Well, as fate would have it, a friend sent me a dub of this album, and "superpicker" seems an apt description. Not really "jazz" as we know it (although all the tunes have a "West Coast" kind of groove to them), but the guy's got pretty impressive chops - very clean, very fleet, a fat tone on the bottom end of the axe (that always impresses me for some reason), total ease with harmonics, the whole shebang of guitaristic techniques flawlessly executed in good taste. And he doesn't NOT swing.
Not a side I'm likely to listen to w/any regularity, but for those who are "guitar geeks", I'd think that this one would be worth a checkout or two. I enjoyed/appreciated it as a display of an instrument being very well-played, and I got a corner of my plate reserved for that type of thing.
As for being a Vegas sideman, let us not forget that James Moody toiled in those same pits for a few years in the late-60s/early-70s, as did Red Rodney & Carl Fontana (I think). A deathbed of creative opportunities, but a hotbead of highly skilled instrumentalists. In those days, you had to be a helluva player to work on that circuit.