pryan

When it comes to guys like Prez who recorded a lot in the pre-Lp days, it's hard to avoid getting compilations or box sets. Sony has a nice comp. out entitled LESTER YOUNG 1936-1943, which features Young in a variety of sessions (some in support of Billie, others with Basie's orchestra, and tracks in smaller combos comprised mainly of "Basieites"). One album that has yet to be discussed is the trio session with Nat King Cole and Buddy Rich, which is available on a Verve cd, called simply LESTER YOUNG TRIO. Also included on this disc is Dexter Gordon's first session as a leader, with LTD sounding very much like the Prez.

Atta boy, Dan! :rsmile:

Lester Young : IN WASHINGTON, D.C., vol. 5 Gene Ammons and Sonny Stitt: LEFT BANK ENCORES Air: AIR TIME Von Freeman: YOUNG AND FOOLISH Miles Davis: COMPLETE LIVE AT THE PLUGGED NICKEL (disc 5) Joe Pass: VIRTUOSO

Well, I think - no, I know - I made the right decision in making this my bullentin board of choice after the demise of the BNBB. Much thanks to B-3er, Use 3D, and of course all the other positive contributors/posters who make this a cool place to hang out.

I haven't listened to this session for some time, but I recall digging some of the more interesting colors that come out in the ensemble passages. Herbie's composition and arranging skills are on full display on this one. Thanks for mentioning this one, I'm going to dig it out and give it a spin or two in the days to come. You might want to give it more than one spin, Soul Stream.

I believe there was another date issued on Riverside entitled TAKE TWELVE, which was issued between LEEWAY and THE SIDEWINDER, possibly in 1962 (someone correct me if I'm wrong, as I don't actually have that album). No he wasn't working with Blakey during that period '61-'63; he was basically off the music scene altogether, having to cope with his bad heroin addiction. Lee eventually straightened himself out enough to start recording again in '63; I believe Moncur's EVOLUTION was the first session he played on. He returned to play in Blakey's group from 1964 thru 1966. At least that's how I understand things.

Today I will finish off George Plimpton's Shadowbox, a book I've really enjoyed. It's my first taste of Plimpton's work and I am mightily impressed with his style/humour/story-telling ability. I also finished reading Darwin's The Origin of Species, which is for a course I'm taking called, aptly enough, 'Darwinian Revolution'. That took a while to get through: a lot of detail, reiteration, etc. He's a good writer, though.

Harold - You can tell (well I can, at least) that it's Lee on that tune by the phrasing and the various licks that he plays in his solo. Lee's solos are usually a lot "busier" that Miles': longer lines, more notes, more use of the smearing or half-valve technique. I guess it was the harmon mute that fooled a lot of people; Lee doesn't usually play with a mute all that often. Another note about this track, I actually do have it on the Mosaic set. I went back and listened to that session, not realizing it contained the tune in question, then played the B.F. test disc again, and lo and behold, it was from the Vee-Jay recordings. I guess I have to re-familiarze myself with that Mosaic. Tony - Don't hesitate on grabbing the Shorter/Morgan, it's a great set. Very interesting to hear Shorter that early on in his career.

I also picked this one up recently and concur with Brad and AB's statements. There seems to be a kind of continuity with this album in that all the tunes are kind of "connected" with one another. It's also interesting in that, for the most part, Bud is the only soloist, and his solos are constructed in such a way that they develop slowly but surely, building not necessarily to a "climax", but still building nonetheless on certain motifs or ideas that occurred earlier on in the solo. And when someone else solos (eg. P.C.), Bud's support/comp/prodding/leading is most unusual, but effective. A most interesting and compelling album.

I think Catesta would agree that to follow the above statement, would be, in Ralph Wiggum's words, "umpossible". Seriously, though, Happy B-Day Chris.

My listening habits tend to coincide, somewhat, with Sangrey's. I still have so much stuff to explore, however, so I can't really answer this question definitively. As long as the music has the happenin' spirit, soul, mind, etc., and is not a rip-off of something done previously (hello, that Getz clone in the blindfold test) then I can dig it. I'd rather not limit myself too much in favor of one era or the next, as all eras have SO MUCH to offer.

Here's a guy that has not been mentioned yet: Alex Harding. I bought his latest disc, INVOCATION FOR PEPPER (which is on the CIMP label), after reading the review in Cadence, and enjoy it quite a bit. He's more of an outsidish leaning player, although there's enough "inside" playing here to balance things out. It's a trio disc with bass (Dominic Duval) and drums (Jay Rosen). The tunes are mainly standards, although don't expect a "straight ahead" reading of them. Check it out.

Was it just me or did that umpire have an extremely limited and inconsistent strike zone last night? The low strike was never getting called, seemingly perfect pitches albeit around the knees, while the pitch on the outside corner was sometimes called a strike, other times a ball. What gives? Tonight's game is huge for the Marlins, as they can get all the momentum (with a 'W') going back to N.Y. Go Florida!

I'm really looking forward to the Eldridge set. The only date I have of Roy as a leader is SWINGIN' ON THE TOWN. He appears on a couple of Prez Verve sessions, which I have, as well. I really dig his playing.

November was the last date that I heard, but that was a while ago so perhaps plans have since changed. I'm very much looking forward to this one.

That's funny you mention that Al, 'cuz I remember Jim having almost a completely opposite opinion regarding Carter on that session. See the GRASS ROOTS album of the week thread.

All the best, Chris. Happy Birthday! BTW, do you think Kevin B. will make a return to give you his best wishes?

Here are my guesses after one spin in the a.m.: 1- "Samba de Orfeu"? The bass player has that Paul Chambers-like feel (ie. lagging ever so slightly behind the beat, but still swinging like a MF). Those block chords make me think of Red Garland, but the way the head is played definitely rules him out. 2- A familiar sounding tune, although I haven't heard it enough (at all?) to know the name. The vibes player has a beautiful way of phrasing - the notes connect smoothly and the result is one of clarity and relaxation. No idea who the musicians are. 3- Lee Morgan, possibly from his TAKE TWELVE album, 'cuz I haven't heard this tune before (and I have a lot of Lee in my collection). Didn't recognize him when he was playing the head, but his style is very apparent when the solos start. Cliff Jordan on tenor, I love his conception and sound (I know it's coming out of Rollins a lot, but still). Gots ta be Wynton Kelly on piano, what a magnificent pianist, such sparkling lines he produces. Sounds like a "down home" kind of theme, possibly an original by Jordan? 4- Totally stumped on this one; my guitar knowledge (like many people here, I suspect) is nowhere that of Jim R's. 5- Not sure about the tenor, but the pianist is Kelly again. On bass, Mr. P.C. Not sure about the tune. 6- Great interplay between piano and bass. Once again, no clue on the tune or musicians. 7- Very nice tune. Tempted to say Kenny Burrell, but I really don't think it's him. Not sure who's on piano either. 8- Stan Getz, I only have one of his discs, but that sound is very recognizable (man, I have to acquire more Getz). Interesting unison passage with tenor and vocal(s). Everything "stops" for Getz and the guitarist (Charlie Byrd, perhaps?). Man, Getz just blows me away - I have to get this one. 9- I don't like to label music like this, but the tune/arrangement sounds west-coastish. Gerry Mulligan on bari is the only reed I can identify (if that's actually him). Possibly Bud Shank on alto, but that's just a guess. 10- I don't know. 11- Another piano/bass duo. I like these pared down settings, it lets the music "breath" in a way that's totally unlike what you get in a trio setting (eg. w/drums). Not sure on the tune, starts off like "Bye, Bye Blackbird", though. 12- Not sure on the sax, but that was a very good solo; as was the piano solo. Another one I can't identify. 13- Part of the sound/tone makes me want to say Pat Metheny, but the licks aren't the kind he usually plays. Not sure on the name of the tune, but I've heard it before. 14- No clue, not something I'd seek out either. 15- Interesting how the trumpet comes in halfway through the head. I dig the soprano player, whoever he/she may be. What's with the fade out? 16- I really dig this tune, but damned if I can name it. Very beautiful rendition.

I received my copy yesterday, Jim. Thanks.

Thanks for the approval, guys. This set has been tempting me for what seems like forever, but at last I'll finally have it in my mits. Can't wait 'till tommorow!!

I bought the Blackhawk set back in May or June and have played those discs on a consistent basis right up until yesterday. I never had the originals or the old remastered versions, so I have nothing to really compare the new ones to, but I know I wouldn't trade them in - ever. Miles really plays well on these sides, in fact the whole group does. The one MAJOR highlight for me, however, is pianist Wynton Kelly. His soloing is the usual hard-swinging stuff that you might expect, but his comping, especially behind Miles, is out of this world. Buy it for that reason alone. BTW, I'm planning (tommorow) on finally taking the plunge on the Plugged Nickel box after years of salivating/procrastinating. I've had the "Highlights" cd for about four years now and really enjoyed that small taste of the proceedings. Just to make sure, you guys all wholeheartedly recommend this set, right?

Better hurry up and bid Rooster, only a little over two hours left.

Happy Birthday to a fellow Canadian board member. Hope you're enjoying the Mulligan Mosaic, John.

The Eldridge Mosaic, the Miles live set ("Seven Steps to Berin", I believe it has been dubbed), Warne Marsh ALL MUSIC (any updates, Chuck?).