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Posted
9 hours ago, porcy62 said:

I didn't know it existed!

Funilly enough, I prefer the sound for the side 1 tracks on the 24000 series ‘Sonny Rollins’ 2LP set. Found the Transatlantic by chance a while back - didn’t cost much either.

Posted (edited)
49 minutes ago, sidewinder said:

Yes, white label from the mid 1960s.

That guy, whoever's name, knew what he was doing.

1 hour ago, sidewinder said:

Funilly enough, I prefer the sound for the side 1 tracks on the 24000 series ‘Sonny Rollins’ 2LP set. Found the Transatlantic by chance a while back - didn’t cost much either.

I find the twoofers' sound excellent, it was my introducion to a lot of new music, maybe I am not really impartial about it.

Edited by porcy62
Posted
On ‎09‎.‎01‎.‎2019 at 6:06 PM, porcy62 said:

Guess it's time for some Vodka Martini, olives and Jackie McLean's

41454.jpg

Though Jackie McLean recorded much more originals during that time, it´s welcome to hear him play standards on this. It is much better than the many Prestige records he did in the mid fifties. I also enjoy this very much. "Let´s face the music and dance" I think was not often recorded by jazz artists. A strange tune, and not too easy running thru the changes..... quite a challenge for improvisers......

Posted
8 hours ago, Chuck Nessa said:

My turntable isn't set up yet after the move but I have a short stack of things to play. This is near the top:

s-l1600.jpg

I want to hear the Bartok 2nd from 1937 again.

Outstanding ....

Posted

The_Power_of_Postive_Swinging.jpg

 

Getting to the end of a large discogs order - was this one issued at the time?  I did not know Mainstream to be active in 1965.

Anyway had to point out the wonderful quote by Clark Terry at the end of the liners:

"It seemed to me there's too much put-down music, put-on music, hurray-for-me music and the-hell-with-everybody music. So we thought we'd have some compatible music."

Posted (edited)
18 hours ago, porcy62 said:

That guy, whoever's name, knew what he was doing.

I find the twoofers' sound excellent, it was my introducion to a lot of new music, maybe I am not really impartial about it.

I was a bit mean on the Transatlantic - with the volume cranked up it sounds pretty good. The sound is maybe a bit crisper/polite that typical Prestige, with less ‘bloom’. The issue is from 1966 according to the label and interestingly, no RVG in the runout (not unusual for Transatlantics and Xtras).

The 24000 series were some of the earliest LPs I ever got (the Rollins being first, at the time of issue). Not only generally good sonics but often fine sleevenotes too.

Edited by sidewinder
Posted
6 minutes ago, clifford_thornton said:

Love that Rudd/NYAQ on America. Even if it is a boot, it's a spectacular date.

Yeah, just got it cranked up and enjoying the heck out if it. Just realised that I have the ‘Free America’ CD of it too.

Great sleeve design !

Posted
2 hours ago, sidewinder said:

I was a bit mean on the Transatlantic - with the volume cranked up it sounds pretty good. The sound is maybe a bit crisper/polite that typical Prestige, with less ‘bloom’. The issue is from 1966 according to the label and interestingly, no RVG in the runout (not unusual for Transatlantics and Xtras).

All Transatlantic of Pentangle (and family) I've got are marvellous sounding, agree about crisper and polite, the white label's are less relaxed then later pressings/issues, that I find a little dull

Posted (edited)
1 hour ago, porcy62 said:

garlan_red~_redgarlan_101b.jpg

 

Japanese pressing

My Bergenfield copy of that one has track timings on the back and type/tempo of dance for each track. No wonder it is worn out - obviously used for dance practice !

Edited by sidewinder
Posted
8 hours ago, Dan Gould said:

The_Power_of_Postive_Swinging.jpg

 

Getting to the end of a large discogs order - was this one issued at the time?  I did not know Mainstream to be active in 1965.

Anyway had to point out the wonderful quote by Clark Terry at the end of the liners:

"It seemed to me there's too much put-down music, put-on music, hurray-for-me music and the-hell-with-everybody music. So we thought we'd have some compatible music."

probably issued at the time, label began in '64.

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