That was really nice, David -- and I mean nicely done as well as generous. "Jazz a la Kart," though -- eek! On the other hand, there is a 1941 Basie recording "Feather Merchant" (a very good one IIRC, comp. by Jimmy Mundy) that was meant to be a play on Leonard Feather's name (it also was a pre-existing slang term for someone who likes to sleep a lot).
Please pardon my penchant for terrible puns (and that one was conscious, as opposed to the many that tumble out of my mouth without thinking), not to mention jests--any possible second volume of your superlative criticism would be worthy of a far better title. Re: "Feather Merchant" (which I've not heard), I'm a bit groggy now from combined cold/afternoon nap/insufficient caffeine, but I think there were a # of instrumentals from the 1940s/50s era that had punning titles along those lines...especially odes to DJs, a topic I once covered on a Night Lights show after Oscar Treadwell passed away.
Another one was Sir Charles Thompson's handsome "Robbins' Nest," for DJ Fred Robbins. That post-Lester 1941 edition of the Basie Band (with Don Byas on tenor) was so fine -- "Harvard Blues," "Fiesta in Blue," "Down Down Down," "Feather Merchant" et al. BTW, has there ever been much examination of Jimmy Mundy's work? "Feather Merchant" and "Fiesta in Blue" are both his. Born 1907, died 1983, Mundy wrote a lot of fine stuff for a lot of bands (Goodman, Hines, Basie, James, et al.), but I don't have a good sense of what it all amounts to, probably because he mostly wrote for other people (he briefly had his own band), and I think he did so for a rather long time. Among his compositions is "Travelin' Light." I see now that Schuller refers positively to Mundy in many places in "The Swing Era," but I'd still like to see a comprehensive estimate of his work and style.
Mundy wrote the arrangements for Illinois Jacquet's "Soul explosion" - his greatest album in my view - and "Sonny Stitt & the big brass".
MG