Of course! Track 6 is Kenton. And this is a true Kenton arrangement, yes? The road from Gil Evans to Stan Kenton (the final minute or so) travels through some pretty avant territory.
Listening to track #1 again, I hear some influences that I place more in Africa (South Africa and Zimbabwe specifically) than Europe. Intonation aside. Following the thread I pulled above, however, reveals the identity of this composer — someone much more widely known as a pop star. Surprising, but also, "well, yeah, that makes sense." Then again, surprises revealing themselves to be inevitabilities seems to be the theme of this BFT. Bravo!