T.D.

I have that 2008 Porter CD and consider the sound pretty decent. Granted I'm not an audiophile, and Ted Daniel didn't record for big-budget labels so expectations have to be managed. I never heard the original release. It's an excellent album. I have quite a few Ted Daniel CDs. In my experience, the ones on Ujamaa with the black covers (I own the "Sextet" and "Loft Years" but not the solo release from Italy) have dodgy, even outright bad sound but others are OK.

I'm slow to catch on as usual, just noticed this has been reissued and is on Dusty Groove's (USA) "Coming Soon" list Also, I finally ordered Keith Tippett's How Long This Time after fence-sitting and missing a couple of low-postage chances.

Great idea!

This looks good, but I haven't heard it. Recently got and enjoy this (The Recursive Tree):

R.I.P. I long ago considered listening to some of his operas (e.g. Lear, das Schloss, Medea) but never got around to it.😢

This Renaissance polyphony disc is up for grabs, free USA postage. Mistaken purchase: I got it from BRO a few years ago but already had practically all the contents in a (very good) box set. https://www.discogs.com/release/13584233-Jacob-Obrecht-Capilla-Flamenca-Piffaro-Chansons-Songs-Motets https://www.amazon.com/OBRECHT-Chansons-Capilla-Flamenca-Piffaro/dp/B000EMT17C

Thanks. Yes, Binchois Consort is excellent! I have that very album plus a few others by them on Hyperion. Many good ensembles on that label.

Going to continue the polyphony binge over the weekend with this estimable set:

Thanks for posting! For sure. I once had memorized extended periods of dialogue, but that's faded over the years. I've also seen all the later "mockumentaries" by the same group. Best In Show being the favorite (next to Spinal Tap, of course).

Thanks, I might try that later. Also this, though "jazz" is used figuratively: But right now I'm listening to Discs 1-3 (various/Dufay, Dufay, Dufay), 4 (Binchois/Ockeghem). This is a good set.

I hadn't listened to much polyphony for a long time, but something (maybe springtime?) triggered an urge, so Six discs of the box so far.

The timeline isn't that clear to me. Some earlier recordings are straight-ahead, and some later works are extremely abrasive / noisy. But I'm not sure his style followed a smooth trajectory, because the dates of certain "conventional" and "weird" recordings are really close together. Granted I've so far shied away from the noisiest material such as Mass Hysterism, 😉 and don't have very many recordings.

It's one of those "historically significant" albums. I got it pretty recently, am still evaluating. On first listen I was unimpressed, but am now liking it better. The album starts out as kind of straight-ahead but transitions (Free Form Suite) to exploratory and eventually outside. I'm partial to Takayanagi's late weird/noisy material, and the final track (3d movement of Free Form Suite) is very much in that wheelhouse. At this stage I'd say "interesting" rather than "essential", although that final track is really outstanding. At this point I overall prefer the Cool Jojo (straight-ahead, even Tristano style) and Takayanagi's Angry Waves 850113 (outside/noisy) albums somewhat. I don't regret getting this recording, however.

Well done! Hoping to see it in a theater. Several nearby show a lot of music releases, so there's an excellent chance.

OP is a polarizing figure on this forum, but I enjoy many of his "X with the OP trio" albums, including this one.

Of course it's common. But it always seems funny when the "borrowers" make loads of dosh. Andrew Lloyd Webber (most notably Puccini) comes to mind.

According to Wikipedia, the works were not PD outside the USA and he paid royalties to the Rachmaninoff estate. https://en.wikipedia.org/wiki/All_by_Myself According to Carmen, he first wrote the solo part of the song, writing four bars at a time, eventually completed the interlude after two months.[7] He needed to put this into a song, and after listening to Rachmaninoff's 2nd piano concerto, a piece famously used to underscore the 1945 British film Brief Encounter, he adapted the melody of its second movement to write the verse.[7] Rachmaninoff's music was in the public domain in the United States at that time, so Carmen thought no copyright existed on it, but it was still protected outside the U.S. subsequent to the release of the album. He was later contacted by the Rachmaninoff estate and informed that it was protected.[8] An agreement was reached in which the estate would receive 12 percent of the royalties from "All by Myself" as well as from "Never Gonna Fall in Love Again", which was based on the third movement from Rachmaninoff's Symphony No. 2.[9][10]

R.I.P. Among classical music fans, All by Myself is famous for repurposing a Rachmaninoff melody.

That, maybe good genetics, plus the health benefits of all that bodybuilding (which often involved collateral PED juicing 🤣). Probably is her. If so, kudos.

I agree there's a resemblance. But that Linked In pic looks too young (for an approx. 60-yo) unless it was taken a while back.