danasgoodstuff

Teddy Edwards - Sunset Eyes, West Coast Classics CD reissue with bonus tracks Bill Charlap - Stardust, CD trib to Hoagy Jimmy Ponder, Come On Down, CD on Muse Ben WEebster, Meet You at the Fair, Impulse! CD reissue with bonuses Lou Donaldson - Say it Loud!, CD reissue on Water (why hasn't the take of Red Top from this session ever been added as a bonus?) All for a grand total of $25, no sales tax in Oregon. Still haven't finished listening to the last two batches.

I bought 5 today, but I got them for a total of $25 so that should tell you something about the market for used CDs at this point in time.

Good work by both you and them.

Possibly interested but I couldn't open the list, what kind of file is this?

I'll take the Magic of Miles, do you do PayPal?

Since I recently passed on a used copy of the Horace Parlan Mosaic for $80, and I like it and only have around half of it, I'd probably pass on a big Mosaic box of the 3 Sounds unless i won the lottery or something. I've come to appreciate them (esp'ly the original trio) more and am a bit of a BN completest but the early stuff is kinda samey and although more than merely good, it's not genre defining the way the Ahmad Jamal trio was for me. But if I see a copy of Hey There or Here We Come or Black Orchid in the wild at a sane price I might well bite even though I already have enuff early and late Sounds to satiate my desire to hear them. If they were to release the as yet still unreleased stuff from the Lighthouse, I'd jump on that as I find it's end of an era qualities fascinating. Once you get to the '70s with Gene and what they still sometimes called the Sounds, shit does get weird but not always in a bad way.

I think there are two more outtakes from Blue John (it was a two session album) that haven't been issued anywhere - they should do a dbl LP Tone Poet with all of it, 2 LPs plus a single if necessary. I think there's more 3 Sounds outtakes, both issued and un- and there's two more alternates from Jubilee Shout

If we're defining classic as 'universally accepted' as such, then there wasn't much before Coltrane either, nor in rock, very few things are universally accepted as classic. There are people who don't accept that Kind of Blue is classic, or the Beatles, or pretty much anything else you might mention.

Stanley Turrentine with Shirley Scott -- Never Let Me Go - $5 Stanley Turrentine -- Dearly Beloved (RVG remaster edition) - $6 Stanley Turrentine -- Spoiler - $5 Stanley Turrentine -- Rough & Tumble - $5 I have these myself, which is why I can confidently say that if someone who doesn't were to grab 'em all for $24 including shipping they'd be getting some fine music and a heck of a deal.

with Farrell Sanders and Billy Hart.

The Sharrock I posted is from 1990.

Got this one, and glad I did.

I don't know Roscoe's extensive work nearly as well as many here, certainly not like Chuck knows it. None the less I'd like to put in a word for Hey Donald from '94 on Delmark. Relatively straight ahead but still distinctly Roscoe.

I've listened to the Ross online a few times and it's grown on me. Joe Chambers should be good. I've skimmed a few other recent signings and not been blown away but not turned off either. I'd love to hear young horn players on the label play with Lonnie Smith.

Eddie Harris, Listen Here, the 2nd version, recorded just before Trane died and released after.

If post-Coltrane here means after he died, yes there's some. If it means after his 1st recording of of MFT, there's tons. If it means post Coltrane stylistically, that's hard but not impossible. Art Ensemble, People in Sorrow qualifies in every sense, and yes I mean every last darn note for 40 minutes, a bit of a miracle. Sonny Sharrock, Ask the Ages, all of it but particularly Who does She Hope to Be, in every sense a stone cod classic, my only quibble is I would've sequenced it differently For simply great performances after 'Trane died there's lots of Miles, lots of Sonny R, lots of of other lessor knows, and I think there is a consensus emerging too even if I'm not really part of it.

I'm recently retired from library work and currently pissed at management at my former employer, But the writer of that G&M piece is more than a bit of a knob, he's a 'net loss' to literature and life. The library response was more than reasonable.

Got mine today, looks like hours of fun.

Voodoo Child from the Lonnie Smith Hendrix tribute Abercrombie plays on

Could you give a couple of examples of where and when it's used? Thanx.

Does anyone know is there an easy way to get sheet music with the counter-melody he talks about, easier than trying to get a screen shot from the video?

The song or the explanatory clip?

My take on ECM is not quite as negative as Chewy's, so here goes: AEOC - Nice Guys, and the others too Lester Bowie - the 1st Brass Fantasy, at least Dave Holland - Conf. of da Birds, Triplicate, Extensions, then he got boring Chic Corea - Crystal Silence, typical ECM sonics actually fit this music Scofield/Goldings/DeJohnette - Tony Wm. Lifetime trib whose name I can't spell or pronounce Enrico Rava - On the Dance Floor, MJ tribute, big band live Marion Brown - Afternoon of a Georgia Fawn Pat Metheney - 80/81 Abercrombie - Timeless, Gateway Jarrett - Deer Wan Inn Motian - trio stuff with Lovano & Frisell, can't remember which I like best