mjazzg

So we move the entire (or nearly) 'Reissues' thread over to vinyl subforum? Get over it As for the question - it's the 60s for me - questing, adventurous, varied. In two words Andrew Hill (all of whose recordings I own on CD so would be excluded from the Vinyl subforum) edit: to answer Chewy's question

Amen to that. One man's scratch ia another man's itch, I guess

If only I'd checked the schedules I wouldn't have watched a dull cup final! Will have to 'listen again' to this one

Paul Bley - Blood [Fontana]

if you do vinyl then amazon.uk here http://www.amazon.co.uk/gp/offer-listing/B003WWZ12K/ref=dp_olp_new?ie=UTF8&qid=1305226831&sr=8-8&condition=new tracklisting seems to include what you want

For me, one of the stand out releases on any label in the last few years. Individually all very impressive musicians, collectively, on fire!

Self Determination Music - Carter/Bradford [Flying Dutchman]

Got my Coin Coin on pre-order. Read good things about the live presentation so hoping this'll compensate for the unlikelihood of a UK performance. Agree that Live in London is strong

I've bought a fair few vinyl shipped to UK from US in the last year from ebay, discogs, netsounds Interestingly the advertised postage rates on these sites do vary from about $12 to $18 (don't tend to buy those ones). Never quite worked out why the variation as they all arrive in similar packaging and I'm assuming there's no regional variation for US sources. I've always assumed the more expensive sellers are making some money off their postage. All these prices are not 'signed for'. I've lost only one package (CDs) in probably hundreds that have crossed the pond to UK.

Marcus, thanks very much, that would be great i'll PM later (at work right now)

i'd like to track down a CD of this Japan and Brazil only release on Submarine Records. My online searchs have come to nought - except a Brazil-only retailer. Anyone in O-land have a copy they don't want or any leads I might follow? Evidently, there's two editions. the first was incorrectly programmed, the second presents the music in a suite. guess it's the second i'm after thanks in anticipation

Martin Amis, exhibitionist insanity? surely not

seems like everone was impressed http://londonjazz.blogspot.com/2011/04/review-peter-brotzmann-chicago-tentet.html

Mic set up same on Wednesday except that the concert was recorded by BBC for broadcast (along with the interview with PB and Vandermark) - can't remember when they said this would be. I was struck by how seemingly 'small' contributions by single ensemble members suddenly came through the overall sound. Kessler played a short descending four-note riff three or four times at smaller intervals in one piece and its simplicity leapt across the stage even when most of the others were playing. Longberg-Holm's occasional pizzi found a route through the louder sections. As I've said before, Zerang managed this throughout the show. PNL's indeed phenomenal but having seen him more than several times in duos, trios, quartets etc he was less of a surprise package to me - he did what he always does

another perspective on wednesday night here http://www.theliminal.co.uk/2011/04/peter-brotzmanns-chicago-tentet-at-cafe-oto/ The eleven person tentet had my friend and I completely bewildered as we waited for the start trying to name who would be playing and never making ten! PB and his Chicago Tentet, perhaps

I saw the wednesday night London gig. Same line-up as tuesday, unsurprisingly. First set was intensely powerful sax/clarinet trio of PB, Vandermark and Gustaffsson Second set was lovely palate cleanser - Kent Kessler solo bass Third set - Tentet. Exceeded all my high expectations. Such an array of musicianship in pay to the collective. Almost unfair to pick out individulas but McPhee's pocket trumpet was revelatory, Zerang's drumming so tuneful and musical. Bauer's humour and enthusiasm infectious. PB's sheer musical presence to be remembered for a very long time. I haven't dared listen to anything by the group since so as not to break the spell!

almost afraid to step into the minefield of this thread. ... but as I sit listening to Conspiracy by Jeanne Lee (and let's face it she's been mentioned a bit already) but a thread search suggests not this title) I do wonder whether it might meet some of the criteria set by JLH. I just know someone's going to know of the CD release i've never heard about

Give it time to work its way in - though there's plenty to jump out at you on first hearing. I first heard it in Nottingham when it was toured prior to the recording - utterly compelling concert. We got the chance to sign up in advance and about 9 months later got the recording through the post. It has my name on it as a 'Patron of the Mike Westbrook Orchestra' which sounds very grand! Not sure if those credits will survive to the reissue. Bev, I've listened just the once and even with this brief exposure I can hear why you hold it in such esteem. Funnily enough, given my pre-purchase concerns, it's some of the vocal tracks that have made the most positive impact so far (except for Minton's cod cockney). Barker is very impressive and I'd forgotten about Chris Hunter great tone. Sad to report that your name hasn't survived the transfer to CD but you may well be one of the 'patrons' that are thanked.

now that does set the day up nicely... Me, I'm winding down from work with James Newton - Paseo del Mar

see you there with a bit of luck. Definitely be there for that night's concert

tried to spring as thought it was time I had something by them (always steered away because of the vocal element) but noticed this, 'This item is currently not available' just in time. Released 28/3, sold out by 7/4? Seems to be at Amazon for £8.99. There are vocals on this but lengthy instrumental and soloing passages. Don't get put off by the long 'Berlin' track early on which sounds like a Second Viennese School lied! Guy Barker is superb on this record - I've always found him a bit knitted cardigan elsewhere! If you get a chance to sample, try 'Lenador' - utterly thrilling soloing on that one. Special praise for Brian Godding too whose guitar textures throughout are mesmerising. Well spotted Bev, thanks. Despite the phrases 'Guy Barker' and 'Second Viennese School lied' appearing in your description i've jumped. i really do think it's time for me to at least investigate Westbrook's 'vocal' works ( I enjoy the non-vocal big band). So here's to a voyage of discovery

tried to spring as thought it was time I had something by them (always steered away because of the vocal element) but noticed this, 'This item is currently not available' just in time. Released 28/3, sold out by 7/4?

It is available now from Amazon. Sure is. They got my copy over to UK in seemingly double-quick time which is great as the amazon.co.uk has an import price of £28.22! It's very good but that's pricey

had mine for a day or two. The sounds are astonishing. Worth every moment of expectation built up by the comments here The sound of this edition is also astonishing - one can truly immerse yourself in the music

Under a double moon - Joe McPhee & Chris Corsano [Roaratorio] vinyl only (Put your) hands together - Nate Wooley Quintet [Clean Fead] There was... - Arrive (Shelton, Roebke, Adasiewicz, Daisy) [Clean feed] three very strong, refreshing releases - none quite sounding like I'd supposed. And that's a good thing