relyles

I have been following that thread for the past few days and as I commented there, I found the who discussion troubling. Mr. Crouch's reply did not help matters either.

I have heard something he has done with Lou Donaldson, the Braden disc and Dom Minasi's Quick Response. He always impressed me.

Downtown Music Gallery carries the quintet disc on Rogue Art for $16.00.

Some of these do circulate among collectors. Rick Lopez' William Parker Sessionography is the best source of information regarding what is circulating.

So how was the show? I am a fan and wish I could have been there.

I suppose he will get a break when he stops doing stupid stuff.

My only exposure to Schlippenbach has been through various unofficial live recordings, including the performance of Monk tunes Nate referenced above. The Monk stuf includes Rudi Mahall, who I have really enjoyed hearing on bass clarinet and is overall very good. I have also heard a quartet date with Mahall, Tristan Honsinger and Paul Lovens that was somewhat of a Dolphy tribute and very interesting. With that said, I have enjoyed much less Schlippenbach's slightly more "out" quartet with Evan Parker, Peter Kowald and Lovens. I would be interested in hearing the trio disc on Enja Nate referenced and the few people I know that have heard Monk's Casino (other than Nate) rated it highly.

For a while now I have had a copy of the radio broadcast of this material. Everything I have read about this release has been very favorable. I have only come to them in the past couple of years, but I am a big fan of some of the players involved like Osborne and Feza. I am looking forward to picking up this release in the near future.

I always associate disco with the likes of the aforementioned Gloria Gaynor, Donna Summer and Saturday Night Live. When I was in college in the mid eighties and hanging out in clubs in the Village such as the Paradise Garage, we always associated the best house music with a sound that was coming out of Chicago and one of the best djs of so called house music was Larry Levan. Now you are going to make me pull out all those mix tapes I have from my old days.

I could be missing something. I am a lawyer, but not a copyright lawyer. On the issue of fair use, I do not think it covers personal use. The act talks about things such as criticism, teaching, scholarship and research.

I have just spent a little time reviewing the Copyright Act and I can't even find any language that allows the owner of CD to make a copy.

I can't locate the exact language in the Copyright Act at the moment, but my recollection is that only the owner of a lawfully made copy of copyrighted material is entitled to make a copy for personal use. Since someone who borrows a CD from the library would not be the owner of that CD, he or she is not permitted to make a copy of that CD under the Copyright Act.

Both Volumes of Spaulding's self produced live recording are well worth hearing.

I have listened to that one a few times in the past couple of weeks.

Mr. Spaulding is still very much alive and performing last I heard - in particular in and around Brooklyn.

I went to the link in the first post, but did not know where to find the list/sessionography of all the NDR jazz workshops. Does that exist somewhere?

And that is a shame.

If it was in deed Mr. Spaulding I wonder why he continued to play in the Octet for so long? For what it is worth, I loved James Spauldings' contribution to the Octet. I had a brief conversation with him at the Litchfield Jazz Festival a couple of years ago and found him to be a very gracious and warm person. Definately, an underappreciated master. I have tried to purchase just about all of his recordings as a leader and thoroughly enjoyed all of them.

I have a recent reissue of this on vinyl that I need to listen to. I love Billy Harper. This thread may be just the motivation I need to finally spin that LP that I have owned for quite a while now.

I saw it last night, but did not stay until after the credits. I caught the 12:01 a.m. show and after 2:00 a.m. when the movie ended all I wanted to do was go to bed.

I was just listening to an interview David Murray gave in 1986 before a performance by his quartet (Hicks, Drummond and Blackwell) at the Montreal Jazz Festival. He actually mentioned a review by our own Mr. Kart of a Chicago performance. Murray said that Larry described the performance as "crap" and that the performance motivated him to play stronger the next day. No controversy here. I just thought it was an interesting footnote to this particular thread. Murray had nothing negative to say - he was just citing it as an example that sometimes an artist can't get too bothered by negative reviews from critics. By the way, listening to the performance right now and it sounds pretty good to these ears.

with EAC you can extract a "range" as opposed to tracks With that you can extract only that portion of the track you want without needing the extra step of editing the WAV afterward.

Downright annoying.

All of the families? Not anyone in mine that I know about, but it is possible.

My family suffered a loss on flight 93 and every time I see the preview I get a bad feeling. I don't think this is a movie I would ever want to see. That is a time that my family would like to avoid reliving.