Late

Yosuke Yamashita Trio with Gerald Oshita: Arashi (1977).

I'm down for either of those box sets. Pre-ordered!

Excellent! It's "one" for Shirley, but it also sounds like it's one for Vick as well — he lets loose. Looking forward to picking this up.

I missed out on all of these sets, but have collected Walker, Spann, and Hopkins on individual discs. Slightly off-topic (for a Betty Carter thread), but are there any recommendations for single disc overviews from Milburn and Brown? In other words, if you could only purchase one disc a piece from these two artists, what would you choose?

I'd like to hear a remastered set of her Bet-Car recordings, including anything that was left off previous releases. Probably won't happen, but I'd buy it!

Wonderful to see/hear the different interpretations, let alone to see into so many different piano rooms/studios!

I'm looking for TOCJ 50152 in good condition at a fair price. Please PM if you have any leads. Thanks! (Also open to trades if you'd like to share a want-list.) I have some Hank Mobley SHM-CDs for trade ...

The Rupa Biswas record is a lot of fun. But it's not half-off at DG. The Fern Jones is good too, albeit in very small doses. The Cult Cargo series is worth checking out as well! $8 is a pretty good deal on those. YouTube has a lot of full albums from Numero, for those who don't Spot-i-fy.

I just did a search, and couldn't find the article I'd read (about five years ago, maybe more?). It was an article where (younger) saxophonists listed their favorite unaccompanied saxophone solos. Roberts listed "Cherokee" from Lone-Lee, and added some words about the solo's importance to her. Maybe someone here remembers that article? I might be mis-remembering some details, but that was gist of it. I do remember that it got me to get out that vinyl and spin it.

Love Quinichette on this one, even if his saxophone keys needed some fine-tuning. It looks like both Wess and Coltrane have Otto Links and Selmers. Quinichette, on the other hand, appears to have a Buscher and King? (Welcoming corrections.)

Listened to this tonight, the only Konitz I own on vinyl. I don't have the CD version, and just discovered that "The Song is You" is twice as long on the CD! Apparently this record is a favorite of Matana Roberts.

A heads-up on recordings from the Numero label: Dusty Groove has discounted their inventory of this label. Lots of new discs at half-off. Numero is normally quite expensive, so this is good news. Wide-ranging music: soul, hillbilly, Brit pop, indie rock, techno ... just about any genre you can think of, as long as it's fairly obscure.

Alice Coltrane: Reflection On Creation And Space (A Five Year View) This double album is an 82-minute compilation of previously issued Alice Coltrane recordings from her Impulse! sessions. What makes it interesting is that most of the tracks are edited versions which seamlessly transition into each other, making it a sort of Alice Coltrane DJ experience. I didn't think I'd like hearing "incomplete" tunes, but that wasn't the case at all. Ed Michel (with Bob Thiele?) did an excellent job putting this together in 1973. All four vinyl sides could actually fit on one compact disc. I'd buy it! I'm a little surprised that a boutique label hasn't tried to put this compilation out. I think it could attract new listeners.

Bam.

Nope. Lost opportunity. Five tracks only, as opposed to the nine that made up the 1993 U.S. issue.

The Tapscott Sessions, Vol. 10 Been finding a lot of solace in this recording lately. Healing.

20 more titles added to the 60th Anniversary series. I hope this one: comes with all the bonus tracks.

I can't speak for the Gordon (yet), but the 2-disc Griffin set on Muzak/Black Lion is very fine. Great sound.

I bet the vinyl sounds good. I have vinyl rips but no hardcopies. It's about the fourth time these titles have had a compact disc reissue in Japan. But it's the first time I won't miss their limited sales window!

Wow! Thanks for making the initial effort to contact them.

Thanks for that information!

That makes sense to me. Perhaps stating "when Joe takes it to the edge" might work a little better. I like Joe on the edge. (Don't want to derail the question, but this record probably has my favorite Haynes playing on it. But I need to re-listen to his Impulse! album again to be sure.)

Charles Lloyd got a card?

Here's video from the Mt. Fuji recording. Kenny Garrett gets to take a longer solo than the other horn players. What's up with that?