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jazzbo

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Everything posted by jazzbo

  1. I have the same cover you do Harold. Thanks for the information on the book.
  2. I'm waiting for the Big Audio Dynamite box set!
  3. I'm really happy with what I have too!
  4. Ah. . .finding your name links to an actor portraying a soap opera vampire! Priceless!
  5. Grey, welcome back to posting!
  6. Wow, I didn't even know about THAT book. When I have a chance I may look for that (though my pile of books "to read" right now is so high that it LITERALLY fell over last weekend when I added one to the top!)
  7. PLUS the Ellen Fitton/Malcolm Addey engineering combination should yield wonderful sonics!
  8. Matthew, I don't think you'll be disappointed in the music in the least. I have nearly all this material on other releases. It's wonderful music played by master musicians for the most part. Farlow's technical virtuosity can be astonishing, but it's not on at 11 all the time for showing off, he has real heart and soul in his music. The matereial with Costa on board may be my favorite, but there is plenty of swinging and lyrical jazz there to explore.
  9. I have the original album and I enjoyed it years and years ago and haven't visited it much since. I do enjoy McGlaughlin of this vintage: he was exploring and growing and really playing great things. I sort of lost touch with McGlaughlin later in the seventies and just haven't been interested in his work since. . . . Surman is a great player whose work I've really enjoyed as a sideman but I think this is all I have of him as a leader. . . May have to look this lp up in my archive and spin it soon! Thanks for the reminder!
  10. Okay, I went there yesterday and ordered the two new Water releases (they have a killer price!) and two Brazilian cds (again, well priced!)
  11. Don't know about the Golson cd, do know that the Charles cd was slated for release before his death; there was mention of it here on a Norah Jones thread. . . .
  12. Yes, that's how I interpret it as well, the soundtrack to that show.
  13. Here's the track listing from an online site: 1. Hikky-Burr (Kincaid Kinfolk) 2. Groovy Gravy 3. Oh Happy Day 4. Jimmy Cookin' On Top (interlude) 5. Toe Jam 6. Jive Den 7. Eubie Walkin' 8. Monty, Is That You? 9. The Drawing Room 10. Hikky-Burr featuring Bill Cosby 12. Hikky-Burr (remix) The Hikky-Burr theme has been featured on a Quincy Jones lp from this time (Smackwater Jack, 1971) period and is a corker! (Whole lp is pretty good!)
  14. I've been collecting Tony Scott for a while now. . . as Jim says a very personal journey through a musical life and the music is stunning along the way. I have four Philology releases by Scott as a leader that I truly love. The Billie Holdiay ones are just some of the best music ever. Also have a Brunswick 10" that is a BURNER!
  15. Colorized. . . nicely balances the upper left colors. I Dig the colorization of the bass!
  16. Saw this cover online and never saw it before. Interesting photos!
  17. "Brilliant Corners" "Such Suite Thunder" "Tonight at Noon"
  18. I've stayed away lately, which is good. . . but if they would get those CBBB cds in. . . .!
  19. Wow I was actually surprised I got them all correct, though I was not certain of two of my answers and sort of went with my gut!
  20. I love all the Babs Gonzales I have ever heard. . . My favorite is "St. Louis Blues" but he never fails to entertain me. I've compared the Definitive Basie Columbias to the French lp set of the masters on cdr. I prefer the sound from the French lps, occasional vinyl glitches and all. They are more immediate and lively.
  21. I've emptied the jar, but it took some time. . . .
  22. Fantastic Scott! Glad you got such great gifts and had a great day!
  23. Sad news. I just know him from his Debut and Impulse appearances. . . that is enough to know he was a unique talent!
  24. George Buck has a Circle cd of Lunceford transcriptions out. . . possibly the World Transcriptions?
  25. Jim it definitely feels like Teefski was allowed to do his thing! I find it interesting how on the original Savoy lp mixes (not necessarily in all the reissues, especially the US ones) RVG (and other engineers in other studios that Cadena and others used) seem to have the horns even more upfront and loud than on say Blue Note and Prestige sessions. This can be quite effective; I really like the way that the Harden-Coltrane dates sound for example.
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