jazzbo

I definitely can see the advantage (especially as many Dead shows as I've burned to cdr in the last few months) but. . . . I still like to have the disc as backup and I have great fun designing paperwork and cutting and inserting. . . I find it really relaxing to do this.

Care to share that secret way in? As Marty Balin might say, "It's no Secret." Here's a quick link in to the MP3s: www.gdlive.com/dead

Yes, I only have this in the Rollins box set (which sounds fine). I may get the RVG in time. . . one bad section won't bother me; I like the sound on these Prestige RVGs.

Many many more happy ones! Enjoy a great time with the family!

I don't have this one, but this was reported on an AAJ thread.

Yes, I noticed a way in the back door to the MP3s of gdlive, and have been taking advantage of that. This is artwork from Germany for one of those MP3 shows. There's a lot of resources out there for Deadheads!

Cool photo of Blue Ron!

Still waiting on the shipping confirmation on my order of July 24. Listening to lots of stuff in the meantime! And living a busy life.

Sound quality is excellent, to me a clear improvement on the original OJC's (I don't have the box, but assume it was from the same mastering as the OJC's). The whole package is extremely well-done, and also priced right. I have it and can recommend it. I agree with felser in all he reports. There has been mention of this elsewhere, either in a thread of its own or in a K2 thread.

Definitely my very least favorite Mingus album.

I've had this on preorder for three months via Worlds! Good to see a release date.

I like Om. My vinyl copy was in bad shape. I bought a K2 Japanese Impulse about thee years ago that sounds really good. Short, weird, sweet.

Cannon produced these, and I think they're all in the series GORDON DEXTER The Resurgence of Dexter Oct 13,1960 Jazzland 929 JFK Quintet New Jazz Frontiers from Washington July 17 1961 Riverside 396 JOHNSON BUD The Four Brass Giants Aug 22 ,1960 Riverside 343 JONES SAM Down Home Aug 15,1962 Riverside 432 MORGAN DICK At the Showboat May 04,1960 Riverside 1183 McBROWN LENNIE Eastern Lights Oct 13 ,1960 Riverside 346 SERRANO PAUL Blues Holiday Nov 8 ,1960 Riverside 359

Add Wardell Roosevelt Trio (I think?)

I've got the Kenny Dorham Cafe Bohemia and Sonny Clark Trios in this two cd format. There was also the Miles Davis material. Not sure that the JJ made it to this format.

Welcome Chris!

With the right Classics I think you can have almost all this, don't remember how many alternates there are. Also, the Danish label Collector's Classics put out some excellent volumes of the best of the Wingy sides with excellent sound. So sad those discs aren't easy to find at all; there are a few that I missed and I would recommend the Henry Red Allen dics to many peoople if I felt they could find them.

There is one other advantage at least with the Belin dock station that I am using: you can recharge your iPod more quickly (I believe, I haven't timed it) and you can recharge without updating your iPod, so that your iTunes (if that's what you're using) and your iPod may contain differing material for a while if you want it that way. I enjoy that now and then.

Mention must be made of the beautiful soprano sound of Barney Wilen. Just as with his tenor, a beautiful full sound was important to his art and he brought it.

I'm a big fan of Wingy from start to finish, but these earlier Wingy sides are HOT! And there's really not enough Pee Wee on this set, but what is there is really good!

what are you talking about? It's a joke Evan. DEEP posted here on this board as WINGY. . . and Bertrand is referring to DEEP (Danny D'Imperio)'s behavior.

To each their own! I didn't necessarily like either the Paris or the Wilson cds at first but have come to over time. They wear well. I got them cheap and gave them a chance. Really like Smile. I think I have them all now and they grew on me.

I don't know whether it's the quality of his output, or the Columbia machine behind him (or both and additional factors), but I bet that Miles introduced a lot of persons of a certain age to serious jazz appreciation, or served as a "link."

Filles de Kilamanjaro started it all for me in late 1971. Found it as a ringer in a dull library collection, bought the lp, then soon bought Bitches Brew. I had "jazz" under my belt thanks to my mom and dad's Brubeck, Ellington, Miller and a few other lps. I didn't connect this Miles material to jazz at all for a spell. It had that electric blues feel that I had learned to love in Africa, and it had some aspects of African music to it as well. It was the first new music that I really responded to after returning to the States, and I dove into those releases and the ones to follow (and the offshoot bands such as WR, Headhunters, Return to Forever) with a passion.