Dan Gould

I presume to go with the tea.

Committed to more elevation of Percy France in 2025, and concentrating on the Schaap collection. June 27, 1987, Doc Cheatham subbed for Eddie Chamblee, making the Sammy Price Two-Tenor Boogie a tenor/trumpet frontline. Cheatham (trumpet), Percy France (tenor sax), Sammy Price (piano/leader) and Wes Landers (drums). Paula Elliott, a teacher from Boston, was called onto the stage by Price for the Ida Cox blues "Wild Women Don't Get The Blues". Live! from The West End (6/26/1987): Two Tenor Boogie and Sammy Price, Phil Schaap Jazz Collection, Special Collections Library, Vanderbilt University, Nashville, TN I Want a Little Girl (Cheatham, vocal) Tea for Two:

Guess you skipped the stars because so many **** in a row would have just been too boring. Any thoughts on the paired performances? I can't believe I nearly lined up them in exactly the same order and then didn't. Thanks for your participation and its funny that when I don't choose based on WWFL, you like them the most. I really thought the tracks were weighted too far toward swing to appeal as much as they did.

Bwahaha! And gents I wasn't counting strings just going off the fact that there were strings and he was demonstrably not George Benson.

Here, here!

Different versions of same songs but not tracked exactly the same. Wish I had thought of it though as an A and B side is a good idea! I didn't spend hardly any time on the tracking once I determined the tunes and performances, which was in flux right up to the end. As to the latter question, I had to make up for excluding him last year.

A thousand apologies for the earworm and I promise, that's the closest I'll ever get to any late 60s - early 70s vocal of any sort, Prog or otherwise. No aspersions intended. What we do have is 15 total songs and almost exactly 80 minutes. Track 15 is really more of a coda than a track to be identified. You should get used to it because it will probably be used on my BFTs from now until the end. There is no theme but there is a programming approach that I am quite sure has never been done before. Once it becomes apparent, perhaps it will spark additional conversation. And conversation is the hope here, including general comment on tunes and performances. I did try to choose recognizable tunes and in some cases, performances that I think will be ID'd fairly easily, so I fully expect to stump a lot of people. https://thomkeith.net/blindfold-tests/2025-blindfold-tests/ Have at it, and ...

Thank you @sonnymax. I've never seen Sonny Greenwich could that be him?

Thanks for sharing did you have a location?

It has been a long time - I might have heard about it around the time Bird came out, as an earlier effort by Eastwood that had jazz underpinnings. Almost certain I rented it on VHS, in fact, so that gives you an idea. Taut, effective thriller, and IIRC, you may recognize antecedents to more recent movies like Fatal Attraction.

You've never seen Play Misty For Me? You must correct that, John. Posthaste.

Our time with King, full name BB King (and my wife sometimes squealed a "BeeeeBeeeee" when she was calling him but it never really took) came to an end today. The fates took him too soon (he was still only 8 years old) but years of poorly controlled seizure disorder took a real toll on him. And then recently he had outward signs of tumors which started bleeding and there was nothing to be done. We couldn't let him suffer any longer, or risk that he could start bleeding and it wouldn't stop. He was a handful when he was younger but he was a sweet loving companion until the end. He would jump into my bed most nights, and I would lay alongside him and he would move in for kisses and sometimes I'd pull away but he was relentless. It was let him kiss me or fall off the bed. Other times I'd move in for kisses and pull away too quick for him to reciprocate and he'd be kissing the air. Then he'd get frustrated and not play anymore and pull his head away from me. I'm glad I got a chance to get him into the bed this afternoon and let him clean my face to his heart's content. He had a big one and would give kisses forever if he could. April-May 2016 Coltrane had the football first and never came close to destroying it. It never stood a chance with King. King chasing Duncan, his cousin. King and Duncan playing tug of war - King was still a baby but he was fearless. I'd like to think that Gracie and King are together again. Mikey and King.

Webster & Associates too:

With the Dodgers re-signing their slugging LF, the Red Sox are rapidly running out of options to improve their offense and reduce the lefty-dominance of the lineup. Now they probably over-pay for Bregman and play him at 2B or .... god only knows. Improving the starting pitching is only 1/2 of what this roster needs to start playing in October again.

Sent to your gmail account. Anyone else interested can DM me.

You hoping for video Mark or just hear the whole performance of Yesterdays? I have the latter.

Oh that's what it is. Glad I didn't go with "before my BFT clears the wretched and rancid stench of his with one filled with, you know, JAZZ."

Won't somebody jump in with some comments on Felser's BFT? Before my BFT - full of, you know, JAZZ - comes down the chute?

Just wait until January. <green smilie>

Right now the subscriber model is only a pledge for a certain amount that pledgers were presumably going to donate in 2025 anyway. I think ideally the subscriber donation should be lower but that necessitates more of us. Not sure we get to 38.

Yankees get Cody Bellinger, but which version? The comeback player or the rather mediocre one from last year? A huge part of the answer, at least offensively, is whether this time a lefty power hitter takes advantage of the home park. Consider Rizzo and Verdugo from very recent history - there's no guarantee.

In

It's the successor to Cadence. Since Robert Rusch is dead, I haven't had an ethical problem with dealing with them the once or twice that I have done so. Pretty fast shipping as I recall.

Sadik Hakim is someone who has popped up a few times in the Phil Schaap Jazz Collection, backing George Kelly and Percy France among others, so I went googling and found this. Sample graf: I did work a gig with Bird in Chicago. For a while we played at the Sherman Hotel with Hot Lips Page opposite Boyd Raeburn’s Big Band. The second day of the gig, we couldn’t find Bird at all for the second set. We went up to our suite in the hotel, where we found Bird out cold in the bathtub. We got him together, he came down, and his playing just scared everyone to death. Charlie Ventura was with Raeburn’s band. The more Bird played, the paler he got. From Jazz Journal International [London], Vol. 49, No. 8, August 1996, pp. 16-18, 35.