Hate to get back on topic, really I do, but...overlooked...Maynard Ferguson's Color Him Wild (later reissued as Dues).
Ok, the format was past the pint of no return as far as "relevancy" goes, and even when it was relevant, Maynard's band was always more a "showcase" than it was a "vital creative force" relative to the overall jazz scene at any given time.
Now, having said that, this is a very, very good album. The arrangements are all fresh (again, relative to the world they inhabit), the soloists, all fine, and the rhythm section (Mike Abene, Ron Mcclure, & Tony Inzalaco) plays for keeps. And in Willie Maiden's "Tinsel" & Rob McConnell's (for whom on I usually have no use) "Come Rain Or Come Shine", there's two of the best "traditional" big band charts of the 1960s, period. And that's in pretty good company to be, truthfully.
Maynard was at the begin of a career/personal decline during this time, and I don't know how much attention this one got in its time. But it does seem to be mostly overlooked today, and it's too fine a work to so be.