Hardbopjazz

I would say it is a safe bet, that the most sacred and sort after recording by any of us jazz archeologist, is finding a the recording of John Coltrane and Wes Montgomery. I can't think of any other legendary teaming that I which would surface. Any others come to mind?

Any ideas? He's still alive, but I've never hear anything about this b3er.

Does anyone know if Sonny Rollins will be playing the NY area this year? I known he doesn't do many shows anymore.

Where they be playing? I am going for training in April in Atlanta.

UK Medics to Prescribe Maggots as Wound Cleansers 2 hours, 32 minutes ago Add Health - Reuters to My Yahoo! LONDON (Reuters) - British doctors will be able to prescribe maggots to NHS patients with infected wounds from Friday onwards, a hospital official said. He said the National Health Service had realized maggots were a cheaper and more beneficial way of treating wounds than using conventional medicine. Patients would be able to treat themselves at home and avoid the possibility of picking up a hospital infection. Maggots have been used for centuries to rid wounds of decaying flesh, but after the discovery of antibiotics their use went into decline. "People didn't like the thought of creepy-crawlies on their skin," said Tony Fowler, customer services manager at the Princess of Wales Hospital in Bridgend, Wales. "But now there is a renewed interest because of the problems caused by the over-use of antibiotics, and the NHS has seen the cost-effectiveness of maggots." Research at the Princess of Wales Hospital confirmed that placing sterile maggots on wounds could make them heal faster than conventional medicine. The creatures devour dead, infected tissue and kill off bacteria that could block the healing process without damaging the surrounding tissue, since they cannot ingest healthy flesh. Previously, patients could obtain sterile maggots from certain hospitals and research centers.

I'm stuck between going to see Jimmy Smith trio at the Iridium and Ray Charles and Lou Donaldson at Lincoln Center. Which would you choose?

Yeah, I would never have this on a list of the top 1000. Maybe it's to introduce the listerner to the "smooth jazz" sound. A list in general can never be gospel. My daughter is doing a report for 5th grade on American Music, this list was on a site we hit while doing some researching.

Here is a list of the 100 must have or essentials of a jazz collection as list by some Educational web site on jazz. Who the hell is Bobby Womack?!! I never heard of him before. Cannonball Adderley – Somethin' Else – Blue Note Cannonball Adderley – Mercy, Mercy, Mercy – Capitol Louis Armstrong – Louis Armstrong & Earl Hines – Columbia/Legacy Gene Ammons – Jammin' in Hi-Fi – Prestige Count Basie – April in Paris – Verve Sidney Bechet – Sidney Bechet & Friends – EmArcy Tony Bennett – Jazz – Columbia Bobby Hackett – That Da Da Strain – Protrait George Benson – This is Jazz, Volume 9 – Columbia/Legacy Art Blakey/Jazz Messengers – Moanin' – Blue Note Art Blakey/Jazz Messengers – A Night at Birdland, Vol. 1 – Blue Note Lou Donaldson – Blues Walk – Blue Note Clifford Brown – Clifford Brown & Max Roach – Verve Dave Brubeck – Time Out – Columbia Ray Bryant – Here's Ray Bryant – Prestige Benny Carter – Further Definitions – Impulse Betty Carter – The Audience With – Verve Ray Charles – Greatest Hits – Rhino Sonny Clark – Cool Struttin' – Blue Note Nat Cole – After Midnight Sessions – Capitol Ornette Coleman – Change of the Century – Atlantic John Coltrane – Giant Steps – Atlantic John Coltrane – John Coltrane & John Hartman – Impulse John Coltrane – Ken Burns' Jazz – Verve Miles Davis – Kind of Blue – Columbia/Legacy Miles Davis – Porgy & Bess – Columbia Miles Davis- Tutu – Warner Miles Davis – Birth of the Cool – Capitol Charles Earland – Almighty Burner – 32 Jazz Billy Eckstine – Jazzmasters 22 – Verve Duke Ellington – At Newport – Columbia Duke Ellington/Johnny Hodges – Side by Side – Verve Bill Evans – Jazz Showcase – Prestige Ella Fitzgerald/Louis Armstrong – Ella and Louis – Verve Ella Fitzgerald – Gershwin Songbook – Verve Tommy Flanagan – Overseas – Prestige Red Garland – Red's Blues – Prestige Bobby Womack – I Don't Know What the World Is Coming To – United Artists Erroll Garner – Jazzmasters 7 – Verve Stan Getz – Ultimate – Verve Stan Getz – Getz/Gilberto – Verve Dizzy Gillespie – Gillespiana/Carnegie Hall – Verve Dizzy Gillespie – Birks' Works – Verve Benny Goodman – At Carnegie Hall – Columbia/Legacy Dexter Gordon – One Flight Up – Blue Note Stephane Grappelli – Jazzmasters 11 – Verve Grant Green – Complete Quartets with Sonny Clark – Blue Note Lionel Hampton – Swingsation – Verve Herbie Hancock – Takin' Off – Blue Note Herbie Hancock – Headhunters – Sony Eddie Harris – Artist's Choice – Rhino Johnny Hartman – Unforgettable – Impulse Hampton Hawes – The Trio, Volume 2 – Prestige Coleman Hawkins – Ultimate – Verve Roy Haynes – Out of the Afternoon – Impulse Joe Henderson – Inner Urge – Blue Note Woody Herman – Thundering Herds – Columbia Billie Holiday – Ken Burns' Jazz – Verve Freddie Hubbard – Ready for Freddie – Blue Note Milt Jackson – Bags & Trane – Atlantic Antonio Carlos Jobim – Songbook – Verve J.J. Johnson – J.J. Inc. – Columbia/Legacy Quincy Jones – Pure Delight – Razor & Tie Wynton Kelly – Kelly Blue – Prestige/OJC Stan Kenton – West Side Story – Capitol Rahsaan Roland Kirk – Inflated Tear – Rhino Lambert, Hendricks & Ross – Hottest New Group in Jazz – Columbia/Legacy Yusef Lateef – Every Village Has a Song – Rhino Les McCann & Eddie Harris – Swiss Movement – Rhino Carmen McRae – Here to Stay – Decca Charles Mingus – Ah Um – Columbia Hank Mobley – No Room for Squares – Blue Note Thelonious Monk – The Composer – Columbia Wes Montgomery – Bumpin' – Polygram Wes Montgomery – Incredible Jazz Guitar – Prestige Lee Morgan – Sidewinder – Blue Note Gerry Mulligan – Compact Jazz – Verve Oliver Nelson – Blues & The Abstract Truth – Impulse Charlie Parker – Confirmation: Best of Verve Years – Verve Oscar Peterson – Sound of the Trio – Verve Bud Powell – Best of Blue Note – Blue Note Tito Puente – Oye Como Va: Dance Collection – Concord Buddy Rich – Swingin' New Big Band – Pacific Sonny Rollins – Saxophone Colossus – Prestige Artie Shaw – Mixed Bag – MusicMasters Wayne Shorter – Speak No Evil – Blue Note Horace Silver – Song for My Father – Blue Note Frank Sinatra – At the Sands – Reprise Jimmy Smith – Jazzmasters 29 – Verve Jimmy Smith – Back at the Chicken Shack – Blue Note Art Tatum – 20th Century Piano Genius – Verve Sarah Vaughan – Ken Burns' Jazz – Verve Dinah Washington – What A Difference A Day Makes – Verve Ben Webster – Ultimate – Verve Joe Williams – Everyday: Best of Verve Years – Verve Nancy Wilson – Yesterday's Love Songs, Today's Blues – Capitol Lester Young – Ken Burns' Jazz – Verve

I found this article on them. A Strange Place For Jazz Posted by Ross on August 29, 2002 09:09 PM (See all posts by Ross) Filed under: Music: Jazz E.S.T. Strange Place for Snow (2002) Somewhere Else Before (2001) Sweden may not be the first place that comes to mind when thinking about the future of Jazz, but out of the land of caribou and cloudberries comes the Esbjorn Svensson Trio (known more commonly as E.S.T.), a (mostly) acoustic piano trio that is helping to define, as the New York Times wrote, "Not what jazz was but a vision of what it can be." What it can be is beautiful music with a base in the styles of Bill Evans and Thelonious Monk, but seasoned with the open sounds of Scandinavian folk music, and fused with modern rock and the occasional shot of electronica. E.S.T., comprised of pianist Svensson, bassist Dan Berglund and drummer Magnus Ostrom, have released two albums in the United States: their latest, A Strange Place for Snow, and 2001's Somewhere Else Before, a compilation of highlights from two earlier European releases. Throughout both albums, Svensson expertly leads the group through seamless changes in tone and tempo from bluesy modality ("The Message" on Strange), to funky ("Dodge the Dodo" on Somewhere Else), to evocative ethereality ("Serenade for the Renegade" and "Carcrash" on Strange, the title track on Somewhere Else), to hyperactivity (Strange's "When God Created the Coffeebreak") and even a little techno (Somewhere Else's "The Wraith"). Groups like E.S.T. help stretch Jazz beyond the stuffy traditionalism that is choking off the American Jazz scene. When I saw them perform in Munich earlier this year, they enveloped themselves in a smoke machine's dry ice fog (a first for me at an acoustic jazz concert). But they have enough ties to the past to make for a comfortable transition for those who want to give their copies of Blue Train and Waltz for Debbie a rest, and enough innovation and energy to help move Jazz into the 21st century.

I was listening to an internet jazz raido station this morning and heard this group for the first time. Has anyone else heard of them before? They were groovin' real nice.

That would cost too much.

Everytime I spin a disc or LP, my wife always comes into the room and nearly shuts the volume. Her love of jazz doesn't go beyond Chuck Mangione's "Feels so Good." So when I put the headphones on, I get, "you are Ignoring me." Do any of you on this board have similar stories with their spouses or other half?

Do you think with Norah Jones success blue note will try to sign more artists like her and less jazz artists? At least, I hope all the money she is making for BN means more RVG's and Conn's in those series. Why sign artists like Van Morrison and Al Green unless you want to go in other directions. I know BN in the business of making money.

How do you get to alt.binaries.sounds.mp3.bootlegs?

How do you get to alt.binaries.sounds.mp3.bootlegs?

Thanks, I notcies the thread after I posted mine.

I just found this one. http://www.sharingthegroove.org/msgboard/s...&threadid=42226

Does anyone know about their teaming? Did anything every gwt recorded and released?

Great. Are these stations live or taped and in a loop?

It's so many years now since Vinyl ruled the music world, and most of my old albums I've upgraded to CD's. But, the ones that have not made there way to CD's, what should be used to clean them? I remember having a kind of lint brush that I would use, but long gone. Any suggestions? Thanks.

Does anyone know how many sessions(CD's) are in this series? I have 13 CD's from this series. How many more are there? Thanks in advance I have these: Rusty Bryant Sonny Stitt Houston Person Don Patterson Vol 1 Don Patterson Vol 2 Jack McDuff Vol 1 Jack McDuff Vol 2 Richard Holems Sonny Phillips Gene Ammons Shirley Scott Red Holloway Charles Kynard

What I ment by better, is more complex arragments. Better was too vauge of a word to use.

True, I forgot to put him on the list.

My vote is going to Duke Pearson. I really like the arrangement he did on Mitchell's "Boss Horn".

Thanks for bringing that up, Rooster. The October 28, 1967 concert from Antwerp, Belgium is simply the best Miles live recording I have ever heard (I've heard almost all, including many bootlegs). As it is a radio broadcast, the sound is very good. I have this bootleg too, and it is great. I also have another which is just a few days later, 11/6/67, which is just as good. Then I also have others from around the same time, which the sound is just horrible. Has anyone heard the 11/6/67 date?