Inspired by some of the discussion in the LP/CD collecting thread:
I got to thinking about how many recordings I've bought without hearing something first, reading about the artist or record, being hipped by a friend, or having prior experience listening to the musician. Giving a quick look through parts of my collection, I found that most of my purchases weren't made blindly. That's probably not a great thing since it leads to a good degree of safeness in my listening - I'm comparing my listening to someone like rostasi's listening here - but, like most of us, my funds and time aren't unlimited.
I did find some recordings that I bought with no prior experience with the artists/records and that opened new worlds for me:
Von Freeman: Doin' It Right Now (Atlantic) - Found it as a cut out in Truck Stop records in Kingston, NY in the late 70's. I'd never heard of Von Freeman before, but when I played it I heard something completely unique and I was hooked.
Lyn Halliday: Airegin (Delmark) - If I'd heard of Lyn Halliday before I can't recall it, and his name certainly had made no impression on me. Picked this one up somewhere because it was on Delmark, was by a tenor saxophonist, the tunes looked interesting, and the cover photograph made it clear that he'd been through a lot.
Boulou & Elios Ferre: Pour Django (Steeplechase) - Steeplechase was on a roll from the mid 70's to mid 80's. I saw this, was somewhat familiar with Django's music, and decided to give it a try. Right away I heard that they weren't just Django copycats, and I've bought everything I could find by them since then.
Etoile de Dakar: Absa Gueye (pam) - Bought this because it had a wonderful photograph of a drummer playing a small drum and totally into it. The cover was wonderful & the music turned out to be better.
East Africa: Witchcraft & Ritual Music (Nonesuch) - Another one bought because of the cover - a photograph of two people's painted bare legs that look like some kind of bizarely designed pantyhose. Seeing it made me wonder what kind of music would go with that image.
I'm not that much into modern field recordings, but when one is as good as this one is, I'm happy to hear it.
Jesse Winchester (Ampex) - A bit of a wild card, since I did see on the back cover that it was produced by Robbie Robertson & that he and Levon Helm played on it. I was listening to The Band a lot back then (1970), but again it was partly the cover that grabbed me. Front and back covers were the same - a photograph of a guy who looked like someone that Walker Evans might have photographed in the South in the 1930's. When I got home and opened up the gatefold, the same photograph was on the two inside covers also. I dug his voice - tho Robertson distorted the sound of it - and his songs and I've been a fan ever since.
Anyway, I thought it might be interesting if others shared some serendipitous discoveries that they took a blind chance on.
edit - just realized that buying blind was not a good phrase for me to use when cover photographs influenced me in buying a number of the records I listed.