couw

the only downside of the box is that the sessions spill across the disks. This is easily remedied by making some CDr copies of course.

those are just big enough for CD booklet sized print outs. Anything bigger no look good no. It looks like a complete series there, only Evolution is missing AFAIK. If you really only want to frame these, I'd opt either for the Cover art books (the large sized, earlier printing), or would try to get decent scans to have printed by some photo lab.

Living Space has: 1965.06.10 (2, 5) & 06.16 (1, 3, 4) John Coltrane, ss, ts; McCoy Tyner, p; Jimmy Garrison, b; Elvin Jones, ds; 1 Living space 2 Untitled 90314 3 Dusk-dawn 4 Untitled 90320 5 The last blues tracks 1-4 originally issued on The Mastery of John Coltrane-Vol. 1: Fellin' Good (Impulse IZ9345) Also recorded on 06.10: Welcome (Kulu Se Mama) Transition (Transition) Suite: Prayer and meditation: Day - Peace and after - Prayer and meditation: Evening - Affirmation - Prayer and meditation: 4 A.M. (Transition) and on 06.16: Vigil (Kulu Se Mama) Dusk-dawn (Kulu Se Mama) Dusk-dawn (Kulu Se Mama)

there are some stunningly fabulous moments on Living Space as well

right-ho, here goes. nummer een: Favorite Things. Very original piano rendition. Bit of a heavy touch, lots of problems, many favourites among those perhaps... very sensitive playing, maybe too much so, can't judge from one track nummer twee: No idea who's playing. Fun stuff, though not immensely so. Blame me for that. There's some riffing in there that makes me think this is rather post-WWII than pre-. klengklengelengklengklengeleng... nummer drie: Hhhhhokay, this is the gigolo and I don't have it. That must mean it's that album by Stan the Man (yes it's him) that I "naturally" don't have "Mister!" Great stuff, glad they took the crap out of the Beatles and laid down something as far out and groovy like this Mofo. When's the RVG scheduled again? nummer vier: damn! is that drummer ever going to lay back with that hihat!? pretty obnoxious, he must be the leader. heheheh. Nah, pianist's date. Tune sounds familiar. Pretty minimalistic in some way this reading, dunno, sounds a bit like they do this every day and there is no effort. nummer vijf: more depressing stuff, this time trombone by an old dude it seems. sounds rusty and slick both at the same time. neat! but still a bit depressing, even though it might as well be spring, jeesh! sounds almost like a bass trumpet or what have ya. No clue on the performer(s). nummer zes: Andy Bey, not much of a fan, can't get past his schlusching sound schomehow. there's some fakeness in there as well, as if it's all really just a show, and I don't like that either. nice enough for sure, but not something I'd go out of my of to acquire. nummer zeven: oh my god it's killing me softly. However nice the alto lays this down, it remains a song to play in the background in a high class bar or club. sounds all pretty and nice and pretty and nice too. I guess a player cannot really do much with the tune, dunno, although it sounds as if the alto would LIKE to take it out at times but is not allowed to. makes it sound a bit mechanic all. nummer acht: yet another ballad. I'm glad it's night here already can't take in much by now. puffing alto on the verge of tenor with some knack for keeping things going where the pianist is hitting yet another one of those "yo I'm broody!" type of plingploings. Nice, but too many in a row, need to listen to this one as a stand alone later. nummer negen: Kenny G on tenor? not of course and this player shows more than that. still, I hear more tricks than story, sorry. nummer tien: much different (in spite of the awful echo off the left, wassup with that?!). guy has some story to tell. the piano going off into stride land reminds me of Byard, not him though. nummer elf: bunch of bigshots. can't place the clarinet. Benny Carter? Clayton? piano cannot place. Hawk? Webster? nah, dunno. some Norman Granz like concert ditty. nummer twaalf: Konitz. all the things. piano is pretty tight in a euro classic kinda way. (been listening to Körössy too much lately, it sticks... this guy is not as good though ) Two alto! fegh, lost on the second one. Sounds much like but much freeer than Konitz (stoopid remark, I know). Clue me in guys! nummer dertien: Lester leaps, but not quite. sounds almost like a free jazzer taking it down. can be anyone really. good stuff! done great disk (albeit with some deficiencies...)

I'm amazed they finally unearthed some of this stuff. It's not as if it's the most sought after crap FZ ever did and never put out... oh wait, it is....!

petit wazoo, wadditya expect?

it seems some of our friend's bestest efforts have recently been released on CD in Japan: http://www.catfish-records.com/norma/norma.../normalist.html NOCD 5681 is the Jazz Restitutio LP with two extra tracks (it seems) NMCD 6003 are the two tracks from the Jazz Jamboree '61 LP discussed in this thread plus the contents of a rare 10" from the same event. 1.All The Things You Are (that FABULOUS solo piece) 2.Gypsy In My Soul 3.Suita Souvenir 4.Garay Mood 5.Trallalla 6.Wodka Blues 7.Ippidippide 8.Soutnik so, who's gonna order them and tell me whether they took that awful flutter out of the Jamboree recordings...

It is fantastic! Better than I had remembered. I will try to post a more thorough review later but, for now, I will highly recommend it. Does it have a lot of that typical Kowald humming (some would call it vocalizing)? why? are you a fan of "humming" ? Sure, as long as I'm the one who's doing it... I hum a lot too when producing "tasty looking" stuff like on that cover. What is that anyway??? not familiar with Kowald really. Like what I have heard by the other two though.

It is fantastic! Better than I had remembered. I will try to post a more thorough review later but, for now, I will highly recommend it. Does it have a lot of that typical Kowald humming (some would call it vocalizing)? why? are you a fan of "humming" ?

can we have an oficial constipation smiley please?

the King suffers from Konstipation? Anyone been talkin' about me? Have I heard something? not me!

the King suffers from Konstipation?

the King suffers from Konstipation?

all browsers allow for that. It doesn't change the fact that there is a cookie stored with the server for up to 38 years that is tied to your IP. The reluctant stance of "if you don't like it, don't use it" is a bit too convenient. This is still bare land for a lot of legislation and you cannot allow the sharks to plow it all down like they want. Life in the digital age can still have enough privacy if there is an interest. It just takes an effort that is unlikely to be provided by corporations if they are not pushed by legislation and interest groups. Now the whole thing is largely given over to the free market principle that every niche will find its users and vice versa in this vast market. I don't know if it can continue like that and remain healthy.

just sent you the PSD

here ya go

Ah! so not this jukebox , that one is the same, but just confusing. It's on a copulation disk I see. actually second song, "Nothing in the Middle" heard some of her stuff way back dunno when and found more tricks than feeling then. must say this sounds much more convincing than my faint memories, though it's still somewhat in the technical appreciation department. 't Is in the recording too I guess. WTF is she doing going all Pharoah on us around the 4:25 mark?! woa...

Ah! according to this site, the muse album was recorded not in Prague, but in Cologne! site also says: ISSUES: KPM (Keith Prose Music) entitled JAZZ CONVENTION VOL.I Muse MR 5056 = Happy Bird(D)B/90076 = Tobacco Road B/2544 all entitled FRANCY BOLAND/KENNY CLARKE BIG BAND OPEN DOOR now KPM is not exactly a label that rings a lot of bells with me.

I don't know, I thought it was a compilation. How does the track listing compare?

if this were indeed recorded in the Supraphon studios, it's a little odd it was never released. Supraphon shipped a lot of vinyl across the borders to stock up on hard currency.

no rachelle anywhere in my jukebox over yonder.