JSngry

You're welcome! The Gil Melle of the 50s Blue Note & Prestige records indeed sounds nothing like what you hear here, The set linked to above gives you the Verve record, the full Andromeda Strain sound track, and Waterbirds, a pretty obscure record he did for Nocture that is based off of TV cues that he wrote, played in a semi-avant jazz manner. All in all, a pretty interesting guy!

I very much enjoy Johnny Griffin's rather...VIVID contributions to this record.

Jack Johnson Lyndon Johnson Chuck Robb

Here's yet another way to go about it" 3.5 IPS LOL!!!!! or this: Studio outtakes, rehearsals, demos, and demixed sound sources that separ ate vocals and instruments using the latest AI technology, which can be sai d to be valuable session records of the revolutionary masterpiece album “R evolver” released by The Beatles in 1966, are summarized in chronological order. The ultimate rare sound source collection “Recording Sessions Chro nology” is now available as a 6 CD set! “VOLUME 1” begins with Paul’s “Ex perimental Tape”, who was interested in avant-garde experiments in March 1966. Includes “Tomorrow Naver Knows”, which is symbolic of the reverse rotation and tape loop that decorated the end. “VOLUME 2” begins with “An d Your Bird Can Thing”, followed by “I’m Only Sleeping”, which produced v arious mix differences, and “Got to Get You”, which introduced a brass sec tion for the first time. Into My Life”, “Yellow Submarine” with groundbreakin g sound effects, and “Eleanor Rigby” with separate strings and vocals. “VO LUME 3” is a demix sound source that separates the vocals and instrument s of “Good Day Sunshine”, “Here There and Everywhere”, and “She Said S he Said” at the end of the session. “Alternate Remix Collection” contains re mixed sound sources different from the regular mix. Includes all album son gs + Capitol edited mix and a real stereo sound source of the UK mono “To morrow Naver Knows” (commonly known as Matrix 1), which is known as a separate mix with a long ending. As with the previous series, the existing r elated sound sources, including newly discovered upgraded sound source s and first-appearing latest remix sound sources, are fully covered with the best quality over a total of 170 tracks in 3 sets of 2 CDs for about 6 hours or more. The ultimate collector’s item indispensable for Beatles sound source research that summarizes existing rare sound sources in chronological ord er! Introducing the latest installment of the hottest studio session culminati on series, “Revolver”! ! REVOLVER : RECORDING SESSIONS CHRONOLOGY VOLUME 1 CD 1 1. EXPERIMENTAL TAPE 2. ELEANOR RIGBY (Demo) Recorded at Montagu Square, London march 1966 3. HE SAID, HE SAID (Demo) Recorded at Kenwood, London Sept.1965 / june 1966 4. TOMORROW NEVER KNOWS (Loops) 5. TOMORROW NEVER KNOWS (Take 1 Partial) 6. TOMORROW NEVER KNOWS (Take 1 Nearly Loopess Version) 7. TOMORROW NEVER KNOWS (Take 1 Remix) 8. TOMORROW NEVER KNOWS (Take 3 Backing Tracks) 9. TOMORROW NEVER KNOWS (Take 3 Vocal Tracks) 10. TOMORROW NEVER KNOWS (Extracted Loops Mix) 11. TOMORROW NEVER KNOWS (Track 2 Mix) Recorded at Abbey Road Studio, London april 6th 1966 12. GOT TO GET YOU INTO MY LIFE (Take 5 Backing Tracks) 13. GOT TO GET YOU INTO MY LIFE (Take 5 Vocal Tracks) Recorded at Abbey Road Studio, London april 7th 1966 14. GOT TO GET YOU INTO MY LIFE (Bass Guitar Tracks) 15. GOT TO GET YOU INTO MY LIFE (LOVE Pre-show 2016 Remix) Recorded at Abbey Road Studio, London april 8/11th 1966 16. LOVE YOU TO (Vocal and Guitar Tracks) 17. LOVE YOU TO (Sitar And Tabla Tracks) 18. LOVE YOU TO (Bass and Second Sitar Tracks) 19. LOVE YOU TO (Final Overdub Mix) 20. LOVE YOU TO (Mono Mix without Intro) 21. PAPERBACK WRITER (Take 1) Recorded at Abbey Road Studio, London april 11/13th 1966 22. PAPERBACK WRITER (Take 2) 23. PAPERBACK WRITER (First Vocal Tracks) 24. PAPERBACK WRITER (Second Vocal Tracks) 25. PAPERBACK WRITER (Composite 2 Tracks) 26. PAPERBACK WRITER (Original Mono Mix) Recorded at Abbey Road Studio, London april 14th 1966 CD 2 1. RAIN ((Backing Tracks) 2. RAIN (Vocal Tracks) 3. RAIN (Reversed Edit Mix) 4. RAIN (Bass Overdub Mix) 5. RAIN (Vocal Overdub Mix) 6. RAIN (Backwords Vocal) 7. RAIN (Backing Vocal Tracks) 8. RAIN (Original Mono Mix) Recorded at Abbey Road Studio, London april 16th 1966 9. DOCTOR ROBERT (Backing Tracks) 10. DOCTOR ROBERT (Loop Added) 11. DOCTOR ROBERT (Backing Tracks Complete) 12. DOCTOR ROBERT (Vocal and Others Overdub) 13. DOCTOR ROBERT (Vocal Mixdown) 14. DOCTOR ROBERT (Acetate Mix) Recorded at Abbey Road Studio, London april 17/19th 1966 15. AND YOUR BIRD CAN SING (Take 2 Backing Tracks) 16. AND YOUR BIRD CAN SING (Take 2 Vocal Tracks) 17. AND YOUR BIRD CAN SING (Take 2 Bass and Overdub Tracks) 18. AND YOUR BIRD CAN SING (Laughter Vocal Tracks) Recorded at Abbey Road Studio, London april 20th 1966 19. TAXMAN (Backing Tracks) 20. TAXMAN (Vocal Track Edit 1) 21. TAXMAN (Vocal Track Edit 2) 22. TAXMAN (Tambourine and Guitar Tracks) 23. TAXMAN (Vocal Tracks) 24. TAXMAN (Cowbell and Chorus Tracks) Recorded at Abbey Road Studio, London april 21st 1966 25. TOMORROW NEVER KNOWS (Basic Tracks) 26. TOMORROW NEVER KNOWS (Organ Overdub No Guitar Mix) 27. TOMORROW NEVER KNOWS (Backward Guitar) 28. TOMORROW NEVER KNOWS (Vocal-Backward Guitar-Piano Mix) 29. TOMORROW NEVER KNOWS (Double Vocal Tracks) Recorded at Abbey Road Studio, London april 22nd 1966 REVOLVER : RECORDING SESSIONS CHRONOLOGY VOLUME 2 CD 3 1. AND YOUR BIRD CAN SING (Take 3 False Start) 2. AND YOUR BIRD CAN SING (Take 6 Ending Part) 3. AND YOUR BIRD CAN SING (Take 10 Backing Tracks) 4. AND YOUR BIRD CAN SING (Take 10+6 Bass and Percussion Tracks) 5. AND YOUR BIRD CAN SING (Take 10+6 Vocal Tracks) Recorded at Abbey Road Studio, London april 26th 1966 6. TAXMAN (Acetate Mix) 7. AND YOUR BIRD CAN SING (Acetate Mix) 8. TOMORROW NEVER KNOWS (RM8 Mono Mix) 9. I’M ONLY SLEEPING (Backing Tracks) Recorded at Abbey Road Studio, London april 27th 1966 10. ELEANOR RIGBY (Studio Chat) 11. ELEANOR RIGBY (Strings Only Tracks) 12. ELEANOR RIGBY (Lead Vocal Tracks) 13. ELEANOR RIGBY (Backing Vocal Tracks) Recorded at Abbey Road Studio, London april 28/29th 1966 14. I’M ONLY SLEEPING (Vibes Rehearsal) 15. I’M ONLY SLEEPING (Acoustic Rehearsal Take) 16. I’M ONLY SLEEPING (Vocal Edit Tracks) Recorded at Abbey Road Studio, London april 29th 1966 17. TAXMAN (Acetate Mix Remaster) 18. DOCTOR ROBERT (Acetate Mix Remaster) Reference Tracks may 1966 19. I’M ONLY SLEEPING (Backwards Guitar) 20. I’M ONLY SLEEPING (2016 LOVE Pre-show Reversed Mix) 21. I’M ONLY SLEEPING (2016 LOVE Pre-show Mix) 22. I’M ONLY SLEEPING (Guitar Overdub) 23. I’M ONLY SLEEPING (Anthology Edit) 24. I’M ONLY SLEEPING (Anthology Vocal Edit) 25. I’M ONLY SLEEPING (Vocal Tracks) 26. I’M ONLY SLEEPING (Alternate Vocal Tracks) Recorded at Abbey Road Studio, London may 6th 1966 27. FOR NO ONE (Take 1 Monitor Mix) 28. FOR NO ONE (Take 2 Monitor Mix) 29. FOR NO ONE (Take 5 Monitor Mix) 30. FOR NO ONE (Take 6 Monitor Mix) 31. FOR NO ONE (Take 7/8/9 Monitor Mix) 32. FOR NO ONE (Take 10 Backing Tracks) 33. FOR NO ONE (Clavichord Overdub) 34. FOR NO ONE (Clavichord Only Tracks) 35. TAXMAN (Ending Takes 11/12) 36. FOR NO ONE (Vocal Tracks) 37. FOR NO ONE (Take 13 Monitor Mix) Recorded at Abbey Road Studio, London may 9/16/19th 1966 CD 4 1. GOT TO GET YOU INTO MY LIFE (Brass Tracks Edit) 2. GOT TO GET YOU INTO MY LIFE (Brass Overdub Tracks) 3. GOT TO GET YOU INTO MY LIFE (Vocal and TambourineTracks) 4. GOT TO GET YOU INTO MY LIFE (Vocal Only Tracks) 5. GOT TO GET YOU INTO MY LIFE (Double Vocal Tracks) 6. GOT TO GET YOU INTO MY LIFE (Backing Tracks) 7. GOT TO GET YOU INTO MY LIFE (Take 9 Brassless Mix) Recorded at Abbey Road Studio, London may 18th 1966 8. FOR NO ONE (Bass Only Tracks) 9. FOR NO ONE (Horn Overdub) Recorded at Abbey Road Studio, London may 19th 1966 10. YELLOW SUBMARINE (Take 1 Studio Chat) 11. YELLOW SUBMARINE (Take 4 Studio Chat) 12. YELLOW SUBMARINE (Backing Tracks) 13. YELLOW SUBMARINE (Vocal Tracks) 14. YELLOW SUBMARINE (Second Vocal and Chorus Tracks) 15. YELLOW SUBMARINE (Sound Effects Overdub) 16. YELLOW SUBMARINE (Take 5 Alternate Stereo Mix) / YELLOW SUBMARINE (Take 5 Original Mono Mix) Recorded at Abbey Road Studio, London may 26th / june 1st 1966 17. I WANT TO TELL YOU (Backing Tracks) 18. I WANT TO TELL YOU (Vocal Tracks Edit) 19. I WANT TO TELL YOU (Vocal Only Tracks) 20. I WANT TO TELL YOU (Bass Tracks) 21. I WANT TO TELL YOU (Original Mono Mix) Recorded at Abbey Road Studio, London june 2nd/3rd 1966 22. YELLOW SUBMARINE (Original Mono Mix) 23. AND YOUR BIRD CAN SING (Original Mono Mix) 24. I’M ONLY SLEEPING (Original Mono Mix) 25. TOMORROW NEVER KNOWS (RM11 Mono Mix) 26. AND YOUR BIRD CAN SING (Alternate Acetate Mix) Reference Tracks june 6th 1966 27. ELEANOR RIGBY (Ending Vocal Tracks) 28. ELEANOR RIGBY (Backing Vocal and Strings Tracks) 29. ELEANOR RIGBY (Compressed Mix) 30. ELEANOR RIGBY (Vocal Tracks Acetate Mix) 31. ELEANOR RIGBY (Acetate Mix) Recorded at Abbey Road Studio, London june 6/7th 1966 REVOLVER : RECORDING SESSIONS CHRONOLOGY VOLUME 3 CD 5 1. GOOD DAY SUNSHINE (Vocal Tracks) 2. GOOD DAY SUNSHINE (Backing Tracks) 3. GOOD DAY SUNSHINE (Piano Overdub) 4. GOOD DAY SUNSHINE (Vocal Inserts) Recorded at Abbey Road Studio, London june 8/9th 1966 5. SHE SAID, SHE SAID (Demo) 6. HOLD ON, I’M COMING (Demo) Recorded at Kenwood, London june 1966 7. HERE THERE AND EVERYWHERE (Rehearsals) Recorded at Abbey Road Studio, London june 14th 1966 8. HERE THERE AND EVERYWHERE (Take 7) 9. HERE THERE AND EVERYWHERE (Guitar Tracks) 10. HERE THERE AND EVERYWHERE (Chorus Edit 1) 11. HERE THERE AND EVERYWHERE (Chorus Edit 2) 12. HERE THERE AND EVERYWHERE (Lead Vocal Tracks) 13. GOT TO GET YOU INTO MY LIFE (Ending Guitar Overdub) 14. HERE THERE AND EVERYWHERE (Take 14 Monitor Playback 1) 15. HERE THERE AND EVERYWHERE (Take 14 Monitor Playback 2) 16. HERE THERE AND EVERYWHERE (Take 14 Monitor Playback 3) 17. HERE THERE AND EVERYWHERE (Take 14 Vocal Tracks) 18. HERE THERE AND EVERYWHERE (Take 14 Monitor Playback 4) Recorded at Abbey Road Studio, London june 16/17th 1966 19. SHE SAID, SHE SAID (Backing Tracks) 20. SHE SAID, SHE SAID (Vocal Tracks) 21. SHE SAID, SHE SAID (Guitar Tracks) 22. SHE SAID, SHE SAID (Instrumental Mono Mix) 23. SHE SAID, SHE SAID (Acetate Mix) Recorded at Abbey Road Studio, London june 21st/22nd 1966 CD 6 ALTERNATE REMIX COLLECTION 1. TAXMAN (Rockband Remix) 2. ELEANOR RIGBY (Single Vocal Remix) 3. I’M ONLY SLEEPING (Single Vocal Remix) 4. LOVE YOU TO (Alternate Stereo Remix) 5. HERE THERE AND EVERYWHERE (Single Vocal Remix) 6. YELLOW SUBMARINE (Rockband Remix) 7. SHE SAID, SHE SAID (Alternate Stereo Remix) 8. GOOD DAY SUNSHINE (Alternate Faded Remix) 9. AND YOUR BIRD CAN SING (Rockband Remix) 10. FOR NO ONE (Alternate Vocal Remix) 11. DOCTOR ROBERT (Wide Stereo Remix) 12. I WANT TO TELL YOU (Alternate Stereo Remix) 13. GOT TO GET YOU INTO MY LIFE (Alternate Stereo Remix) 14. TOMORROW NEVER KNOWS (Rockband Remix) 15. PAPERBACK WRITER (Rockband Remix) 16. RAIN (Alternate Stereo Remix) 17. I’M ONLY SLEEPING (US Capitol Mono Mix) 18. AND YOUR BIRD CAN SING (US Capitol Mono Mix) 19. DOCTOR ROBERT (US Capitol Mono Mix) 20. TOMORROW NEVER KNOWS (UK Matrix-1 Mono Mix) 21. I’M ONLY SLEEPING (US Capitol Stereo Mix) 22. AND YOUR BIRD CAN SING (US Capitol Stereo Mix) 23. DOCTOR ROBERT (US Capitol Stereo Mix) 24. TOMORROW NEVER KNOWS (UK Matrix-1 Stereo Remix)

Wow, I do not have Volume 8...

I think this is safe to post because all the links are dead...if not, say something, please. But when I got into all the Purple Chick stuff (and finally quite from exhaustion), I became aware of a parallel site called Lazy Tortoise: http://www.webgrafikk.com/beatles1/lt/index.html that defined its purpose thusly: Companions to the Purple Chick Series, the Lazy Tortoise compilations pick up the non-studio items, such as live, interviews, and home demos. The albums are sorted by year in the menu. Each album has a BootlegZone link to contents and artwork when available. Lazy Tortoise discs are fan created and NEVER FOR SALE!!! Seriously, if you pay money for them you were ripped off - someone somewhere sold what they obtained for free. Not cool. These pages are for reference only. The offerings were massive, and I did not have time (or interest) in going into all that...except this one: 01 Instrumental 02 Strawberry Fields Forever take 1 03 Strawberry Fields Forever take 2 04 Strawberry Fields Forever take 3 05 Strawberry Fields Forever take 4 06 Strawberry Fields Forever take 5 07 Strawberry Fields Forever take 6 08 Strawberry Fields Forever (fragment) 09 66-122 (John Interviewed by Fred Robbins) 10 Strawberry Fields Forever (guitar overdub 1) 11 Strawberry Fields Forever (guitar overdub 2) 12 Strawberry Fields Forever (demo playback) 13 Strawberry Fields Forever (vocal overdub) 14 Strawberry Fields Forever (demo playback) 15 Strawberry Fields Forever (take 1) 16 Strawberry Fields Forever (take 2) 17 Strawberry Fields Forever (take 3) 18 Strawberry Fields Forever (take 4) 19 Strawberry Fields Forever (take 5) 20 Strawberry Fields Forever (take 6) 21 Strawberry Fields Forever (take 7) 22 Strawberry Fields Forever (take 8) 23 Strawberry Fields Forever (mellotron overdub takes 3-7) 24 Tape Loop And Backward Speech 25 Stranger In My Arms 26 Mellotron Improvisation (1) 27 Mellotron Improvisation (2) 28 Mellotron Improvisation (3) 29 Mellotron Improvisation (4) 30 Mellotron Improvisation (5) 31 Jumping Jolly Pally Poodles 32 Your Hosts For This Evening 33 Woody The Woodburn 34 La Cumparsita 35 Brazillian Song 36 Pedro The Fisherman 37 Lucy From Littletown 38 Breakdown 39 Daddy's Little Sunshine Boy 40 Don't Forget The Apples 41 Chi Chi's Bar 42 Down In Cuba 43 Down In Eastern Australia 44 66-128 (John on Not Only... But Also) 45 66-134 (Beatles Interviewed by John Edwards) 46 Good Morning Good Morning 25-43 is a home recoring of John & Ringo jsut hanging out, probably getting high, and just in general having a good time. None of it is at all "important", and the only reason I point out the existence of it is just to make the point that there is a SERIOUS BUTTLOAD full of already existing Beatles extra-released material and has been for several decades now. I'm tempted by the notion of a surgical dissection of Revolver, especially an informed one, but...outside of the world of official releasses, the idea is not a new one. Far from it. And I now wish that I had gotten these two: Long gone, at least like this.

They were once, and searching the board for the phrase "board rules" returns any number of results, including a few or more by the board owner. If you want to refresh your recollection, I suggest doing such a search, because I'll be damned if I can find them now. I started asking where they were as long ago as 2017 and have yet to had them highlighted. My guess is that they were in a separate table of the database that got lost in some software upgrade and were never returned. So if you want to operate on the premise that they can't be enforced because they don't exist, go ahead and make my day. This is from Vol. 4 :

Board rules prevent me from linking, but there are links from some people that claim to have preserved at least some of the group's work. Google as mentioned above, and good luck! Oh, btw, the earlier volumes are the better ones, imo.

I'm surprised that they're on Amazon Music! It was a totally unofficial thing. Besides remixes (some of which were done with materials hacked out of the multi-channel Rock Band video game), there were mashups, some dreadful, but some pretty arresting. Here's some discussion: https://www.reddit.com/r/beatles/comments/srzevf/trying_to_find_and_preserve_work_by_the_beatles/ Google The Beatles remixers group tuned to a natural E see what you can find. Probably a lot of dead links, but who knows?

There's a recording of the music played at Coltrane's funeral.

It took 2 CDs to do 75 minutes of music? Were they worried about inner-groove distortion? Are you familiar with a totally unofficial online project called The Beatles Remixers Group? They put out a series of releases called "Tuned To A Natural E", 6 of them, iirc.Highly variable in quality, but the good stuff was exquisite. And the "Paperback Writer"/"Rain" record was fodder for some of the best work of the lot. There's a lot there to work with in terms of sheer sound, especially "Rain". If George Martin was the 5th Beatle, then on that one, Geoff Emerick was the 6th!

Damn, dude, those are some hits, for sure. Stay sane!

Thanks for the compliment. I'd use it as a blurb, if I was doing anything blurbable! Beyond Braith's Blue Note and Prestige records, there's the body of his own Excellence Records, much, but by no means all, of which is up on Spotify. It is quite unique, and only occasionally what you might expect.

This band is the gift that keeps giving!

Molly? Nah, she's a sweetheart.

Granite is cold.

Thanks to everybody who participated by both jsut listening and then for providing some really thoughtful commentaries. I haven't had this much fun hosting a BFT for quite some time! Hopefully the fun was shared! These answers are for the LP Version. SIDE ONE (THE PARTY NEVER STOPS) 1. FREDDIE ROACH - Two Different Worlds (from Mo' Greens Please) Straight ahead. STRAIGHT F-ING AHEAD. Good times before, during and after. 2.THE J's WITH JAMIE - M.O.A. (Columbia Special Presentation 45) Swinging pretty hard in the pursuit of money, which is just one more way to look for a good time, right? Talking with somebody who knew the people on that scene at that sight, Dick Marx was a big jingle guy who regularly used jazz players because of their flexibility and ability to change on the spot. Players he is said to have regularly used were Jim Atlas on bass (known from some Jimmy Giuffre records) and John Young on organ/piano. No way to confirm if that's them on the record, but it swings WAAAAY harder than it needs to. 3. George Braith - Chop Sticks (from Laughing Soul) Spend a day or two checking out all of George Braith's Spotify catalog. Just sayin'. Until then, this party ain't never stoppin'! Even if "Chop Sticks" is credited as a Braith original when it's really just the old classical piano exercise, which really was composed by somebody...who cares, the party stops for no one!) 4. Jim's Edits - Soft Shoe (white label record of unknown origin, sourced from Gerry Mulligan/Bob Brookmeyer Salle Pleyel concert, 1954) Seriously. I have no idea who did this, or if there's only 300 made. But they're out there on Discogs. https://www.discogs.com/release/3231499-Unknown-Artist-Jims-Edits-1 But check out the original and then how totally it's been transformed by this treatment. Live players should pay attention, and yes, take a lesson. Imo, of course. Not that one is better than the other, just that...there are other options available for older material, meaningfully different options. Now HERE's a party! Wow, so much party energy...so wound up that it's can be mechanized to go on forever, can it ever break? Will it ever break? SIDE TWO (THE PARTY NEVER STOPS...UNTIL IT DOES) 5. SUENAGA TOGI and GAGAKU MUSICIANS FROM THE IMPERIAL HOUSEHOLD ORCHESTRA (rec. 1903) - Bairo (from Sound Storing Machines - The First 78 RPM Records from Japan, 1903-1912) You ever find yourself being TOTALLY disoriented? Like, NO idea of time, place, space, anything? Until this cut on this CD, the last time that happened to me was when I get lost in an Albert Ayler bagpipe thing, got lost and wasn't sure how to get back out. This is an amazing CD for any number of reasons, but nothing else on here discombobulated me the way this one did (and for a long time...maybe even to this date, a little bit). 6. GIL MELLE - Jog Falls Spinning Song (from Tome VI) A little more focus, but still getting woozy and fuzzy, still not wure exactly where we are, but at least it's some place... Those liner notes that you can't read up there tell you that the musicians are Bass, Cello, Electronics [Envelope] – Benfaral Matthews Percussion – Fred C. Stofflet Piano, Electronics [Electar] – Forrest Westbrook Soprano Saxophone, Electronics [Tome Vi, Effects Generator], Liner Notes, Composed By, Arranged By – Gil Melle They will also give you a basic breakdown of what all of these homemade electronics do. It's incredibly primitive by today's standards, but in 1968, "electronic music" that didn't involve computers and/or tapes WAS primitive. Don Ellis was finding a few commercially-made products, but Gil Melle was just doing it for himself! I've long had the LP, but the version here came from this collection: https://alphastate.nyc/products/gil-melle-the-andromeda-strain If you want to hear more of Gil Melle post-1950s BN/Prestige, this is a well-recommended set. 7. NEW YORK ART QUARTET w/AMIRI BARAKA - Seek Light At Once (from 35th Anniversary) Includes the poem "Masked Angel Costume": I think that Baraka is one of the most musical readers/reciters there's been. Not always, but quite often. As for Mantan Moreland/Birmingham (BIRMINGHAM!!!) Brown... NSFW: Seek light at once! 8. SONNY ROLLINS (with EARL COLEMAN) - Two Different Worlds (from Tour de Force) and back in the light we are, back where we started, but, uh...not like we were when we started. Two different worlds?

https://fortune.com/2022/10/28/amazon-meta-earnings-horror-show-lost-160-billion-market-cap/ The sky is not falling, unless you want/need it to. Amazon and Meta are two fundamentally different companies.

McDonalds stock is at an all-time high. Let's eat

Oliver Nelson is a non-factor on that record. FWIW.

You need to watch a Jimmy Swaggart show and hear Swaggart's singing to get the full context of Jerry Lee. The later shows after Swaggart's "fall from grace" where he's older and slower and less showy are the ones to look for. Seriously.

Jesus. I scanned the ZeroHedge link (as I now do all of this posters' links) and didn't see anything obvious (unlike some of the other sites....). But WHOOP there it is. And now what are we doing? Creating a doomsday scenario where Amazon & Meta crash the global economy? To what end? Jesus.

One stubborn motherfucker until the end. Gotta respect that. RIP.

I was quite surprised to see that Florence's writing was being used in a lot of those WorldPacificJazz poppish-jazzy records from the middle 1960s. And also in Buddy Rich's first few records of his 1960s band. The guy certainly earned the right to his perspective.

Hooray for Brownie! Many happy returns!!!