Free For All

Clarence Banks perhaps?

I'm a fan of Hermeto Pascoal. I enjoy Slaves Mass, Mundo Verde Esperanca, So Nao Toca Quem Nao Quer and Oferenda, among others. Some people refer to him as the Brazilian version of Gil Evans, I think mostly because he does some very unique and imaginative orchestration with lots of interesting colors. He also plays many instruments very well. I enjoy his music pretty much across the board.

.....and whiskers on kittens......

I've given this a couple listens. I liked it the first time and get more out of it each time I put it on. Great combination of players, and they all deal very well with the musical curveballs Kenny throws at 'em. A wide variety of emotion is present on this, from poignant to humorous. As mentioned in the other thread (link below), this was Kenny's first project since his daughter passed away. It's not at all a maudlin atmosphere though; instead it seems to be a celebration of her life (and music in general) with some somber moments of remembrance. I really have been enjoying this one, I'll be curious to hear what others think.... Kenny Werner thread.....

That seems to be my memory of that disc as well. Mine as well. I didn't bother to repurchase this cd. Wow, I actually enjoy this side! I love Thad's writing, arranging and playing and the way they all connect to reflect his musical personality. To each his own!

That is some seriously swingin' and joyful music! Vic Dickenson is such a MF!

Looks more like a huka to me! " To make a pooter: · Get a small, clear jar with lid, 2 fat flexible straws, some plasticine, a small piece of nylon stocking, and some tape. · With a nail and hammer, punch 2 holes in the lid large enough for the straws to fit into. · Stick the straws into the lid and seal the spaces around them with plasticine. For your mouthpiece, cut the outside end of one straw down to about 6 cm (2 3/8 inches); tape the nylon piece over the other end of the straw. Screw the lid firmly onto the jar. · To collect an insect, hold the long straw over it while you suck gently through the other straw. The insect will be drawn into the jar. "

Shut down the club twice as fast.

So you'd probably like:

Thought I'd bump this up since it's happening this weekend. I hope to see some board members at the Mill! And make sure you sit up close to the band, get really wasted and talk real loud!

It does suck, and I just heard he passed away. Very sad.

CDUniverse (I don't know how to make the official Organissimo link, maybe someone can do that)

"Podcast", made me think of.....

The entire 32 Jazz label. Take your pick ... Amen....

Actually, Rosolino and Fontana also appeared together on Bill Holman's "Big Band in a Jazz Orbit" (1958). Also, Rosolino's last recording was a session (recently released) from 8/1/78 with Billy Higgins and Larry Willis. That being said, the Bobby Knight side is a good one. Some of the arrangements are pretty corny, but there is some great playing by Frank and Carl. One highlight is Carl's break and solo on "Strike Up the Band". The additional quartet tracks are both outstanding.

WOW! Anyone watch the Division II final? Winona State vs. Barton- it was a great game with an amazing finish (Barton won, came from behind). Check out the highlights on ESPN if you get the chance, the last minute or two was wild!

......and whiskers on kittens......

This one's not bad either......

I recently bought this on CD. It's some great music, I love "Freddie's Dead" and "Pusher Man". Poignant storytelling set to great music. And it takes me back to the 70s, which for the most part was a great decade for me.

Just FYI.... AAJ review

When I first came across "New and Old Gospel" long ago and saw the personnel, I was hoping that Ornette and Jackie would have some exchanges on alto. That would have been great! Ornette plays only trumpet on this one though, so be aware of that.

That seems to be the case. There is still a perpetual 20% coupon, though. Borders

Yes, mine too.

The problem is with some (not all) educators and the variety of ways jazz studies programs are implemented. There are those who think technique is an end unto itself, and their programs crank out an endless stream of clones and robots who can regurgitate other's licks and solos, but who don't think for themselves. Technique should be taught as a means to an end, and studying licks/transcriptions is an important step towards that end, but it is just that- a step as part of a journey. Anyone who brags about how many players can play Trane's GS solo is completely missing the point IMO, and if a student of mine said something like that, well believe me, we'd be having a long talk. So I agree with you, John, but I do believe that studying jazz in an academic surrounding can be beneficial. It's my goal to be part of the solution and not part of the problem with jazz education. The process shouldn't stop at the acquisition of technical skills, that's where it really just begins. Clark Terry explains this in a very succinct manner: "Imitate-assimilate-innovate" edit: perhaps our friend Duke City will contribute further to this discussion.....?