Montego Joe came to Dallas with Ted Curson in the late 1970s as "featured guests" at an attemted-annual John Coltrane Festival. Both did not behave well nor play particularly well either. Curson had a documented history to support this performance being a big let-down instead of a determination indicator, but with Montego Joe, I'm afraid it was more or less a "fuck this clown and his New York Attitude no playing ass" thing.
James Clay, who was also the leader of the bnad that accompanied them, extended that verdict to both of them, but that was James clay's prerogative, certainly not mine!