For many of us in the US, Brasil '66 and Getz & Gilberto were the primary gateways into Brazilian music. In the 1990s and early part of the millennium, with the revival of Bossa and Brazilian music in the US, it became trendy to put down Brasil '66 as not being "authentic," a problematic word if there ever was one. As one of those who was scarfing up as many Brazilian LPs and CDs as I could find during that time, I never engaged in the Brasil '66 bashing. I loved them in the 1960s and I love them now.
I saw Sergio live in 2008, and he signed autographs after the show. I had my copy of The Swinger from Rio for him to sign. When I got to the front of line, I asked, "Excuse me, but aren't you the swinger from Rio?" He smiled and replied, "I used to be!"