chewy-chew-chew-bean-benitez

nonononononononononoo my one is an american prestige logo otherwise idencical to that cover i did NOT get the intl one, i repeat did NOT get it!

i am listening to a rather good lp i just got today in the dollarbin, Art Blakey Drum Suite- and i actually dont know the story about the short relationship w. art blakey + his jazz messengers --&-- Columbia records has this been talked about? i wonder how he got hooked up with them, and if they planned to carry all his albums out all on columbia like miles davis or something, was columbia tryin to make art blakey into the drummer miles davis so thats why he split?

im only gonna do this one time for jsngry...

wait was the new jazz mono, cause the labels and cover say stereo, but not elec. reprocesses to simulate stereo...is the a stereo cut for the 1st time, or ?

mine is like nothing like all the issues of this on popsike, there are quite a few, but mine is the old silver grey label

http://991.com/newGa...ound-442299.jpg heyy, ok: i got this lp: mind you, the weird int'l logo or whatever in the pic, replace that with a regular american prestige sixties "swirly-q" thing or whatever it was, anyways this thread has NOTHING to do w/ the cover: my q. is the labels, okokok they are the older silver labels....but the covers so 60s, and the vinyl is so 60s, being thinner and floppier, etal, but the labels...are they 'throwback' or are they really old stock like blue note did using up old stuff but that doesnt seem plasuble in the timeframe, i dont know these things--so yea the labels are conciernng- the vinyl is stamped, and labels printed, w/ the same # on the cover PR7311 there is NO other scratched-thru numbers present, so rudy re-cut it, right? WELL THERE ARE SOME OTHER WEIRD SYMBOLS ON IT: to i dont have it out right now to look at cause its playing, but listen to me: there are a few more markings, kind of like, a more abstract artists rendering of the Capitol Winchester plant logo i have never seen this on a vangelder lp before! so the one w/ the green cover, that was the NEWJAZZ one, and this was the regular prestige issue? why didnt they reuse the newjazz stamper plates and scratch out the matrix nos. and be all chill about it like they used to

hahaha its so true! is it hard to make these?

Imagine hearing him on electric piano with Ike & Tina Turner. It happened. r u sure, i found this: http://www.jazzreview.com/articledetails.cfm?ID=1937 JazzReview: While doing some research for this interview, I had read that you worked as a sideman for Ike and Tina Turner. McCoy Tyner: No, never did. JazzReview: Really? McCoy Tyner: Yes. Azar Lawrence (saxophonist in Mr. Tyner’s first popular quartet) played with Ike and Tina Turner, and I think he gave an interview once that got turned around into me playing with them. Believe me, if I played with Ike and Tina I would’ve remembered that [laughs]. JazzReview: Well, I’m glad we could clear that up!

chewy here to wholeheartily recommend this cd, this is a live show from 1982 and it is intense from track 1 00:01 until the end of cd. i never had any phaorah close to like what i heard in LA, this cd is it (even though its 15 years earlier)..but yea, highly recommened-- i dont even know what label it was on originally, but the cd is on Evidence, and it lists 5 other albums to get....do u guys know if those are similar to this one? cause wow, this one is amazing

youre right but still the funkified mccoy, im not so sure about that, lol- its crazy hearin him on an electric piano, even for 1/10 of the cd

mccoy on electric piano and some funk-ified song from i dont know what, with the slapping marcus miller bass (who i actually dont think ive ever listened to before, but i know who he is)...is this mccoys one (1) attempt at doing anything, "commerical"? i might of bought this, but i have no idea what is going on right now

harold z: only dude ever to play bass with jack mcduff.

thanks jsngry hey IS it elec bass at all on this?!?

ok, heres something: what about the 'featuring Stanley Turrentine' bit? since when do blue note records do "featuring...and one player.........===now i know some joe hendersons, right, have the mult.names listed then /"etc"...but featuring stanley turrentine seams kind of odd. it prob was totally liberty, since i guess stanleys the other one on the lp that his a 'name', i guess, bennie maupin was still kind of an unknown...but still, its not really cool, it puts ST in an uncomfortable position

i can only tell its liberty, in the bussiness of the label, not in the quality of sound presentation- this liberty is spot-on, blue note-style (sound) and pressing of disc sounds 5000 times better than Caramba wow, and the linernotes are a trip...this is an overall great presentation

im gonna listen to this, and if you-know-what happens, im gonna lose it

wow. i just got serenade. never made it to the cds of this (prob of the -very- last 1955-1970 bn cds i never got around to) but wow i got a really think heavy vinyl liberty press, wow, is bob cranshaw on electric bass, at least on this 1st tune thats on now? for those who never heard abt time i asked bob about blue note, and his electric bass.... i got all up in his grill about what the hell's up w/ his electric bass all over 'rough n tumble'...i was freaking out on him about rough n tumble after the sonny concert (i was crazy, but respectful)- i was going on and on about why did u play electric bass on that. what did grant green think of the electric bass. Did Blue Mitchell like it? Did Alfred Lion make you do it on that, or whats up with it and he said it was Stanley, Stanley asked me to bring it to the date, so instantly then though, i said: but like what not w/ hank, or lee morgan, why didnt u rock the fender on Hi Volatge or something, that would of been awesome and bob cranshaw said, i guess he was saying maybe not all those cats warmed up to it as quickly, i dont know cause of course hi voltage is acoustic as we all know and love, but so back to the on-topic, is he rockin it on BST84277 Serenade to a soul sister side 1. im excited about bennie maupin rippin it up all over on side 2

so wait even though he was forced to use bass on the lp, he also was forced to use it during live gig? still sounds like an awesome expeierince!

wow! so you gigged with the man himself?!? were those gigs pretty outta site? what year was this, and what city? was brother jack still a bro to you even though you were on bass and stuff? wow!

i wonder how mcduff met THOSE guys........?!

All Platinum? do tell! wait ok yr not talkin about his 80s albums for SUGAR HILL.........youve heard those, right? oh theyre fantastic oh sophoistated funk? oh thats not on cadet? oh yeah, well wait that ones a bad one? i have that one, how can u forget that one, lol- yea, ill check it out again, revisit.....

if i was around on that scene i would of made an award for hank, most awesome jazz musican overall of all time award. sure theres, miles and all his innvation and duke and his great band, coltrane and how god sang thru his horn and all that but, what overall most awesome jazz musican, m-f'ing hank, thats who

ive always shied away from these albums, no thats not the right word, ive avoided them, now im groovin to this 45, mush melon/do it now-- i dont know which is the a-side the room is too dark but anyhoo, this is why too 60s-funky-mod dance beat for Captain Brother Jack. i dont like it at all. are all the records like this? what abouyt that one tabacco road? this is by far a low point in his albums, cause his later cadet stuff is out of site now put on another brother 45: Cadet: "BLACK IS!" ahhhhh thats better!!!!!

re- terri thornton, vocalist w/ 1960 lp on riverside,,,,she won the 1998 elligtion vocal contest against jane monheit & tierney sutton? they gave it to a vet like that? whoa

i wonder how he got involved with the bennidditti tape transfers.../!?