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Posted

Last night it was Extraordinary Popular Delusions at the Beat Kitchen on Belmont in Chicago. Jim Baker - keyboards +, Brian Sandstrom - bass & guitar, Steve Hunt - drums and Mars Williams - reeds.  These guys are all old friends but this is the first time I heard the band in the home place.

Luckily the venue is a 10 minute bus ride from Carla's apartment.

I miss living in Chicago.

Posted
1 hour ago, Chuck Nessa said:
2 hours ago, Chuck Nessa said:

Last night it was Extraordinary Popular Delusions at the Beat Kitchen on Belmont in Chicago. Jim Baker - keyboards +, Brian Sandstrom - bass & guitar, Steve Hunt - drums and Mars Williams - reeds.  These guys are all old friends but this is the first time I heard the band in the home place.

Luckily the venue is a 10 minute bus ride from Carla's apartment.

I miss living in Chicago.

We miss you living here too.

1 hour ago, Chuck Nessa said:

About 15 minutes ago I posted the same message on Facebook and have had 14 responses.

FB either is hipper or casts a wider net -- maybe both.

Posted (edited)

My shortfalls of living in Chicago is that i have had on my mind to go... hear the band at Beat Kitchen foir about 10 years, but i never go because they will be there next week. I will go and hear them in the next couple of weeks , promised. I alsways enjoyed them when they played in the good old velvet.

 

 

Edited by uli
Posted
On 3/7/2017 at 3:23 PM, Patrick said:

 Question that I forgot to ask Frank that perhaps you can answer: in terms of tunes played, how repetitious from first set to second? [I've ever only enjoyed one at a time.]

Hi Patrick - If we're playing two sets. we almost never repeat anything from the previous one .  The exception, and it would be rare, might be a brand new piece that we're breaking in.  When we play the Jazz Standard on Thanksgiving week, the book could easily be 30 - 40 tunes deep, with material ranging from stuff she wrote or arranged in college (My Ideal, for instance) to new pieces. Maria works very hard to put sets together in such a way that everyone gets featured in each set.  Sometimes that's impossible, but that's always her goal.  When there's a recent recording, sets are usually weighted more heavily with recent material, but otherwise, we could play almost anything, from any period of the band's existence.  Thanks for making it out - it was so nice to meet you, and I'm glad you enjoyed the concert! 

Posted

After thinking about it a bit more, I think the two UMD shows were single sets. Each time I've enjoyed MSO I did notice an emphasis, not surprisingly, on new material, and a balanced approach with respect to solo features. Obviously the book, as you note, can be, and is, quite large.

I'm glad my wife said "there's the piano player" to me as we were headed out of Kennedy Center, and that the three of us had a good conversation. Next time in warmer climes (...or indoors), and two sets!

Posted

Nothing jazz wise is in my area until April:

Judy Carmichael with Harry Allen and Chris Flory

Fred Hersch solo (a 2 + hour drive)

Hopefully there will be more local booking of interest next month

but the rest of the acts haven't been announced.

 

 

Posted (edited)

Bruce Barth with Arnie Somogyi (bs) and Stephen Keogh (dms) at Malcolm Frazer's house. Great session! Bruce far more of a swinging pianist than he sounds on record.

 

Edited by BillF
Posted (edited)

I've been trying to decide if and how to write about what I experienced on Saturday night at Cornelia Street and I've come up almost empty.

I will say that Mat Maneri is insane and out of his mind and yet he is in thoroughly and completely a genius level improvisor. I will also say I'm more in awe of Randy Peterson than I've ever been. Therefor I'm even more confused about his place in the world of music as far as being almost completely unknown and therefore unheard and under appreciated.

Edited by Steve Reynolds
Posted

True dat, Steve!

I've had nowhere near the exposure to them that lucky you had and continues to have ... but last summer, the final concert at Willisau -- upside down the world seemed to be that day. Everybody there to hear a rather dreadful Joachim Kühn trio set, but no one seemed to know who those two weirdos were that happened to be there as uhm, supporting act. To me, the first set by Maneri/Peterson was pure bliss, a magic set really ... I should've known better and left right after ... the audience loved Kühn (and I got why - but that just adds to my contempt for crowds I'm afraid), which made it even more dreadful to me.

Posted

I actually like some of his music alright (Kühn-Bekkas-Lopez for instance), and I respect Ornette ... but yeah, he overplayed, underplayed, forthepeopeplayed, milked motifs noteven existing, romanticised for hours no end in c major, and he was pretending to be oh so relaxed and savvy when he was just sloppy and careless and in reality as stiff as his extremely boring (though of course technically competent [musically impotent] ... for the people, dig?) rhythm section. Funny visual detail: accompanyists bald=impotent monk like chaste, boss with lion's mane=hippy happy hoppy huppy etc diddle do dum ...

That :)

Posted

Yeah, I found that somewhat disturbing actually, was going in there fairly positive, at least neutral ... and found it pretty drab.

Pics from last night - was good, not great:

JoeLovano_ClassicQuartet_Moods_20170313_

JoeLovano_ClassicQuartet_Moods_20170313_

JoeLovano_ClassicQuartet_Moods_20170313_

Posted

Kadri Gopalnath, at Unity Church of Dallas. An amazing Carnatic saxophone concert--a single set lasting three and one quarter hours. A group consisting of alto saxophone, violin, and two percussionists. Quite wonderful music.

  • 2 weeks later...
Posted

Saw Hermeto Pascoal last night. Quite the entertainer! And at 80 years old, he's an amazing bundle of energy. A very talented group of musicians around him, too.

Glad I finally got a chance to see him after all these years.

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