Guy Berger

A very nice album. I think Ed Rhodes made an interesting comparison between this album and Jackie Mac's One Step Beyond (sub guitar for vibes). Nice placement of an apostrophe, by the way. Guy

I think this is actually a pretty smart business plan. I have a friend who subscribes to Rhapsody and loves it -- for a low monthly rate he gets a huge music collection. If it became portable... On the other hand during the Superbowl I was discussing this with someone who flipped out at the idea that he wouldn't "own" the music. The human psychological attachment to ownership is probably the biggest stumbling block. But is there really that much of a difference psychologically between owning a computer file and renting it? Guy

Well, next time you log on your computer checks how old your downloads are, if they're too old they get erased. Not sure what happens if you don't log on again. Guy

Track list for Jumping the Creek: 1. Ne Me Quitte Pas (If You Go Away) 2. Ken Katta Ma Om (Bright Sun Upon You) 3. Angel Oak Revisited 4. Canon Perdido 5. Jumping The Creek 6. The Sufi's Tears 7. Georgia Bright Suite I. Pythagoras At Jeckll Island, II. Sweet Georgia Bright 8. Come Sunday 9. Both Veils Must Go 10. Song Of The Inuit

Definitely a case where I wholeheartedly endorse piracy.

Sorry dude, gotta part ways with you. Though I do think George's contributions to this band were outstanding (definitely better than Mobley's in '61), Wayne did so much mind-boggling stuff in his 5 1/2 years with Miles that it's not even in the same ballpark. Guy

Kind of annoying that they didn't release together with Four and More as it was played in concert. Guy

It's never been released outside of Panthalassa. IIRC Laswell found the tune (recorded on June 2, 1972) and asked something along the lines of "What if the guitarist is Pete Cosey?" (In reality it's John McLaughlin.) Hence the title. Losin's discography says: Guy

A stupid question from a non-musician who can't really articulate his thoughts very well. What, in technical or semi-technical terms, makes Sonny Rollins the tenor player c. '55-'58 stand out from other bebop tenorists? Aside from the quality of his ideas, of course. Guy

You know, it's funny -- my dad keeps asking me for financial advice and I keep telling him that I know less useful economics than I did before I showed up at grad school. It's a running joke between us. I don't know if I'd call the stuff I'm coming up with a "new theory" (my research is primarily on trade agreements and trade liberalization) but hopefully it will be original and interesting. Guy

I'm a 5th year PhD student in Economics, hopefully finishing up in '06. My specialty is in trade theory but I have research interests in political economy and development economics as well. And yes, I am a dreaded "two-handed economist." Guy

The mind boggles Brownie. I've heard a recording of this concert. You're a lucky bastard! Guy

I left Israel too young to really appreciate the guy's genius, but I remember reading some of his hilarious essays as well as seeing the hysterical comedy "Blaumilch Canal". I guess I need to go out and rent "Sallah Shabati" ASAP. wikipedia article on Kishon

If I were to hazard a guess, I'd say that the disparity between black and white attendance at jazz concerts boils mostly down to income and similar demographic factors. If you took two people, one black and one white but otherwise identical, they'd have about the same probability of being jazz fans. I think the same conclusions can probably be drawn for the Organissimo website. Guy

You definitely need Midnight Special, from the same session as Back at the Chicken Shack. (Overall I think the album you have is a little better, but we're quibbling.) Next I'd get The Sermon, which is somewhat comparable to Cool Blues and has a similar lineup. Guy

Wolf, You might want to search out the latest Japanese edition of this disc (remastered in 2000). The alternate takes are all placed at the end of the disc, and the sound is a lot better than on the standard OJC edition. It really does make for an altogether different listening experience. The K2 remaster also places the alternates at the end of the disc. Guy

The worst I've heard is Am I Blue (Grant Green), but I don't have anything approximating a comprehensive collection. Guy

By the way, for anyone who's interested -- someone recently posted a show on easytree of this trio, plus guests Lee Konitz and Marc Johnson, doing standards. It's outstanding, especially the interplay between Joe and Lee. Guy

I think Miles released several singles during the 70s. There's even a single edit of "Spanish Key". Guy

And a picture of Pearl Street, New Haven, with the snow plow barrelling ahead.

Just drove around and got some lunch. I'm a poor gauge of these things but I don't think we got much more than a foot in the Haven. Here's a picture of my car before I shoveled it out.

I really don't like Pictures (or Brain Salad for that matter). I still think the best stuff they did was the first album, the title suite on Tarkus, and parts of Trilogy. Guy

I'll posit that having interesting soloists was not what that band and thatmusic was all about anyway. It was very much a group music, with the intent being to create a collective rhythmic organism, with overt soloing serving as an ornament, not as the tree. Totally agree, but I think the advantage of the band with Cosey & Liebman (Fortune later) was that it combined the textural thing (which actually got a lot more advanced as time progressed) with interesting soloists. Whereas the '72 band only works on the textural level. Guy

I recently went through the ELP albums in my collection for the first time in a few years and had the same impression as Bev: Keith Emerson was REALLY into jazz. I think he even quotes "Misterioso" on the tune "Trilogy". (The quotes of "Tiger Rag" and "St. Thomas" on other tunes are better known -- any other obscure quotes on ELP albums?) I recently posted on the piano trio section ("Atropos") from the first ELP album, and how it would have made a fun blindfold test in the early 70s. Guy

I went through a Porcupine Tree phase before I got into jazz. The Sky Moves Sideways blew my mind (anybody who really likes early 70s Pink Floyd really owes it to themselves to hear it) and I really liked Signify. I kind of lost interest with the studio album after Signify, don't remember what it's called. Never really got into Fates Warning but I do have A Pleasant Shade of Grey, which I haven't listened to a lot (might dig it out soon) but remember as being pretty good. Really don't care for these guys. Too slick and a bit too "hair-metalish" in parts. I'm not a huge fan of these guys (only heard the first album). They have a good knack for songwriting (a skill sadly lacking with many modern-day prog bands) but again, the frequent lapses into arena rock are irritating. If you like these guys I recommend checking out a band named Echolyn. Much better. Yup. Very Coltrane influenced, IIRC. Never really got into them and got rid of the two albums that I got. Guy