Free For All

I realize this one isn't within the parameters of your question, but it's still worth mentioning...................

The other thread

Perhaps w/o power or cleaning up from Wilma? Did he get hit?

Oh, I expect you'll have plenty more to say Paulie! Good game tonight. That's the ways the WS should be. Woulda been fun to watch in a Chicago bar.

Now I got it.

Sorry. Poor reading comprehension there.

It almost seems as if the audience reponse was from another source, you know, edited in.

This is a new one to me. Who did the arranging?

Is it just me, or does anyone else think that maybe we shouldn't be ridiculing this? I think it's a bunch of disabled kids.

BIG AL!!! Nice to hear from you! Welcome back! You have been missed!

Whoa there! I think that's a fine recording (should be issued on CD for cryin' out loud... Mighty Quinn, perhaps?). ← Sorry. Haven't heard it- I was using the AMG ratings to guess. They didn't like it so much. So it's a good one?

Hold On I'm Coming SIDE-A A-1 1-38109 Day Dream (J. Sebastian) 3:00 A-2 1-38116 Hold On, I'm Coming (I. Hayes Jr. - D. Porter) 2:30 A-3 1-38112 Secret Agent Man (S. Barri - P.F. Sloan) 2:54 A-4 1-38114 I Can't Grow Peaches On A Cherry Tree (C. Monte - E. Levitt) 1:48 A-5 1-38115 Walking My Cat Named Dog (N. Tanega) 1:48 A-6 1-38117 Sakeena (A. Blakey) 3:39 SIDE-B B-1 1-38111 Got My Mojo Working (H. Morganfield) 3:16 B-2 1-38110 Mame (from the Broadway Production “Mame”) (J. Herman) 2:51 B-3 1-38108 She Brew A Good Thing (R. Lewis - H. Murray Jr.) 2:15 B-4 1-38113 Monday, Monday (J. Phillips) 2:17 B-5 1-36219 Slowly But Surely (J. Hicks) 7:05 Personnel Personnel/recorded date/master numbers confirmed with the Ruppli's discography. (“The Mercury Labels - A Discography” by Ruppli and Novitsky, Greenwood Press, 1993) B-5: Lee Morgan (tp), Freddie Hubbard (tp), Gary Bartz (as), John Hicks (p), Victor Sproles (b), Art Blakey (ds). Recorded on May 12, 1965. A-1, B-2, B-3: Chuck Mangione (tp), Garnett Brown (tb), Melba Liston (tb, arr), Frank Mitchell (ts), Malcolm Bass (org), Grant Green (g), Reggie Johnson (b), Art Blakey (ds), Johnny Rodriguez (conga). Recorded in New York City on May 27, 1966. A-2, A-3, A-4, A-5, A-6, B-1, B-4: same personnel/date/place as A-1, except: Tom McIntosh (tb, arr) replaces Melba Liston; Garnett Brown (tb on A-4, A-5, A-6, B-1 only).

"Music From Golden Boy" perhaps?

It's funny, there was a time when I would have agreed with you, but I feel like I've grown to appreciate later Trane much more than I used to. I feel the content of his solo on ODOU is harmonically and thematically very rich. Do I listen to this period of Trane all the time? No, it can be exhausting (but exhilarating). most of the time I need to be in a specific mood. I also love hardbop Trane, but I don't think his later recordings do a "disservice" to his earlier stuff. I'm not sure I understand what you mean by that. Do you feel that way about Miles? Freddie Hubbard? Ornette?

Which one is that Mike?

A Night At Birdland (1954) At The Cafe Bohemia (1955) Art Blakey and the Jazz Messengers (Columbia/Legacy) (1956) With Thelonious Monk (1957) Africaine (1959) "Les liaisons dangereuses" (1960) The Big Beat (1960) Like Someone in Love (1960) Mosaic (1961) Art Blakey and the Jazz Messengers (Impulse!)(1961) Three Blind Mice (1962) A Jazz Message (1963) A few essential favorites you don't seem to have. There are more, many more, but I'll stop here for now.

PTAK was indeed from Glengarry (featuring the Bill holman band). Regarding the film Prelude to a Kiss, there are several scenes in it that were shot in Chicago's famous Green Mill. As a matter of fact in one scene you can clearly see owner Dave Jemilo in the background sitting at the bar smoking a cigarette (and he doesn't smoke! I guess he was "acting").

?

I was watching The Fugitive (for the umpteenth time- I love the Chicago shots) and noticed a credit at the end saying "sax solos by Wayne Shorter". I went back and listened carefully and sure enough, there are a lot of Wayne "noodlings" throughout the movie that you hardly notice if you aren't listening closesly. Also, speaking of Wayne, did we discuss Glengarry Glen Ross? There is some great Wayne in the opening theme and some nice stuff throughout the movie. Nice version of Blue Skies at the end.

The music was great, the movie was AWFUL.

Where was this picture taken? Is there a story behind it?

No epiphanies yet, but I'm discovering that an artistic skill in seasoning (something I'm still learning about) makes quite a bit of difference. Garlic is my new best friend!

Please call me Paul, as per my signature!