kh1958 Posted May 9, 2016 Report Share Posted May 9, 2016 (edited) Cal Tjader Plays TJazz, volume 1 (Fantasy), and Vince Guaraldi and Bola Sete, From All Sides (Fantasy) Edited May 9, 2016 by kh1958 Quote Link to comment Share on other sites More sharing options...
Clunky Posted May 9, 2016 Report Share Posted May 9, 2016 16 hours ago, clifford_thornton said: is this on Serie.WOC ? I think that is legit. I have an Overseas Japan pressing of this one, an excellent date indeed. Yes that's it. Serie.WOC is on the LP's PVC cover. Quote Link to comment Share on other sites More sharing options...
corto maltese Posted May 9, 2016 Report Share Posted May 9, 2016 On 5-5-2016 at 4:13 AM, clifford_thornton said: Would have liked to have seen that performance. By the way, the drummer, Rashid Bakr, now goes by his given name Charles Downs, and is a very fine player. I'm also very fond of the Montmartre dates. They swing hard and move freely in around form. It's stunning, balletic music. I have both on Dutch Fontana LPs (one with a Marte Röling cover design). Clifford, I found this video of the concert for you (hope this can be viewed outside Belgium): http://cobra.canvas.be/cm/cobra/videozone/archief/redactietips-cobra/jazzmiddelheim-museum/1.1056671 Quote Link to comment Share on other sites More sharing options...
soulpope Posted May 9, 2016 Report Share Posted May 9, 2016 Quote Link to comment Share on other sites More sharing options...
soulpope Posted May 9, 2016 Report Share Posted May 9, 2016 Quote Link to comment Share on other sites More sharing options...
sidewinder Posted May 9, 2016 Report Share Posted May 9, 2016 Laurie Johnson 'Synthesis' (Australian World Record Club) Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted May 9, 2016 Report Share Posted May 9, 2016 5 hours ago, corto maltese said: Clifford, I found this video of the concert for you (hope this can be viewed outside Belgium): http://cobra.canvas.be/cm/cobra/videozone/archief/redactietips-cobra/jazzmiddelheim-museum/1.1056671 ooh, nice - thanks! great set! Quote Link to comment Share on other sites More sharing options...
sidewinder Posted May 10, 2016 Report Share Posted May 10, 2016 Wayne Shorter 'Adam's Apple' (BN Liberty) Quote Link to comment Share on other sites More sharing options...
Clunky Posted May 10, 2016 Report Share Posted May 10, 2016 Ted Curson-----Tears for Dolphy-------(Fontana UK) mono MR cover Quote Link to comment Share on other sites More sharing options...
soulpope Posted May 10, 2016 Report Share Posted May 10, 2016 54 minutes ago, Clunky said: Ted Curson-----Tears for Dolphy-------(Fontana UK) mono MR cover beautiful (both music and cover art) .... Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted May 10, 2016 Report Share Posted May 10, 2016 6 hours ago, soulpope said: beautiful (both music and cover art) .... desert island record for me, assuming there's a turntable, speakers, and somewhere to plug in... Quote Link to comment Share on other sites More sharing options...
soulpope Posted May 10, 2016 Report Share Posted May 10, 2016 Quote Link to comment Share on other sites More sharing options...
chewy-chew-chew-bean-benitez Posted May 10, 2016 Report Share Posted May 10, 2016 55 minutes ago, soulpope said: oooo! Quote Link to comment Share on other sites More sharing options...
sidewinder Posted May 11, 2016 Report Share Posted May 11, 2016 Grant Green 'The Latin Bit' (BN NY USA, ear). Lucky find at £2 back in the day, sounds pretty spectacular. Quote Link to comment Share on other sites More sharing options...
Clunky Posted May 11, 2016 Report Share Posted May 11, 2016 1 hour ago, sidewinder said: Grant Green 'The Latin Bit' (BN NY USA, ear). Lucky find at £2 back in the day, sounds pretty spectacular. Nice find.. NP Freddie Roach ------Brown Sugar--------(BN) NYC stereo dg. Perhaps Frederick's least successful BN. The funereal "The Midnight Sun will never set" is an odd choice to start side 2. It brings out the worst of Roach's rinky-dink funfair style B3 playing. As a haunting ballad "All night long" is much better with Joe Henderson sounding as if he is putting at least some effort in. Albeit not much but the lazy sound works quite nicely. I'm not too surprised that M. Cuscuna overlooked reissuing this one domestically. Fair comment , any lovers of this session still awake? Quote Link to comment Share on other sites More sharing options...
paul secor Posted May 11, 2016 Report Share Posted May 11, 2016 The Mercury New Orleans Sessions 1950 (Mercury/Bear Family) Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted May 11, 2016 Report Share Posted May 11, 2016 I have a Japanese LP copy of Brown Sugar but admittedly haven't played or thought about it in years. Quote Link to comment Share on other sites More sharing options...
paul secor Posted May 11, 2016 Report Share Posted May 11, 2016 Here Come Earl "Fatha" Hines (Contact/Flying Dutchman Japan) Quote Link to comment Share on other sites More sharing options...
sidewinder Posted May 11, 2016 Report Share Posted May 11, 2016 11 hours ago, Clunky said: Nice find.. NP Freddie Roach ------Brown Sugar--------(BN) NYC stereo dg. Perhaps Frederick's least successful BN. The funereal "The Midnight Sun will never set" is an odd choice to start side 2. It brings out the worst of Roach's rinky-dink funfair style B3 playing. As a haunting ballad "All night long" is much better with Joe Henderson sounding as if he is putting at least some effort in. Albeit not much but the lazy sound works quite nicely. I'm not too surprised that M. Cuscuna overlooked reissuing this one domestically. Fair comment , any lovers of this session still awake? I like it. Think my pressing's a NY mono one but will have to check. I like Joe H's work on this LP. Quote Link to comment Share on other sites More sharing options...
danasgoodstuff Posted May 11, 2016 Report Share Posted May 11, 2016 1 hour ago, sidewinder said: I like it. Think my pressing's a NY mono one but will have to check. I like Joe H's work on this LP. LUV it, but it was the first Freddie Roach I bought, a long time ago, if I'd had Mo' Greens or one of the others first I might feel differently...but I doubt it, I love hearing Joe Hen in this context, generally prefer him as a sideman. Quote Link to comment Share on other sites More sharing options...
Homefromtheforest Posted May 12, 2016 Report Share Posted May 12, 2016 Recently picked up a whole slew of cheap albums on the Time label in really nice condition. All three are fantastic musically and sound-wise; the stereo spread on the Bennie Green doesn't even bother me that much. Stan "the man" Turrentine "vol.7" (with volume 7 on the labels indicating first press according to my jazz expert friend) Bennie Green "s/t" Kenny Dorham "jazz contemporary" Each one cost me only around $10...if only all good jazz Lps were this cheap :0 Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted May 12, 2016 Report Share Posted May 12, 2016 used to have all three of those and kept zero. Oh well. I think only the Turrentine was M- and to me the music seemed pedestrian (compared to some of the hot early Blue Notes, anyway). Quote Link to comment Share on other sites More sharing options...
Homefromtheforest Posted May 12, 2016 Report Share Posted May 12, 2016 Cmon Sonny Clark is on both the Green and Turrentine! Can't be that bad Quote Link to comment Share on other sites More sharing options...
sidewinder Posted May 12, 2016 Report Share Posted May 12, 2016 Picked up an original of that Dorham on Time for not much more than $10 in Disk Union, believe it it not. Never been a massive fan of that particular Turrentine, will give it a respin. Spinning Les McCann 'Pretty Lady' (King Pacific Jazz). With the deck rebuild all these Japanese pressings are sounding fantastic, in the case of the Pacific Jazz LPs almost certainly way better than the originals. Quote Link to comment Share on other sites More sharing options...
paul secor Posted May 12, 2016 Report Share Posted May 12, 2016 Sonny Stitt: My Mother's Eyes (Pacific Jazz Japan) Bob Porter begins his liner notes by saying that Sonny Stitt would go into a studio 3 or 4 times a year, usually with just a rhythm section, and record albums with a few blues based originals and some standards. This was is probably a cut above average, but what was the point? I know the point was that Sonny picked up a few bucks, but beyond that? Quote Link to comment Share on other sites More sharing options...
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