l p

1954

like l. armstrong, hawkins carried a record player with him on all his travels, but unlike armstrong who listened only to his own recordings, hawkins prefered opera.

in the hawkins biography from 10-15 years ago, it said that he listened to opera recordings a lot. anyone remember if any particular operas were mentioned? it must have been this bio The song of the Hawk: the life and recordings of Coleman Hawkins. by Chilton, John, Ann Arbor : University of Michigan Press, 1990.

ok, that one's new. but everything else...

i bet that not a single one of these has new material. here's ray charles https://www.google.com/search?num=20&q=RAY+CHARLES+-+LIVE+IN+PARIS++1961++1962&oq=RAY+CHARLES+-+LIVE+IN+PARIS++1961++1962&gs_l=serp.3...2716.5475.0.5920.2.2.0.0.0.0.173.237.1j1.2.0....0...1c.1.64.serp..0.0.0.bAtJ9k89jRQ

studio recordings, 1955

Callas 2/1969, 3/1969 studio sessions for Verdi Arias II and Verdi Arias III EMI: Paris, Salle Wagram: Orchestre du Théâtre de l’Opéra, Paris; maestro direttore Nicola Rescigno Il corsaro Egli non riede ancor. . .Non so le tetre immagini (romanza di Medora) Il corsaro Né sulla terra. . .Vola talor dal carcere. . . (cavatina) Verrò. . . Ah, conforto è sol la speme (cabaletta) I lombardi Te, Vergin santa, invoco !. . .Salve Maria, di grazia il petto I vespri siciliani Arrigo ! ah, parli a un core Attila Liberamente or piangi. . .Oh ! nel fuggente nuvolo

the armstrong and miles are not new.

to me, they look planted by the author and the author's friends.

cd1 and 2 of

Schubert - complete songs, Vol. 16 Hyperion

Schubert - complete songs Vol. 14 Hyperion

at least 24 people have read her book 'Why I Stuck with a Junkie Jazzman' (2014). http://www.amazon.com/ART-Why-Stuck-Junkie-Jazzman/product-reviews/1494297574/ref=cm_cr_dp_qt_hist_two?ie=UTF8&filterByStar=two_star&showViewpoints=0

i thought this would be an easy one.

gil evans orchestra 1984 http://picosong.com/B9JJ/ thanks

Best jazz documentary of all time: Liz Garbus, What Happened, Miss Simone?

maybe you could make the same mistake with the prince thread.

so, what did this guy rob? May 9, 2016 Austin police seek man who robbed Radio Shack in April.... http://www.statesman.com/news/news/crime-law/austin-police-seek-man-who-robbed-radio-shack-in-a/nrKP3/

yes, The Bethlehem Years: John Coltrane (Bethlehem 20-50012) 1994 is the one that i have now. disc 1 of the 2001 issue is the big band material. https://musicbrainz.org/release/8164f9c9-6e14-4f0d-b7d1-ccde0a324477 disc 2 of the 2001 issue is only 55minutes long, so they didn't omit the master takes because of time constraints.

it looks like the same problem with c-6. The Kiss of No Return e-9. The Outer World f-3. El Toro Valiente

cd2 of this set contains 1 Tippin' (take 1) 6:27 2 Tippin' (take 2) (breakdown) 1:21 3 Tippin' (take 3) 6:10 4 Tippin' (take 4) (breakdown) 0:43 5 Tippin' (take 5) 0:46 6 Tippin' (take 6) 6:20 7 Tippin' (take 7) (false start) 0:30 8 Pristine (take 1) (false start) 0:20 9 Pristine (take 2) 7:19 10 Pristine (take 3) (false start) 0:47 11 Pristine (take 4) (beakdown) 1:13 12 Pristine (take 5) (breakdown) 0:46 13 Pristine (take 6) 8:22 14 Pristine (take 7) 6:10 15 Pristine (take 8) 6:17 it looks like Tippin' take 8, and Pristine take 9 are not on this set. is it because they are composites of other takes? normally, if they were composites, they'd be listed as h-m. and i-m. instead of h-9. and i-8.

1976 is the year when a lot of rock bands that were producing decent music (for rock) began to lose their way. and many jazz musicians started to put out records that sound a lot like smooth jazz.

i may be thinking of an isolated coltrane story in one of the biographies, probably the porter one.

wasn't there a sax player who liked to play barefoot on stage?