zappa-to-the-carpenters-buell-neidlinger-by-clifford-allen.php?pg=1 I trust Clifford's OK with it being posted here. If not, apologies
  5. If I were there I'd be looking to go to Nubya Garcia (creating lots of noise over here at the moment, whether justifiably or not, I'm not sure), the Kim Myhr and the Arkestra. I'd be thinking about Terri Lynne Carrington and Chris Dave. Enjoy whatever you choose in the end
  6. You can always rely on Williams to write thoughtful and informed pieces. A touching tribute
  7. Alan Silva - Skillfullness [ESP]
  8. Me too. Magic evening, the duo with Shepp was better than I'd initially feared - I didn't see them as natural partners somehow. My mistake obviously
  9. Charles Tyler - Eastern Man Alone [ESP] a recent purchase that knocks me out each time I play it, which is often at the moment. The use of cello and bass, no drums, is masterful
  10. That's a good one. Williamson has made a few live appearances in the last couple of years after many years seemingly away from the circuit. I hope he becomes more active still and records again Johnny Lytle - The Village Caller [OJC Riverside reissue] that's my Lytle's listened to. Need to get some more
  11. Johnny Lytle Trio - Blue Vibes [Jazzland] my copy's seen some action in previous lives. In fact, it sounds a bit like the above sleeve looks but amongst all the "atmospheric" background noise the music shines through gloriously. Next up..
  12. Great read. I've enjoyed listening to him since Vandermark 5.
  13. Yes, of course (Sunday morning syndrome). Apologies to Mr Williams
  14. Tower, Piccadilly Circus opened until midnight for some time so you could leave a gig and head down there to stock upon whoever had just impressed. Also, more worryingly you could do the same after an evening in a central London pub - great fun but invariably an expensive exercise especially in the cold light of the next morning!
  15. Always enjoyed his musical contributions but also his pithy, informative and often humorous comments on a variety of posts on Richard Cook's Bluemoment blog. He was commenting there until fairly recently
  16. Thanks for the Impulse suggestions
  17. I've just read the thread with interest as I'm new to her music and it coincides with me being in a a shop with a number of her Impulse releases recently.I didn't know whether to go for them or not. Not too many mentions of Impulse releases upthread, any good ones?
  18. Certainly sounds interesting I'd noticed some vinyl reissues on Souffle Continu recently at Honest Jon's, Louis Sclavis's involvement intrigues
  19. Magazzino looks very enticing. I always seem to get a lot from Arte Povera exhibitions. They're not too common in the UK though
  20. Thoroughly enjoyed my introduction to the work of Giorgio Griffa in his first UK retrospective https://www.camdenartscentre.org/whats-on/view/griffa it probably helps that it's in one of London's loveliest spaces for viewing
  21. Cecil Taylor & Tony Oxley - Ailanthus/Altissima [TriplePoint] finally took the leap...loving what I hear so far on the first listen through. The sound's such that it's like they're in the room with me
  22. RIP, for once the word "genius" seems comfortably applicable
  23. Bernd Alois Zimmerman - Die Befristeten and Improvisationen [Wergo]. Performed by the Manfred Schoof Quintet - Schoof, Dudek, von Schlippenbach, Niebergall and Leibezeit I wish I could read the the full notes that are in German
  24. Yes, I enjoyed that alot and agree it worked well as an introduction. I felt a little short-changed by the missed opportunity of not having more of the interviews with the fours composers featured. If you go to the trouble of setting the interviews up then why not use them more fully, especially given the stated rarity of LaMonte Young interviews probably The Maximimalists
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