chewy-chew-chew-bean-benitez Posted January 17, 2019 Report Posted January 17, 2019 gonna sell this this one, jamming for the last time to make sure- not really doin it for me dawg! i Quote
porcy62 Posted January 17, 2019 Report Posted January 17, 2019 (edited) 3 hours ago, sidewinder said: Transatlantic I didn't know it existed! Edited January 17, 2019 by porcy62 Quote
sidewinder Posted January 17, 2019 Report Posted January 17, 2019 9 hours ago, porcy62 said: I didn't know it existed! Funilly enough, I prefer the sound for the side 1 tracks on the 24000 series ‘Sonny Rollins’ 2LP set. Found the Transatlantic by chance a while back - didn’t cost much either. Quote
porcy62 Posted January 17, 2019 Report Posted January 17, 2019 (edited) Is it a transatlantic white label? I've got great sounding records of Pentangle, Renbourn and Jansch. Edited January 17, 2019 by porcy62 Quote
sidewinder Posted January 17, 2019 Report Posted January 17, 2019 37 minutes ago, porcy62 said: Is it a transatlantic white label? I've got great sounding records of Pentangle, Renbourn and Jansch. Yes, white label from the mid 1960s. Quote
porcy62 Posted January 17, 2019 Report Posted January 17, 2019 (edited) 49 minutes ago, sidewinder said: Yes, white label from the mid 1960s. That guy, whoever's name, knew what he was doing. 1 hour ago, sidewinder said: Funilly enough, I prefer the sound for the side 1 tracks on the 24000 series ‘Sonny Rollins’ 2LP set. Found the Transatlantic by chance a while back - didn’t cost much either. I find the twoofers' sound excellent, it was my introducion to a lot of new music, maybe I am not really impartial about it. Edited January 17, 2019 by porcy62 Quote
Chuck Nessa Posted January 17, 2019 Report Posted January 17, 2019 My turntable isn't set up yet after the move but I have a short stack of things to play. This is near the top: I want to hear the Bartok 2nd from 1937 again. Quote
HutchFan Posted January 18, 2019 Report Posted January 18, 2019 Now spinning: Waymon Reed - 46th and 8th (Artists House, 1979) Quote
Gheorghe Posted January 18, 2019 Report Posted January 18, 2019 On 09.01.2019 at 6:06 PM, porcy62 said: Guess it's time for some Vodka Martini, olives and Jackie McLean's Though Jackie McLean recorded much more originals during that time, it´s welcome to hear him play standards on this. It is much better than the many Prestige records he did in the mid fifties. I also enjoy this very much. "Let´s face the music and dance" I think was not often recorded by jazz artists. A strange tune, and not too easy running thru the changes..... quite a challenge for improvisers...... Quote
soulpope Posted January 18, 2019 Report Posted January 18, 2019 On 17.1.2019 at 7:13 AM, sidewinder said: Transatlantic Very nice cover photography .... Quote
soulpope Posted January 18, 2019 Report Posted January 18, 2019 8 hours ago, Chuck Nessa said: My turntable isn't set up yet after the move but I have a short stack of things to play. This is near the top: I want to hear the Bartok 2nd from 1937 again. Outstanding .... Quote
Dan Gould Posted January 18, 2019 Report Posted January 18, 2019 Getting to the end of a large discogs order - was this one issued at the time? I did not know Mainstream to be active in 1965. Anyway had to point out the wonderful quote by Clark Terry at the end of the liners: "It seemed to me there's too much put-down music, put-on music, hurray-for-me music and the-hell-with-everybody music. So we thought we'd have some compatible music." Quote
sidewinder Posted January 18, 2019 Report Posted January 18, 2019 (edited) 18 hours ago, porcy62 said: That guy, whoever's name, knew what he was doing. I find the twoofers' sound excellent, it was my introducion to a lot of new music, maybe I am not really impartial about it. I was a bit mean on the Transatlantic - with the volume cranked up it sounds pretty good. The sound is maybe a bit crisper/polite that typical Prestige, with less ‘bloom’. The issue is from 1966 according to the label and interestingly, no RVG in the runout (not unusual for Transatlantics and Xtras). The 24000 series were some of the earliest LPs I ever got (the Rollins being first, at the time of issue). Not only generally good sonics but often fine sleevenotes too. Edited January 18, 2019 by sidewinder Quote
clifford_thornton Posted January 18, 2019 Report Posted January 18, 2019 Love that Rudd/NYAQ on America. Even if it is a boot, it's a spectacular date. Quote
sidewinder Posted January 18, 2019 Report Posted January 18, 2019 6 minutes ago, clifford_thornton said: Love that Rudd/NYAQ on America. Even if it is a boot, it's a spectacular date. Yeah, just got it cranked up and enjoying the heck out if it. Just realised that I have the ‘Free America’ CD of it too. Great sleeve design ! Quote
porcy62 Posted January 18, 2019 Report Posted January 18, 2019 2 hours ago, sidewinder said: I was a bit mean on the Transatlantic - with the volume cranked up it sounds pretty good. The sound is maybe a bit crisper/polite that typical Prestige, with less ‘bloom’. The issue is from 1966 according to the label and interestingly, no RVG in the runout (not unusual for Transatlantics and Xtras). All Transatlantic of Pentangle (and family) I've got are marvellous sounding, agree about crisper and polite, the white label's are less relaxed then later pressings/issues, that I find a little dull Quote
sidewinder Posted January 18, 2019 Report Posted January 18, 2019 Yes, the mid-70s Transatlantics are nowhere near as good. Case in point - I have a Mike Westbrook with a spindle hole concentricity issue. Typical of that era. Quote
sidewinder Posted January 18, 2019 Report Posted January 18, 2019 (edited) 1 hour ago, porcy62 said: Japanese pressing My Bergenfield copy of that one has track timings on the back and type/tempo of dance for each track. No wonder it is worn out - obviously used for dance practice ! Edited January 18, 2019 by sidewinder Quote
clifford_thornton Posted January 18, 2019 Report Posted January 18, 2019 8 hours ago, Dan Gould said: Getting to the end of a large discogs order - was this one issued at the time? I did not know Mainstream to be active in 1965. Anyway had to point out the wonderful quote by Clark Terry at the end of the liners: "It seemed to me there's too much put-down music, put-on music, hurray-for-me music and the-hell-with-everybody music. So we thought we'd have some compatible music." probably issued at the time, label began in '64. Quote
paul secor Posted January 19, 2019 Report Posted January 19, 2019 I'm not a Hal Galper fan, but Lee Konitz does some very good blowing on this one. Quote
Chuck Nessa Posted January 19, 2019 Report Posted January 19, 2019 4 hours ago, clifford_thornton said: probably issued at the time, label began in '64. I bought it while in school circa late '65. Quote
soulpope Posted January 19, 2019 Report Posted January 19, 2019 4 hours ago, paul secor said: I'm not a Hal Galper fan, but Lee Konitz does some very good blowing on this one. Good one .... Quote
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