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the fusion-era tony williams...


Guest donald petersen

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I just recently picked up the sequel to that Arcana release, "Arc of the Testimony", and am going through it for the first time.

51KDRQFB0FL._SL500_AA240_.jpg

It's mainly a trio of Williams, Laswell, and Nicky Skopelitis, with Pharaoh Sanders, Byard Lancaster, Graham Haynes, & Buckethead on some of the tracks. Pretty intense playing by Tony here! Not really bashing to my ears, but very strong and direct.

It's interesting to me how diverse his music was right up until the end, between this and his trio recording on Columbia, "Young at Heart".

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  • 15 years later...
1 hour ago, mikeweil said:

Beat Club was the top adress at the time for jazz rock fusion tv broadcast appearances in Germany. Ginger Baker's Air Force, The Flock, Blood, Sweat & Tears with Larry Willis .... don"t know why I missed this one. Thanks for posting.

Evidently at a time when this TV show was no longer geared towards "Beat" music in the actual sense of the word. By the time they had switched to color (January 1970) the producers aimed more and more towards niche and more avantgarde tastes in pop music (even within rock, I'd say). Amazing that the bigwigs in German TV allowed the show to continue in that format until December 1972.
Hardly imaginable in today's TV, regardless of what niche and specialist tastes in rock music you'd think of  ...

I wonder if "unreleased footage" indeed means this was not broadcast at the time. Almost 10 minutes for one act would be fairly long indeed for a 60-minute show that usually accommodated 9 to 10 acts (plus emcee talk) within each show.
According to the setlist of the individual shows in the below link there is no mention of any Tony Willams appearance. No doubt it would be interesting to know which show this had been intended for and when exactly in 1970 it was recorded.

https://de.wikipedia.org/wiki/Beat-Club/Episodenliste#1970_-_Staffel_6

Edited by Big Beat Steve
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Dpn't forget that This show was hosted by Radio Bremen, in a town where the progressive pop culture had a home. It is significant that this town also became the home of the Archive für populäre Musik (which still exists). That station definitely had a more tolerant approach than others aiming at the mainstrream. And: what other pop music tv shows were there at the time? 

That this was not boradcast explains why I never saw it back then, as I watched these shows regularly and certainly would have remembered. 

Edited by mikeweil
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25 minutes ago, mikeweil said:

And: what other pop music tv shows were there at the time?

"Betty's Beat-Box-Haus"! :D :D
I very dimly remember having caught glimpses of this show on TV here and there as a kid (without really understanding or even digging it - I was not even 10 years old then) and this discussion of the "Beat Club" brought back these memories. But no -  Betty's house was no competition for the Beat Club - never!

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According to the Web, it was on ARD from 1968 to 70. But you did not miss anything.
For some reason the name of the show stuck in my memory, and years later (after I had started collecting, including Merseybeat and "all the rest"), I remembered it again, and the name stuck even more because it was sooo perfectly, absolutely "square" (play on words not really intended but unavoidable ;)).

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On 7/30/2004 at 9:50 PM, mikeweil said:

..... and here's an album no fusion basher would have participated in:

 

http://images-eu.amazon.com/images/P/B000001C3W.03.LZZZZZZZ.gif

 

Arcana - The Last Wave

Bill Laswell, Derek Bailey & Tony Williams

Totally killer album! Not a big fan of the second one even though I love the sax stuff on it, I think Buckethead is the weak link for me.

On 7/30/2004 at 9:50 PM, mikeweil said:

..... and here's an album no fusion basher would have participated in:

 

http://images-eu.amazon.com/images/P/B000001C3W.03.LZZZZZZZ.gif

 

Arcana - The Last Wave

Bill Laswell, Derek Bailey & Tony Williams

Totally killer album! Not a big fan of the second one even though I love the sax stuff on it, I think Buckethead is the weak link for me.

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Perhaps a little insight ...

Posted by Malcolm Bruce
“The following footage of LIFETIME has apparently just surfaced from the Beat Club archives. I’m wondering if there is more, although my understanding is that these in studio sessions were limited to 30 minutes. This was my Dad’s favourite band that he was involved with, for so many reasons I understand that notion, the sheer musical potential between them was self evident. Unfortunately it seems nobody really ‘got’ the concept, especially the industry. This I believe was the 2nd iteration, the first being a trio with just Tony, John and Larry, which without wishing to detract from them, was essentially a more conventional albeit avant-garde group. With the inclusion of my Dad it became something completely unprecedented. It was a time when real musicians who could actually play desired to be like rock stars as opposed to being pigeonholed by an industry devoid of insight into the potentialities of music making. And I’m not sure spiritually we have advanced since then, in fact I think we have regressed.
Also, from the comments section: apparently some footage was shown in episode 61 of Beat Club, of McLaughlin rolling his eyes and the band stopping mid play, with presenter Uschi Nerke telling the viewers, ”Lifetime have behaved so badly and arrogantly in the studio that the work didn’t lead to any presentable results and had to be cancelled.”
Read into that what we will, but I do hope there is more from this studio recording. The only other recording I have encountered from this lineup playing live is an audience recording from one of their U.K. shows (of which there were only a handful, some I believe booked by the late great Stuart Lyon) and it’s essentially unlistenable.”

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5 hours ago, BFrank said:

Perhaps a little insight ...

Posted by Malcolm Bruce
“Also, from the comments section: apparently some footage was shown in episode 61 of Beat Club, of McLaughlin rolling his eyes and the band stopping mid play, with presenter Uschi Nerke telling the viewers, ”Lifetime have behaved so badly and arrogantly in the studio that the work didn’t lead to any presentable results and had to be cancelled.”

If this was so then that footage would have been here somewhere in between (as per the link I provided in an earlier reply). Does this appear plausible?

61 28. November 1970
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4 hours ago, mikeweil said:

What's heard in the video clearly was beyond the comprehension capacities of any German rock fan or tv host of the time. No neat song structures - even The Flock or B,S & T had that. 

I mean there are some "krautrock" bands that reach similar territory to Lifetime. Have you ever listened to Exmagma? Rock trio of former members of Wolfgang Dauner's group doing fusion and prog in pretty equal measure... 

Ni0yMTE3LmpwZWc.jpeg

Edited by unitstructures
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  • 2 weeks later...

I just found a comment on a German jazz site about the video excerpts, written by Michael Rüsenberg:

"

Seit wenigen Tagen online: ein Ausschnitt aus dem bislang unveröffentlichten Auftritt von Tony Williams Lifetime im Beatclub, 24. Oktober 1970.
John McLaughlin, g, Jack Bruce, bg, voc, Larry Young, org, Tony Williams, dr.
Die Titelei ist falsch. TWL spielt einen Medley aus:
Smiles & Grins (J. Bruce) : 00:00 - 02:38
Devotion (J. McLaughlin) : 02:39 - 05:25
Smiles & Grins Reprise (J. Bruce) : 05:26 - 06:30
Dance of Maya (J. McLaughlin) : 06:30 - 09:41
Winfried Trenkler und ich waren dort. Wir kamen zu spät zur Aufzeichnung.
Wir trafen die Band (außer TW) im Hotel. Die Musiker waren verärgert über den Regisseur Mike Leckebusch (1937-2000).
Sie hatten die Aufzeichnung abgebrochen. Die sehr vage Erinnerung sagt: es habe einen Konflikt über die bereitgestellte Anlage gegeben.
Beatclub-üblich war Orange. TWL bestand auf Marshall. Erstaunlicherweise sind Boxen beider Marken im Bild.
Interessant die überbordende Kommentierung des Videos: was die Leute so alles herausfinden!
 

PS (08.09.22)
Recherchen bei Radio Bremen ergeben, dass die Chancen, weiteres Material als diese nun frenetisch begrüßten 9 Minuten und 45 Sekunden zu finden, denkbar gering sind.
That´s all there is to it!
Insider vermuten die Quelle für die jetzige YouTube-Veröffentlichung (fast 100.000 Aufrufe in 6 Tagen) auch gar nicht in Bremen, sondern in Hamburg ("...ein Maulwurf").
 

erstellt: 05.09.23
©Michael Rüsenberg, 2023. Alle Rechte vorbehalten"

It corrects the song titles and says that chances that there might be more are practically zero, there had been a disagreement about the amps, so the musicians stopped the sessions. Beat Club standard was Orange amps, but they wanted Marshall (strangely, both brands can be seen in the video). 

https://www.jazzcity.de/index.php/news/2899-tony-williams-lifetime-im-beatclub

Edited by mikeweil
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  • 7 months later...

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