Joe

Ed Grimley Pat Sajak Chuck Woolery

Darlene Love Arthur Lee Robert Montgomery

Dee Dee Ramone E. E. Cummings Fab Five Freddy

If you can find Whitney Balliett's original NYer review of Hawes' ALL-NIGHT SESSIONS, it is none too complimentary. IIRC, he labels Hawes a Horace Silver imitator and spends most of him time talking about Jim Hall. This is one reason why I'm not a big Whitney Balliett fan.

Donkey Kong Billy Mitchell (gamer) Billy Mitchell (saxophonist)

Rivers Cuomo Stephen Malkmus Mark E. Smith

Rudy Wiedoeft Frankie Trumbauer Scott Robinson

Alfred Lion Cat Stevens Morris the Cat

Willa Cather Cotton Mather Drake Sather

KD sounds so good on this record. See: "Parker's Mood."

Rupert Pupkin Arthur Fleck James Holmes

Jim Boeheim Jim Valvano Rollie Massimino

Reddy Kilowatt Voltron Luke Cage, Hero for Hire

Very ECM: lovely, stately tempos, pellucid. But there's some risk-taking here. Dare I say Guidi's playing reveals a slight Mal Waldron influence? I like his harmonic imagination, whatever the case.

Buchla jazz.

Will Robinson Dr. Smith Debbie the Bloop

Buzz, no Bunk. The whole thing has been ripped and posted to YouTube. I will hold off on posting a link here, as that's technically a bootleg (IMO). Will have to look for that; thanks! Has anyone here ever seen WHY? https://www.imdb.com/title/tt0324550/fullcredits/?ref_=tt_ov_st_sm

The MY FLEETING HOUSE DVD might be the closest we ever get to that. HAPPY/SAD has "Love from Room 109 at the Islander (On Pacific Coast Highway)" and "Dream Letter," two of Buckley's more enduring compositions, IMO. It's also the album where he really begins to free himself from folksinger orthodoxy, a process also nicely documented on that WORKS IN PROGRESS disc.

Phyllis George Irv Cross Brent Musburger

BLUE AFTERNOON is a good disc for those looking for an introduction to Buckley's most fertile period, IMO. Once you're really ready for the adventurous stuff: LORCA, then STARSAILOR.

Yeah, listened this morning. Fine, quite loose performance. Sound OK too!

Thanks for the heads-up. Somehow I missed both this and the recently released Live At The Electric Theatre Co, Chicago, 1968. Anyone one here heard that one / have thoughts to share?