And that's one of the many reasons I stopped reading JazzTimes more than a decade ago.
Overrated?
Critics' bombastic pronouncements, usually based in whatever bundle of personal resentments and phobias (or their percieved refutations) we all carry around.
Underrated?
People who actually know how music works past their initial emotional reaction.
Silly?
"ratings" in lieu of evaluations
Ira Gitler?
Significant contributor for a good while, but he himself passed long after his real critical relevance did. RIP for real, but I loved Swing To Bop as much as anybody, but the way it ended left a sour-ish taste in my mouth, the way that one minute we're around everybody and then all of a sudden we're in his neighborhood talking just all about his people, and I'm like, ok, next time I read this thing, I'll know when and where to stop.
Still, his firsthand accounts of some of the earlier Prestige sides (he WAS there, literally!) are priceless and imo more than earned him the right to stay in one place for the rest of his life. It was a helluva place when it was there.