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Everything posted by Rabshakeh
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People like modern art; why not modern music?
Rabshakeh replied to gvopedz's topic in Classical Discussion
Its a good question. Is modern art just more "polite" than modern music? Attending art galleries is assumed to be something that a cultured person does. -
That's a very good one. I really like Skull Sessions and Return The Tides too.
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Joe McPhee, Daunik Lazro, Joshua Abrams, Guillaume Séguron, Chad Taylor – A Pride Of Lions (Bridge Sessions, 2018)
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The Philadelphia Experiment – The Philadelphia Experiment (Ropeadope, 2001) Forgot how good this one was.
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New record label for forgotten female composers
Rabshakeh replied to gvopedz's topic in Classical Discussion
This is cool. The good fight. -
Illinois Jacquet – Illinois Jacquet With Milt And Jo (Black and Blue, 1974) I'm not that into Buckner on piano as opposed to organ, but this has some serious stuff on it.
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I'll check out that Zaghreb record as the track was strong. Who is Kleinschuster?
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I really liked La Notte, so I am going to double down, here.
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Playing follow the leader.
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Brad Mehldau – Jacob's Ladder (Nonesuch, 2022) My first listen to this, and unless I hear it playing in the background somewhere, my last.
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I found it a couple of years ago when I was first exploring 80s jazz, probably off a list on Amazon or RYM or something. It's a favourite.
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Listening to The Band – The Alpine Power Plant (MPS, 1972) There's a real tendency towards big bands from the period recording double LPs. Presumably it's a matter of not knowing when you'd next record, and wanting to get the whole book down, but it does lead to some sprawling and excessive records.
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That's a good point. I have edited the original post to include the label. I really agree. The identification of Miranda as a major player on the scene has been one of the things I've most enjoyed about these reissued. I didn't really know him before, whereas he's a player whom I now look out for on other people's records. One of those great bassists who just makes everything better.
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John Lewis, Albert Mangelsdorff and The Zagreb Jazz Quartet - Animal Dance (Atlantic, 1962) This might be the first time I've heard Mangelsdorff before he'd heard Ornette Coleman. It's actually easy to understand the reports of how the German jazz establishment considered him their greatest - there weren't many European musicians in 62 who could pull off a performance like this. Let alone trombone players.
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