What;s "The Complete Chicago Disc"?
Looks like this is it:
http://www.amazon.com/Complete-Pershing-Club-Charlie-Parker/dp/B00008HAU7
There's an Amazon seller who's offering it new for $9.95 + $2.98 s/h.
& I agree, George Freeman is great--sounds ahead of his time.
When I first heard Elvin Jones Live at The Lighthouse I called it Elvin and the Two Jewish Tranes. Then when I heard Grossman on a live date from the '90s (as leader, but with the McCoy Tyner Trio) on Dreyfus he sounded much more like Rollins.
Me too. I was also wild about that version of Ornithology, but it was eventually superseded by a Montreal version (on Uptown, previously a bootleg) that's smoking. I bought lots of stuff on that label, including Mingus's Minor Intrusions. A bunch have been showing up again on a label called Grammercy:
http://www.grammercy.com/app/albums/search/&genre=Jazz
In the '70s I bought the complete Bird on Savoy on Saga.
I don't think the Don Byas influence has really gotten its due. I hear Byas in lots of players, e.g. Von Freeman, Paul Gonsalves, Roland Kirk, Chico Freeman, Ricky Ford, Daniele D'Agaro, James Carter and a bunch of others.
This is it:
http://www.amazon.com/At-Cafe-Society-Downtown-Birdland/dp/B000059T6J
I have it. It's great. This session in particular is wonderful:
Charlie Parker Quintet
Charlie Parker (as) Milt Jackson (vib) John Lewis (p) Percy Heath (b) Kenny Clarke (d)
"Birdland", NYC, November 1, 1952
How High The Moon
Embraceable You -
52nd Street Theme
I believe it's because of demands from the estate of Richard Carpenter, the "composer" of the tune.
Couldn't they just retitle it Sid's Ahead, or something?
I already have the complete Birdland recordings on Ember, no longer in print.
That "female" vocalist "Chubby Newsome" is something else.
I also had that Columbia double LP. There is a bunch more material from that engagement than was on the LP, which was from the Boris Rose archive.
With material of this provenance I don't see why that would be a problem.
I wonder why Walkin' wasn't included on the DVD. Surely there would have been enough space, as the two shows together are under 2 hours. I guess I'll hang on to my Karlsruhe bootleg.
When I was a teen in the '70s the JPJ Quartet often appeared on local NYC TV shows. I think the people at Master Jazz Records might have been good at getting their artists on TV, as Earl Hines and Roy Eldridge often seemed to pop up at that time too.